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Applied Arts in British Exile from 1933

Changing Visual and Material Culture

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Edited by Marian Malet, Rachel Dickson, Sarah MacDougall and Anna Nyburg

Yearbook Volume 19 continues an investigation which began with Arts in Exile in Britain 1933-45 (Volume 6, 2004). Twelve chapters, ten in English and two in German, address and analyse the significant contribution of émigrés across the applied arts, embracing mainstream practices such as photography, architecture, advertising, graphics, printing, textiles and illustration, alongside less well known fields of animation, typography and puppetry. New research adds to narratives surrounding familiar émigré names such as Oskar Kokoschka and Wolf Suschitzky, while revealing previously hidden contributions from lesser known practitioners. Overall, the volume provides a valuable addition to the understanding of the applied arts in Britain from the 1930s onwards, particularly highlighting difficulties faced by refugees attempting to continue fractured careers in a new homeland.

Contributors are: Rachel Dickson, Burcu Dogramaci, Deirdre Fernand, Fran Lloyd, David Low, John March, Sarah MacDougall, Anna Nyburg, Pauline Paucker, Ines Schlenker, Wilfried Weinke, and Julia Winckler.
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Edited by Isabelle Roussel-Gillet and Évelyne Thoizet

Dirigé par Roussel-Gillet et Evelyne Thoizet, La miniature, dispositif artistique et modèle épistémologique s’interroge sur les nouvelles fonctions de la miniature à la croisée des arts, de l’architecture, de la littérature, des sciences et des techniques, depuis le début des années 1960. Ludique, cognitive, didactique, la miniature permet d’abord d’approcher, de comprendre et de dominer la complexité du réel (maquette, modèle réduit, maison de poupée, diorama, aquarium, etc.) mais elle constitue aussi une œuvre d’art à part entière qui change notre rapport au monde et modifie notre regard. Contrairement au fragment et au détail, souvent étudiés, elle représente l’objet dans sa totalité en changeant d’échelle, et ouvre la connaissance et l’imagination à de nouveaux mondes.

Co-edited by Isabelle Roussel-Gillet and Evelyne Thoizet, La miniature, dispositif artistique et modèle épistémologique focuses on the new functions of the miniature at the crossroads of visual arts, architecture, literature, technology and sciences since the early 1960s. Playful, cognitive or didactic, the miniature (as model, dollhouse, aquarium, diorama…) allows us to approach, understand and perhaps dominate a complex reality. Many contemporary artists consider the miniature as a fully-fledged work of art which changes our relationships with the world and modifies our perception. Contrary to the often-studied detail, ornament or fragment, the miniature provides a complete vision of the depicted object in a different scale, and opens knowledge and imagination to new worlds.

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Resistance and the City

Negotiating Urban Identities: Race, Class, and Gender

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Edited by Christoph Ehland and Pascal Fischer

The contributions collected in the second volume of Resistance and the City are devoted to the three markers of identity that cultural studies has recognised as paramount for our understanding of difference, inequality, and solidarity in modern societies: race, class, and gender.
These categories, tightly linked to the mechanics of power, domination and subordination, have often played an eminent role in contemporary struggles and clashes in urban space. The confluence of people from diverse ethnic, social, and sexual backgrounds in the city has not only raised their awareness of a variety of life concepts and motivated them to negotiate their own positions, but has also encouraged them to develop strategies of resistance against patterns of social and spatial exclusion.

Contributors: Oliver von Knebel Doeberitz, Barbara Korte, Anna Lienen, Gill Plain, Frank Erik Pointner, Katrin Röder, Ingrid von Rosenberg, Mark Schmitt, Ralf Schneider, Christoph Singer, Sabine Smith, Merle Tönnies, Ger Zielinski
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Resistance and the City

Challenging Urban Space

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Edited by Christoph Ehland and Pascal Fischer

The essays collected in this volume unfold a panorama of urban phenomena of resistance that reach from the seventeenth to the twenty-first centuries, thus revealing the essential vulnerability of urban space to all forms of subversion. Taking their readers to diverse places and moments in history, the contributions remind us of the struggles over the concrete as well as the imaginary space we call the city.
The collection maps the various challenges experienced by urban communities, ranging from the unmistakably hegemonic claim of civic festivities in early modern London to the perceived threat posed by newly created parks in the Restoration period and from the dangers of criminality and riots in the eighteenth and nineteenth centuries to the transformation of the Berlin Wall into souvenirs scattered around the globe.

Contributors: Ingo Berensmeyer, Christoph Ehland, Pascal Fischer, Blake Fitzpatrick, Kerstin Frank, Jens Martin Gurr, Bernd Hirsch, Marie Hologa, Mihaela Irimia, Stephan Kohl, Norbert Lennartz, Catharina Löffler, Margaret Olin, István Rácz, Gerd Stratmann.

