This illustrated essay highlights some conceptual problems that arise when we consider the nature of visual perception and its relationship to art. Science proceeds on the assumption that natural phenomena operate rationally and can be explained rationally. Yet the study of art shows that many ordinary acts of perception, such as looking at a picture, can be paradoxical, logically contradictory and self-referential. I conclude that we must confront these problems if we are to reconcile the scientific approach to explaining visual perception with artistic and philosophical discoveries.
Jens Christoffer Skogen and Sverre Nesvåg
Sense of time is a fundamental aspect of human psychology. The Zimbardo Time Perspective Inventory (ZTPI) is a widely used questionnaire meant to measure fundamental experiential dimensions of time, such as past, present and future. The aim of this study was to establish model fit of a Norwegian extended version of the ZTPI. The study is based on a convenience sample of 713 individuals. Based on previous findings, we employed confirmatory factor analysis and exploratory structural equation modelling to investigate different factor structures of ZTPI. The analyses were carried out using the WLSMV-estimation approach, and several fit indices was used as indicators of how well the data fitted the suggested factor structure. This first investigation of a Norwegian version of ZTPI did not find support for the original 56-item scale, the S-ZTPI version (64 items), nor an extended version that also incorporated the transcendental time perspective (74 items). In post-hoc analyses, we identified a model with 34 items and 7 factors that fitted the data adequately. Further studies should investigate the factor structure of ZTPI in a Norwegian context, and international studies should investigate how the transcendental time perspective relates to the rest of ZTPI.
Noelle R. B. Stiles, Armand R. Tanguay Jr. and Shinsuke Shimojo
In the original double flash illusion, a visual flash (e.g., a sharp-edged disk, or uniformly filled circle) presented with two short auditory tones (beeps) is often followed by an illusory flash. The illusory flash has been previously shown to be triggered by the second auditory beep. The current study extends the double flash illusion by showing that this paradigm can not only create the illusory repeat of an on-off flash, but also trigger an illusory expansion (and in some cases a subsequent contraction) that is induced by the flash of a circular brightness gradient (gradient disk) to replay as well. The perception of the dynamic double flash illusion further supports the interpretation of the illusory flash (in the double flash illusion) as similar in its spatial and temporal properties to the perception of the real visual flash, likely by replicating the neural processes underlying the illusory expansion of the real flash. We show further that if a gradient disk (generating an illusory expansion) and a sharp-edged disk are presented simultaneously side by side with two sequential beeps, often only one visual stimulus or the other will be perceived to double flash. This indicates selectivity in auditory–visual binding, suggesting the usefulness of this paradigm as a psychophysical tool for investigating crossmodal binding phenomena.
Galit Buchs, Benedetta Heimler and Amir Amedi
Visual-to-auditory Sensory Substitution Devices (SSDs) are a family of non-invasive devices for visual rehabilitation aiming at conveying whole-scene visual information through the intact auditory modality. Although proven effective in lab environments, the use of SSDs has yet to be systematically tested in real-life situations. To start filling this gap, in the present work we tested the ability of expert SSD users to filter out irrelevant background noise while focusing on the relevant audio information. Specifically, nine blind expert users of the EyeMusic visual-to-auditory SSD performed a series of identification tasks via SSDs (i.e., shape, color, and conjunction of the two features). Their performance was compared in two separate conditions: silent baseline, and with irrelevant background sounds from real-life situations, using the same stimuli in a pseudo-random balanced design. Although the participants described the background noise as disturbing, no significant performance differences emerged between the two conditions (i.e., noisy; silent) for any of the tasks. In the conjunction task (shape and color) we found a non-significant trend for a disturbing effect of the background noise on performance. These findings suggest that visual-to-auditory SSDs can indeed be successfully used in noisy environments and that users can still focus on relevant auditory information while inhibiting irrelevant sounds. Our findings take a step towards the actual use of SSDs in real-life situations while potentially impacting rehabilitation of sensory deprived individuals.
