Kant on Conscience Emre Kazim offers the first systematic treatment of Kant’s theory of conscience. Contrary to the scholarly consensus, Kazim argues that Kant’s various discussions of conscience - as practical reason, as a feeling, as a power, as a court, as judgement, as the voice of God, etc. - are philosophically coherent aspects of the same unified thing (‘Unity Thesis’). Through conceptual reconstruction and historical contextualisation of the primary texts, Kazim both presents Kant’s notion of conscience as it relates to his critical thought and philosophically evaluates the coherence of his various claims. In light of this, Kazim shows the central role that conscience plays in the understanding of Kantian ethics as a whole.
A Companion to Alain Chartier: Father of French Eloquence brings together fourteen contributions that offer a range of perspectives and insights into the works of this exceptional late medieval author. As heir to the past and herald of the future, Chartier reinvented the traditional, whether in Latin or French, verse or prose. Chartier’s open-ended, dialogic works and his own politically-engaged writing inspired his successors to think and write in new ways about ethics, the individual’s role in society, relationships between men and women, and the responsibility of a poet to his/her audience. As these essays show, Chartier’s renovation of poetic form and content had considerable influence over successive generations of writers in France and across Europe.
Contributors are: Adrian Armstrong, Florence Bouchet, Emma Cayley, Daisy Delogu, Ashby Kinch, James C. Laidlaw, Marta Marfany, Deborah McGrady, Joan E. McRae, Jean-Claude Mühlethaler, Liv Robinson, Camille Serchuk, Andrea Tarnowski, Craig Taylor, and Hanno Wijsman.
Although little known today, the Utrecht physician and town councillor Lambert van Velthuysen (1622–1685) was a prolific Dutch seventeenth-century philosopher and a vociferous advocate of the new philosophies of Descartes and Hobbes.
The Letter on the Principles of Justness and Decency of 1651 constitutes both the first published reaction to Hobbes's political philosophy and the first attempt by a Dutch philosopher at using Hobbes to supply a ‘Cartesian’ moral philosophy. It is also a highly original work that seeks to define the nature of virtue and vice and to justify the magistrate's right to punish crimes. It will thus be of interest not only to historians of philosophy but to all those interested in the social and cultural history of the Dutch Golden Age.