The essays collected in
Fate and Prognostication in the Chinese Literary Imagination deal with the philosophical, psychological, gender and cultural issues in the Chinese conception of fate as represented in literary texts and films, with a focus placed on human efforts to solve the riddles of fate prediction. Viewed in this light, the collected essays unfold a meandering landscape of the popular imaginary in Chinese beliefs and customs.
The chapters in this book represent concerted efforts in research originated from a project conducted at the International Consortium for Research in the Humanities at the Friedrich-Alexander-University Erlangen-Nuremberg, Germany.
Contributors are Michael Lackner, Kwok-kan Tam, Monika Gaenssbauer, Terry Siu-han Yip, Xie Qun, Roland Altenburger, Jessica Tsui-yan Li, Kaby Wing-Sze Kung, Nicoletta Pesaro, Yan Xu-Lackner, and Anna Wing Bo Tso.
A Dialogue between Haizi’s Poetry and the Gospel of Luke Xiaoli Yang offers a conversation between the Chinese soul-searching found in Haizi’s (1964–1989) poetry and the gospel of Jesus Christ through Luke’s testimony. It creates a unique contextual poetic lens that appreciates a generation of the Chinese homecoming journey through Haizi’s poetry, and explores its relationship with Jesus Christ. As the dialogical journey, it names four stages of homecoming—roots, vision, journey and arrival. By taking an interdisciplinary approach—literary study, inter-cultural dialogue and comparative theology, Xiaoli Yang convincingly demonstrates that the common language between the poet Haizi and the Lukan Jesus provides a crucial and rich source of data for an ongoing table conversation between culture and faith.
Roaming into the Beyond Zornica Kirkova provides the first detailed study in a Western language of Daoism-inspired themes in early medieval Chinese poetry. She examines representations of Daoist
xian immortality in a broad range of versified literature from the Han until the end of the Six Dynasties, focusing on the transformations of themes, concepts, and imagery within a wide literary and religious context. Adopting a more integrated approach, the author explores both the complex interaction between poetry and Daoist religion and the interrelations between various verse forms and poetic themes. This book not only enhances our understanding of the complexities of early medieval literature but also reevaluates the place of Daoist religious thought in the intellectual life of the period.