The Allen-Unger Database contains price series for commodities from locations in Europe from the late Middle Ages to 1914 and also from cities in the Americas, the Middle East and the Far East. It is also possible to search for series by date range, location and commodity or any combination of the three. Data are reported in Excel spreadsheets with the files downloadable. The Database serves as a useful tool for various forms of research in economic history and in social history with the information presented in an easily accessible and flexible format. The data are available at three different sites, each with its own unique features and advantages.
Social and Economic History
R. C. Allen and R. W. Unger
Social and Behavioural Scienes
M. P. J. Ashby
The study of spatial and temporal crime patterns is important for both academic understanding of crime-generating processes and for policies aimed at reducing crime. However, studying crime and place is often made more difficult by restrictions on access to appropriate crime data. This means understanding of many spatio-temporal crime patterns are limited to data from a single geographic setting, and there are few attempts at replication. This article introduces the Crime Open Database (code), a database of 16 million offenses from 10 of the largest United States cities over 11 years and more than 60 offense types. Open crime data were obtained from each city, having been published in multiple incompatible formats. The data were processed to harmonize geographic co-ordinates, dates and times, offense categories and location types, as well as adding census and other geographic identifiers. The resulting database allows the wider study of spatio-temporal patterns of crime across multiple US cities, allowing greater understanding of variations in the relationships between crime and place across different settings, as well as facilitating replication of research.
Social and Behavioural Sciences
Stéphane Baciocchi, Laurent Beauguitte, Pierre Blavier and Nicolas Lambert
In the spring of 2016, France saw a major social movement, with strikes and demonstrations, and a new form of protest, the Nuit Debout. Following the Occupy Wall Street and Los Indignados models, open air assemblies started in Paris on March 31 and then spread throughout France and abroad. The dataset presented here provides the exhaustive list of Nuit Debout gatherings that took place in France in April 2016 and an estimation of their audience. The data was gathered by a small multidisciplinary team (geographers, historian and sociologist) who consulted three main sources: a wiki created by the Nuit Debout movement, Facebook pages and groups created by local assemblies, and the regional press. Combining these sources made it possible to identify 1300 assemblies that took place in 215 different locations. The dataset available online is provided with an R script that generates a dynamic map of the Nuit Debout diffusion.
Maartje Janse and Anne-Lot Hoek
This publication emerges from a process of co-creation in which historian Maartje Janse and research journalist Anne-Lot Hoek challenge the dominant national narrative about the colonial experience in the Dutch East Indies (present-day Indonesia). In combining journalistic and academic writing with musical performance by musician Ernst Jansz they amplify the critical voices that have spoken out against colonial injustice and that have long been ignored in public and academic debate. Even though it is often suggested that the mindset of people in the past prevented them from seeing what was wrong with things we now find highly problematic, they argue that there was indeed a tradition of colonial criticism in the Netherlands, one that included the voices of many ‘forgotten critics’ whose lives and criticism are the subject of this publication. The voices however were for a long time overlooked by Dutch historians. The publication is organized around the biographies of several critics (whose lives Janse and Hoek have published on before), the historical debate afterwards and includes reflective videos and texts on the process of co-creation.
Maartje Janse started the process by tracing the life history of an outspoken nineteenth-century critic of the colonial system in the Dutch East Indies, Willem Bosch. The authors argue that it was not self-evident how criticism of colonial injustices should be voiced and that Bosch experimented with different methods, including organizing one of the first Dutch pressure groups.
The story of Willem Bosch inspired Ernst Jansz, a Dutch musician with Indo roots, to compose a song (‘De ballade van Sarina en Kromo’). It is an interpretation of an old Malaysian ‘krontjong’ song, that Jansz transformed into a protest song that reminds its listeners of protest songs of the 1960s and 1970s. Jansz, in his lyrics, adds an indigenous perspective to this project. He performed the song during the Voice4Thought festival in 2016, a gathering that aimed to reflect upon migration and mobility in current times. Filmmaker Sjoerd Sijsma made a video ‘pamplet’ in which the performance of Ernst Jansz, an interview with Maartje Janse, and historical images from the colonial period have been combined.
Anne-Lot Hoek connected Willem Bosch to a series of twentieth-century anti-colonial critics such as Dutch Indies civil servant Siebe Lijftogt, Indonesian nationalists Sutan Sjahrir, Rachmad Koesoemobroto, Dutch writer Rudy Kousbroek and Indonesian activist Jeffry Pondaag. She argues that dissenting voices have been underrepresented in the post-war debates on colonialism and its legacy for decades, and that one of the main reasons is that the notion of the objective historian was not effectively problematized for a long time.