Mercedes B. Villalonga, Rachel F. Sussman and Robert Sekuler
Beats are among the basic units of perceptual experience. Produced by regular, intermittent stimulation, beats are most commonly associated with audition, but the experience of a beat can result from stimulation in other modalities as well. We studied the robustness of visual, vibrotactile, and bimodal signals as sources of beat perception. Subjects attempted to discriminate between pulse trains delivered at 3 Hz or at 6 Hz. To investigate signal robustness, we intentionally degraded signals on two-thirds of the trials using temporal-domain noise. On these trials, inter-pulse intervals (IPIs) were stochastic, perturbed independently from the nominal IPI by random samples from zero-mean Gaussian distributions with different variances. These perturbations produced directional changes in the IPIs, which either increased or decreased the likelihood of confusing the two pulse rates. In addition to affording an assay of signal robustness, this paradigm made it possible to gauge how subjects’ judgments were influenced by successive IPIs. Logistic regression revealed a strong primacy effect: subjects’ decisions were disproportionately influenced by a trial’s initial IPIs. Response times and parameter estimates from drift-diffusion modeling showed that information accumulates more rapidly with bimodal stimulation than with either unimodal stimulus alone. Analysis of error rates within each condition suggested consistently optimal decision making, even with increased IPI variability. Finally, beat information delivered by vibrotactile signals proved just as robust as information conveyed by visual signals, confirming vibrotactile stimulation’s potential as a communication channel.
Anne Giersch and Jennifer T. Coull
Ronald P. Gruber, Ryan P. Smith and Richard A. Block
Flow and passage of time puzzles were analyzed by first clarifying their roles in the current multidisciplinary understanding of time in consciousness. All terms ( flow, passage, happening, becoming) are carefully defined. Flow and passage are defined differently, the former involving the psychological aspects of time and the latter involving the evolving universe and associated new cerebral events. The concept of the flow of time (FOT) is deconstructed into two levels: (a) a lower level ― a perceptual dynamic flux, or happening, or flow of events (not time); and (b) an upper level ― a cognitive view of past/present/future in which the observer seems to move from one to the other. With increasing evidence that all perception is a discrete continuity provided by illusory perceptual completion, the lower-level FOT is essentially the result of perceptual completion. The brain conflates the expression flow (passage, for some) of time with experiences of perceptual completion. However, this is an illusory percept. Converging evidence on the upper-level FOT reveals it as a false cognition that has the illusory percept of object persistence as its prerequisite. To research this argument, an experiment that temporarily removes the experience of the lower-level FOT might be conducted. The claustrum of the brain (arguably the center of consciousness) should be intermittently stimulated to create a scenario of discrete observations (involving all the senses) with long interstimulus intervals of non-consciousness and thereby no perceptual completion. Without perceptual completion, there should be no subjective experience of the lower-level FOT.
Edited by Argiro Vatakis, Fuat Balcı, Massimiliano Di Luca and Ángel Correa
Contributors are: Patricia V. Agostino, Rocío Alcalá-Quintana, Fuat Balcı, Karin Bausenhart, Richard Block, Ivana L. Bussi, Carlos S. Caldart, Mariagrazia Capizzi, Xiaoqin Chen, Ángel Correa, Massimiliano Di Luca, Céline Z. Duval, Mark T. Elliott, Dagmar Fraser, David Freestone, Miguel A. García-Pérez, Anne Giersch, Simon Grondin, Nori Jacoby, Florian Klapproth, Franziska Kopp, Maria Kostaki, Laurence Lalanne, Giovanna Mioni, Trevor B. Penney, Patrick E. Poncelet, Patrick Simen, Ryan Stables, Rolf Ulrich, Argiro Vatakis, Dominic Ward, Alan M. Wing, Kieran Yarrow, and Dan Zakay.
Time is a fundamental dimension of human perception, cognition and action, as the processing and cognition of temporal information is essential for everyday activities and survival. Innumerable studies have investigated the perception of time over the last 100 years, but the neural and computational bases for the processing of time remains unknown. Extant models of time perception are discussed before the proposition of a unified model of time perception that relates perceived event timing with perceived duration. The distinction between perceived event timing and perceived duration provides the current for navigating a river of contemporary approaches to time perception. Recent work has advocated a Bayesian approach to time perception. This framework has been applied to both duration and perceived timing, where prior expectations about when a stimulus might occur in the future (prior distribution) are combined with current sensory evidence (likelihood function) in order to generate the perception of temporal properties (posterior distribution). In general, these models predict that the brain uses temporal expectations to bias perception in a way that stimuli are ‘regularized’ i.e. stimuli look more like what has been seen before. As such, the synthesis of perceived timing and duration models is of theoretical importance for the field of timing and time perception.