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A Quest to Re-Conceptualize Responsibility
Clinical Trials and the African Person aims to position the African notion of the self/person within the clinical trials context. As opposed to autonomy-based principlism, this other-regarding/communalist perspective is the preferred alternative model. This tactic draws further attention to the inadequacy of the principlist approach particularly in multicultural settings. It also engenders a rethink, stimulates interest, and re-assesses the failed assumptions of universal ethical principles.
As a novel attempt that runs against much of the prevailing (Euro-American) intellectual mood, this approach strives to introduce the African viewpoint by making explicit the import of the self in a re-contextualized arena, meaning within the community and a given milieu. Thus, research ethics must go beyond autonomy-based considerations for the individual, to rightly embed him/her within his/her community and the environment.
As a novel attempt that runs against much of the prevailing (Euro-American) intellectual mood, this approach strives to introduce the African viewpoint by making explicit the import of the self in a re-contextualized arena, meaning within the community and a given milieu. Thus, research ethics must go beyond autonomy-based considerations for the individual, to rightly embed him/her within his/her community and the environment.
A Quest to Re-Conceptualize Responsibility
Clinical Trials and the African Person aims to position the African notion of the self/person within the clinical trials context. As opposed to autonomy-based principlism, this other-regarding/communalist perspective is the preferred alternative model. This tactic draws further attention to the inadequacy of the principlist approach particularly in multicultural settings. It also engenders a rethink, stimulates interest, and re-assesses the failed assumptions of universal ethical principles.
As a novel attempt that runs against much of the prevailing (Euro-American) intellectual mood, this approach strives to introduce the African viewpoint by making explicit the import of the self in a re-contextualized arena, meaning within the community and a given milieu. Thus, research ethics must go beyond autonomy-based considerations for the individual, to rightly embed him/her within his/her community and the environment.
As a novel attempt that runs against much of the prevailing (Euro-American) intellectual mood, this approach strives to introduce the African viewpoint by making explicit the import of the self in a re-contextualized arena, meaning within the community and a given milieu. Thus, research ethics must go beyond autonomy-based considerations for the individual, to rightly embed him/her within his/her community and the environment.
Writers of Indian origin seldom appear in the South African literary landscape, although the participation of Indian South Africans in the anti-apartheid struggle was anything but insignificant. The collective experiences of violence and the plea for reconciliation that punctuate the rhythms of post-apartheid South Africa delineate a national script in which ethnic, class, and gender affiliations coalesce and patterns of connectedness between diverse communities are forged.
Relations and Networks in South African Indian Writing brings the experience of South African Indians to the fore, demonstrating how their search for identity is an integral part of the national scene’s project of connectedness. By exploring how ‘Indianness’ is articulated in the South African national script through the works of contemporary South African Indian writers, such as Aziz Hassim, Ahmed Essop, Farida Karodia, Achmat Dangor, Shamim Sarif, Ronnie Govender, Rubendra Govender, Neelan Govender, Tholsi Mudly, Ashwin Singh, and Imraan Coovadia, along with the prison memoirists Dr Goonam and Fatima Meer, the book offers a theoretical model of South–South subjectivities that is deeply rooted in the Indian Ocean world and its cosmopolitanisms.
Relations and Networks demonstrates convincingly the permeability of identity that is the marker of the Indian Ocean space, a space defined by ‘relations and networks’ established within and beyond ethnic, class, and gender categories.
CONTRIBUTORS
Isabel Alonso–Breto, M.J. Daymond, Felicity Hand, Salvador Faura, Farhad Khoyratty, Esther Pujolràs–Noguer, J. Coplen Rose, Modhumita Roy, Lindy Stiebel, Juan Miguel Zarandona
CONTRIBUTORS
Isabel Alonso–Breto, M.J. Daymond, Felicity Hand, Salvador Faura, Farhad Khoyratty, Esther Pujolràs–Noguer, J. Coplen Rose, Modhumita Roy, Lindy Stiebel, Juan Miguel Zarandona
Series:
Cross/Cultures, Volume: 203
Writers of Indian origin seldom appear in the South African literary landscape, although the participation of Indian South Africans in the anti-apartheid struggle was anything but insignificant. The collective experiences of violence and the plea for reconciliation that punctuate the rhythms of post-apartheid South Africa delineate a national script in which ethnic, class, and gender affiliations coalesce and patterns of connectedness between diverse communities are forged.
