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Edited by Jan Loop, Alastair Hamilton and Charles Burnett

This volume brings together the leading experts in the history of European Oriental Studies. Their essays present a comprehensive history of the teaching and learning of Arabic in early modern Europe, covering a wide geographical area from southern to northern Europe and discussing the many ways and purposes for which the Arabic language was taught and studied by scholars, theologians, merchants, diplomats and prisoners. The contributions shed light on different methods and contents of language teaching in a variety of academic, scholarly and missionary contexts in the Protestant and the Roman Catholic world. But they also look beyond the institutional history of Arabic studies and consider the importance of alternative ways in which the study of Arabic was persued.

Contributors are Asaph Ben Tov, Maurits H. van den Boogert, Sonja Brentjes, Mordechai Feingold, Mercedes García-Arenal, John-Paul A. Ghobrial, Aurélien Girard, Alastair Hamilton, Jan Loop, Nuria Martínez de Castilla Muñoz, Simon Mills, Fernando Rodríguez Mediano, Bernd Roling, Arnoud Vrolijk.

This title, in its entirety, is available online in Open Access.

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Geoffrey Khan

This work is a detailed documentation of the Neo-Aramaic dialect spoken by Assyrian Christians in the region of Urmi (northwestern-Iran). It consists of four volumes. Volumes 1 and 2 are descriptions of the grammar of the dialect, including the phonology, morphology and syntax. Volume 3 contains a study of the lexicon, consisting of a series of lists of words in various lexical fields and a full dictionary with etymologies. Volume 4 contains transcriptions and translations of oral texts, including folktales and descriptions of culture and history. The Urmi dialect is the most important dialect among the Assyrian Christian communities, since it forms the basis of a widely-used literary form of Neo-Aramaic.

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Paul S. Stevenson

In Stanzaic Syntax in the Madrashe of Ephrem the Syrian, which focuses on madrāšê V and VI in the Paradise cycle, Paul S. Stevenson looks at Ephrem’s poetic art from the point of view of a linguist. This study goes beyond the traditional levels of analysis, the clause and the sentence, and examines the structure of whole stanzas as units. The result is a surprisingly rich tapestry of syntactic patterning, which can justly be considered the key to Ephrem’s prosody. The driving force behind Ephrem’s poetry turns out not to be meter or sound play, but a variety of syntactic templates, which include even vertical patterning of constituents.