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Emblems in Scotland

Motifs and Meanings

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Michael Bath

Emblems in the visual arts use motifs which have meanings, and in Emblems in Scotland Michael Bath, leading authority on Renaissance emblem books, shows how such symbolic motifs address major historical issues of Anglo-Scottish relations, the Reformation of the Church and the Union of the Crowns. Emblems are enigmas, and successive chapters ask for instance: Why does a late-medieval rood-screen show a jester at the Crucifixion? Why did Elizabeth I send Mary Queen of Scots tapestries showing the power of women to build a feminist City of God? Why did a presbyterian minister of Stirling decorate his manse with hieroglyphics? And why in the twentieth-century did Ian Hamilton Finlay publish a collection of Heroic Emblems?
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Edited by Tuuli Lähdesmäki

Time and Transformation in Architecture, edited by Tuuli Lähdesmäki, approaches architecture and the built environment from an interdisciplinary point of view by emphasizing in its theoretical discussions and empirical analysis the dimensions of time, temporality, and transformation—and their relation to human experiences, behavior, and practices. The volume consists of seven chapters that explore the following questions: How do architectural ideas, ideals, and meanings emerge, develop, and transform? How is architecture manifested in relation to time, time-space, and the social dimensions it entails and produces? The volume provides both multifaceted theoretical discussions on time and temporality in architecture and empirical case studies around the globe in which these theories and conceptualizations are tested and explored.

Contributors are Eiman Ahmed Elwidaa, André van Graan, June Jordaan, Joongsub Kim, Tuuli Lähdesmäki, Assumpta Nnaggenda-Musana, Sanja Rodeš and Smaranda Spânu.
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Intervening Spaces

Respatialisation and the Body

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Edited by Nycole Prowse

Intervening Spaces examines the interconnectedness between bodies, time and space - the oscillating and at times political impact that occurs when bodies and space engage in non-conventional ways. Bodies intervene with space, creating place. Likewise, space can reconceptualise notions of the subject-body. Such respatialisation does not occur in a temporal vacuum. The moment can be more significant than a millennia in producing new ways to see corporeal connections with space. Drawing on theorists as diverse as Foucault, Deleuze, Guattari, Heidegger, Merleau-Ponty, Lefebvre and Grosz, temporal and spatial dichotomies are dissolved, disrupted and interrupted via interventions—revealing new ways of inhabiting space. The volume crosses disciplines contributing to the fields of Sociology, Literature, Performance Arts, Visual Arts, Architecture and Urban Design.

Contributors are Burcu Baykan, Pelin Dursun Çebi, Michelle Collins, Christobel Kelly, Anthi Kosma, Ana Carolina Lima e Ferreira, Katerina Mojanchevska, Clementine Monro, Katsuhiko Muramoto, Nycole Prowse, Shelley Smith, Nicolai Steinø and İklim Topaloğlu.
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Mademoiselle de Montpensier

Writings, Châteaux, and Female Self-Construction in Early Modern France

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Sophie Maríñez

Mademoiselle de Montpensier: Writings, Châteaux, and Female Self-Construction in Early Modern France examines questions of self-construction in the works of Anne-Marie-Louise d’Orléans, Duchesse de Montpensier (1627-1693), the wealthiest unmarried woman in Europe at the time, a pro-women advocate, author of memoirs, letters and novels, and the commissioner of four châteaux and other buildings throughout France, including Saint-Fargeau, Champigny-sur-Veude, Eu, and Choisy-le-roi. An NEH-funded project, this study explores the interplay between writing and the symbolic import of châteaux to examine Montpensier’s strategies to establish herself as a woman with autonomy and power in early modern France.
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Neo-Baroques

From Latin America to the Hollywood Blockbuster

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Edited by Walter Moser, Angela Ndalianis and Peter Krieger

The Baroque is back in contemporary culture. The ten essays authored by international scholars, and three interventions by artists, examine the return of the baroque as Neo-Baroque through interdisciplinary perspectives. Understanding the Neo-Baroque as transcultural (between different cultures) and transhistorical (between historical moments) the contributors to this volume offer diverse perspectives that suggest the slipperiness of the Neo-Baroque may best be served by the term ‘Neo-Baroques’. Case studies analysed reflect this plurality and include: the productions of Belgian theatre company Abattoir Fermé; Claire Denis’ French New Extremist film Trouble Every Day; the novel Lujuria tropical by exiled El Salvadorian Quijada Urias; the science fiction blockbuster spectacles The Matrix and eXistenZ; and the spectacular grandeur of early Hollywood movie palaces and the contemporary Las Vegas Strip.

Contributors: Jens Baumgarten, Marjan Colletti, Bolívar Echeverría, Rita Eder, Hugh Hazelton, Monika Kaup, Peter Krieger, Patrick Mahon, Walter Moser, Angela Ndalianis, Richard Reddaway, Karel Vanhaesebrouck, Saige Walton.