Relations and Networks in South African Indian Writing brings the experience of South African Indians to the fore, demonstrating how their search for identity is an integral part of the national scene’s project of connectedness. By exploring how ‘Indianness’ is articulated in the South African national script through the works of contemporary South African Indian writers, such as Aziz Hassim, Ahmed Essop, Farida Karodia, Achmat Dangor, Shamim Sarif, Ronnie Govender, Rubendra Govender, Neelan Govender, Tholsi Mudly, Ashwin Singh, and Imraan Coovadia, along with the prison memoirists Dr Goonam and Fatima Meer, the book offers a theoretical model of South–South subjectivities that is deeply rooted in the Indian Ocean world and its cosmopolitanisms.
Relations and Networks demonstrates convincingly the permeability of identity that is the marker of the Indian Ocean space, a space defined by ‘relations and networks’ established within and beyond ethnic, class, and gender categories.
CONTRIBUTORS
Isabel Alonso–Breto, M.J. Daymond, Felicity Hand, Salvador Faura, Farhad Khoyratty, Esther Pujolràs–Noguer, J. Coplen Rose, Modhumita Roy, Lindy Stiebel, Juan Miguel Zarandona
CONTRIBUTORS
Isabel Alonso–Breto, M.J. Daymond, Felicity Hand, Salvador Faura, Farhad Khoyratty, Esther Pujolràs–Noguer, J. Coplen Rose, Modhumita Roy, Lindy Stiebel, Juan Miguel Zarandona
A Polemical Bibliography
Series:
Cross/Cultures, Volume: 199
The White Spaces of Kenyan Settler Writing provides an overview of Kenyan literature by white writers in the half-century before Independence in 1964. Such literature has been over-shadowed by that of black writers to the point of critical ostracism. It deserves attention for its own sake, as the expression of a community that hoped for permanence but suffered both disappointment and dispossession. It deserves attention for its articulation of an increasingly desperate colonial and Imperial situation at a time when both were being attacked and abandoned in Africa, as in other colonies elsewhere, and when a counter-discourse was being constructed by writers in Britain as well as in Africa. Kenya was likely the best-known twentieth-century colony, for it attracted publicity for its iconic safaris and its Happy Valley scandals. Yet behind such scenes were settlers who had taken over lands from the native peoples and who were trying to make a future for themselves, based on the labour, willing or forced, of those people. This situation can be seen as a microcosm of one colonial exercise, and can illuminate the historical tensions of such times. The bibliography is an attempt to collect the literary resources of white Kenya in this historically significant period.
A Polemical Bibliography
Series:
Cross/Cultures, Volume: 199
The White Spaces of Kenyan Settler Writing provides an overview of Kenyan literature by white writers in the half-century before Independence in 1964. Such literature has been over-shadowed by that of black writers to the point of critical ostracism. It deserves attention for its own sake, as the expression of a community that hoped for permanence but suffered both disappointment and dispossession. It deserves attention for its articulation of an increasingly desperate colonial and Imperial situation at a time when both were being attacked and abandoned in Africa, as in other colonies elsewhere, and when a counter-discourse was being constructed by writers in Britain as well as in Africa. Kenya was likely the best-known twentieth-century colony, for it attracted publicity for its iconic safaris and its Happy Valley scandals. Yet behind such scenes were settlers who had taken over lands from the native peoples and who were trying to make a future for themselves, based on the labour, willing or forced, of those people. This situation can be seen as a microcosm of one colonial exercise, and can illuminate the historical tensions of such times. The bibliography is an attempt to collect the literary resources of white Kenya in this historically significant period.