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Seldom verified or authorized, and frequently rejected by Churches, apocryphal texts had their own process of development, undergoing significant transformations. The book shows how apocryphal accounts could become a medium of literary and artistic elaboration and mythological creativity. Local adaptations of Biblical stories indicate that copyists, authors and artists conceived of themselves as living not in a post-Biblical era, but in direct continuity with Biblical personages.
Seldom verified or authorized, and frequently rejected by Churches, apocryphal texts had their own process of development, undergoing significant transformations. The book shows how apocryphal accounts could become a medium of literary and artistic elaboration and mythological creativity. Local adaptations of Biblical stories indicate that copyists, authors and artists conceived of themselves as living not in a post-Biblical era, but in direct continuity with Biblical personages.
Contributors are Nora C. Benedict, Erik Ekman, Denise K. Filios, Ryan D. Giles, Michelle Hamilton, Carlos Heusch, José Manuel Hidalgo, Gregory S. Hutcheson, Veronica Menaldi, Simone Pinet, Michael R. Solomon.
Contributors are Nora C. Benedict, Erik Ekman, Denise K. Filios, Ryan D. Giles, Michelle Hamilton, Carlos Heusch, José Manuel Hidalgo, Gregory S. Hutcheson, Veronica Menaldi, Simone Pinet, Michael R. Solomon.
Contributors are Michael D. Swartz, Helen R. Jacobus, Alessia Bellusci, Blanca Villuendas Sabaté, Shraga Bar-On, Josefina Rodríguez-Arribas, Amos Geula, Dov Schwartz, Joseph Ziegler, and Charles Burnett.
Contributors are Michael D. Swartz, Helen R. Jacobus, Alessia Bellusci, Blanca Villuendas Sabaté, Shraga Bar-On, Josefina Rodríguez-Arribas, Amos Geula, Dov Schwartz, Joseph Ziegler, and Charles Burnett.