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This series of essays organized into sections on Jesuit Circuits of Communication and Publication; Jesuit World Maps in Chinese; Reverberations of Matteo Ricci's Maps in East Asia; and Reflections on the Curation of Cartographic Knowledge, go a long way toward answering these questions about the shaping of our modern understandings of the world.
This series of essays organized into sections on Jesuit Circuits of Communication and Publication; Jesuit World Maps in Chinese; Reverberations of Matteo Ricci's Maps in East Asia; and Reflections on the Curation of Cartographic Knowledge, go a long way toward answering these questions about the shaping of our modern understandings of the world.
Reversing Mircea Eliade’s popular thesis, the author concludes that the concept of the human-made horizontal microcosm is not a reflection but the source of the religious concept of the macrocosm with gods dwelling high up in the sky.
The open access publication of this book has been published with the support of the Swiss National Science Foundation.
Reversing Mircea Eliade’s popular thesis, the author concludes that the concept of the human-made horizontal microcosm is not a reflection but the source of the religious concept of the macrocosm with gods dwelling high up in the sky.
The open access publication of this book has been published with the support of the Swiss National Science Foundation.
Abstract
Texts from pre-imperial and early imperial China are replete with dietary information, regimens for nourishing the body and instructions on how not to soil its inner purity. Sources have far less to say about the body’s effluvia and the waste and muck that is shed and excreted by human and non-human animals. This article studies references to excreta and excretion in early China. It shows how human and animal faeces as well as the locus of excretion connoted both negative and positive spheres. Excreta were deemed noxious yet also beneficial, they were to be discarded yet also reused. Latrines were liminal zones, operating at the intersection of social propriety and physical and moral rejection. The process of excretion made the body vulnerable to external influences such as demonic illness, yet faecal matter of itself also had medicinal healing powers. In agriculture, matter exuded was matter used to fecundate and fertilize crops. The waste and human nightsoil that accumulated in the concealed domestic space of the latrine and pigpen ended up as sought-after produce infusing life into seeds, fields, and public productivity. By bringing together evidence across a range of textual and material sources – from latrines, to pigs, to a line in the Laozi 老子 and its commentaries – this article traces excretory experience and matter through its cycle from defecation to regeneration.
Abstract
The Dutch neo-Calvinist mission (Zending) on Sumba in Indonesia, an area known for its Marapu ancestor religion, started in 1902. The independent Sumbanese church (Gereja Kristen Sumba, GKS) was established at the 1947 Synod. One century later, by 2002, two out of three inhabitants were Christian. The research question is whether the rise of a vital GKS was facilitated by education and ‘antithetical’ notions of freedom offered by neo-Calvinist Zending. The answer is that the Zending empowered Sumbanese Christians to decide for themselves whether to preserve traditional customs (adat), so they could build the GKS from the bottom up. This answer is based on archival material – including the unexplored archive of Rev. P.J. Lambooij – and on a dozen semi-structured interviews with Sumbanese spokespersons in 2006, 2016 and 2019. Macro-level explanations – capitalism, modernity, or colonialism – hardly appear to account for the transformation to Sumbanese Christianity.
Abstract
The novel Coming through Slaughter (1976), a story of a talented musician’s pursuit of real art and the true self, is based on Buddy Bolden, a jazz cornet player from New Orleans, Louisiana, in early twentieth-century America. Author Michael Ondaatje shows his originality in creating a ‘jazz novel’ that transcends the boundary between music and literature, in which three jazz-like features – collage, improvisation, and intersubjectivity – are embodied in characterization, theme presentation, and narration. By virtue of the unique free elements of jazz, Ondaatje maximizes the postmodern features of the novel and vividly depicts the complex subjectivity of the characters.