Dialectics of Spontaneity, Zhiyi Yang examines Su Shi’s poetry on art and connoisseurship, his emulation of Tao Qian in exile poetry, and his inner alchemical practice. She argues that the concept of absolute spontaneity is defined negatively, and artistic and ethical spontaneity which can be actualized must be provisional and conditioned.
This book argues that Su Shi’s lyrical persona of a 'spontaneous genius' is a construction that serves various rhetorical and existential purposes. Making use of Su’s prolific works and referring to a broad scope of Western philosophy, this book not only enriches the literature on Su Shi, but further attempts to engages Chinese literature in a cross-cultural and interdisciplinary dialogue.
The 31 selected and revised articles in the volume
Holy Ground: Where Art and Text Meet, written by Hans Bakker between 1986 and 2016, vary from theoretical subjects to historical essays on the classical culture of India. They combine two mainstreams: the Sanskrit textual tradition, including epigraphy, and the material culture as expressed in works of religious art and iconography. The study of text and art in close combination in the actual field where they meet provides a great potential for understanding. The history of holy places is therefore one of the leitmotivs that binds these studies together.
One article, "The Ramtek Inscriptions II", was co-authored by Harunaga Isaacson, two articles, on "Moksadharma 187 and 239–241" and "The Quest for the Pasupata Weapon," by Peter C. Bisschop.