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Bernard Vargaftig

Esthétique du renversement

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Régis Lefort

Dans cette monographie, Régis Lefort met en evidence le caractère pictural du poème de Bernard Vargaftig (1934-2012), et la composition musicale de l’œuvre. Il envisage le phénomène de renversement, que ne cesse de convoquer le poète, comme une esthétique poétique, comme l’identité même du poème. Commençant par le dernier vers et remontant jusqu’au premier, le poète creuse la langue du poème pour en identifier la source. Le renversement est aussi une façon de détruire, d’entrer dans l’avalanche, pour rebâtir, aller vers l’aube des mots. Il s’inscrit dans l’omnipresence de la culture hébraïque, selon laquelle la quête du réel ne dévoilerait aucune vérité, inaccessible à la raison humaine, mais produirait un bouleversement de la connaissance, de l’ordre de la connaissance ontologique.

Régis Lefort's study of Bernard Vargaftig (1934-2012) highlights the pictorial character of his poems and the musical composition of his work. Lefort locates in the phenomenon of reversal, so frequently enacted by Vargaftig, a poetic aesthetic and the very identity of the poem. Beginning with the last line and working back to the first, the poet burrows deep into the language of the poem to identify its source. Reversal is also a means of destruction, of entering into an avalanche, in order to rebuild the poem and go towards the dawn of words. It marks in the work the omnipresence of Hebrew culture, according to which the search for the real can reveal no truth, since all truth is inaccessible to human reason, but rather entails an upheaval of knowledge that is in itself the very condition of ontological knowledge.
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Edited by Sjef Houppermans, Manet van Montfrans, Annelies Schulte Nordholt, Sabine van Wesemael and Nell de Hullu-van Doeselaar

Ce volume comporte un dossier sur la thématique de l’argent dans A la recherche du temps perdu. Chez Proust, l’argent est beaucoup plus que l’argent, il devient véhicule de passion, de pulsion, d’excès. Loin de se limiter à la dimension sociologique du roman, il joue un rôle à d’autres niveaux : esthétique, imaginaire mais surtout affectif, dans le motif récurrent du don. Dans une série de huit études, le dossier éclaire les diverses facettes de cet imaginaire de l’argent, qui s’infiltre dans les relations humaines ainsi que dans l’art.
Dans la section mélanges, on trouvera des études sur le Paris proustien, sur les objets et les arts décoratifs dans la Recherche et sur l’amitié de Proust avec Robert de Flers.

The greater part of this issue is devoted to the topic of money in the Recherche. In Proust’s work, money is so much more, it is the vehicle of passions, impulses and excess. Apart from its sociological references, money plays a role at other levels of the novel: the aesthetic, the imaginary and above all the affective dimension, with the recurrent motive of gift. With a series of eight studies, the present issue throws a light on this imaginary of money, which infuses human relations and art.
The Miscellanea section includes studies about Proust’s Paris, about art objects and decorative arts in the Recherche and on Proust’s friendship with Robert de Flers.
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Kanade, di Goldene Medine?

Perspectives on Canadian-Jewish Literature and Culture / Perspectives sur la littérature et la culture juives canadiennes

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Edited by Krzysztof Majer, Justyna Fruzińska, Józef Kwaterko and Norman Ravvin

Kanade, di Goldene Medine offers a broad study of its field, with equal attention to English- and French-language materials and contexts. The volume’s essays highlight the fundamental link between the culture and life of Canadian Jews and their Polish roots. This focus brings Yiddish to the fore, in essays focusing on the history of Canadian Yiddish literature, and the relevance of the language for contemporary Canadian Chasidic communities. However, essays in this volume also highlight the writings of contemporary authors, working both in French and English. Thus, the collection explores culture at the borderlands of three languages, with an eye for the link between New Worlds and Old.

Kanade, di Goldene Medine apporte une contribution importante à l’étude de la littérature et la culture juives canadiennes, tout en étant attentif aux textes et contextes anglophone et francophone ainsi qu’à l’univers particulier des juifs hassidiques de Montréal. Le volume tient également compte du lien fondamental entre la créativité des juifs canadiens et leurs racines est-européennes, en particulier polonaises, et de la présence de la langue yiddish − ou de son imaginaire − dans leurs textes sous forme de traduction ou autotraduction. Le lecteur pourra cerner dans ce livre des perspectives transversales qui mettent en relation des itinéraires multiples et diversifiés noués entre le Nouveau Monde et le Vieux.
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Agnon’s Story

A Psychoanalytic Biography of S. Y. Agnon

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Avner Falk

Agnon’s Story is the first complete psychoanalytic biography of the Nobel-Prize-winning Hebrew writer S.Y. Agnon. It investigates the hidden links between his stories and his biography. Agnon was deeply ambivalent about the most important emotional “objects” of his life, in particular his “father-teacher,” his ailing, depressive and symbiotic mother, his emotionally-fragile wife, whom he named after her and his adopted “home-land” of Israel. Yet he maintained an incredible emotional resiliency and ability to “sublimate” his emotional pain into works of art. This biography seeks to investigate the emotional character of his literary canon, his ambivalence to his family and the underlying narcissistic grandiosity of his famous “modesty.”
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Marcel Proust, roman moderne:

perspectives comparatistes

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Edited by Vincent Ferré and Raffaello Rossi

Proust et le roman moderne, perspectives comparatistes a pour origine un colloque organisé en juin 2015 à l’université Paris Est Créteil, pour conclure un programme associant des chercheurs venus de toute l’Europe pour croiser langues et disciplines en confrontant lectures et interprétations de l’œuvre proustienne par des écrivains contemporains ou modernes (Salinas, Bon, Beckett…), en comparant Proust et Genet, Barnes, Cohen, Pessoa, Joyce ou Kafka ; ou réfléchir à sa relation à Ruskin, aux questions philosophiques soulevées par cette œuvre… Autant de « perspectives comparatistes » sur la manière dont l'histoire du roman proustien se dessine aujourd’hui, au gré des réceptions et des réécritures.

Proust et le roman moderne, perspectives comparatistes has its origins in a conference that took place at Paris Est Créteil University (France), in June 2015 as a conclusion to an international program: scholars from all over Europe, combining languages and disciplines, confronted readings and interpretations of A la Recherche by modernist and contemporary writers (such as Salinas, Bon and Beckett), comparing Proust and Genet, Barnes, Cohen, Pessoa, Joyce and Kafka; but also reexamining classical issues such as Proust’s relation to Ruskin and philosophical questions raised by his novel… These “comparatist perspectives” shed a light on the continuing history and reception of A la Recherche.
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Dynamics of Teaching and Learning Modern Hebrew as an Additional Language

Using Hebrew as a means of instruction and acquisition

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Yona Gilead

In Dynamics of Teaching and Learning Modern Hebrew as an Additional Language Yona Gilead presents original research into classroom interactional practices by offering a thick description of a successful beginner-level Modern Hebrew program at an Australian university. The book charts and theorizes the cohort’s teacher and students’ trajectory of using Hebrew as the main means of instructing and acquiring the language, and highlights seven key features which contribute to students’ learning. The book’s research-based findings and analysis of classroom dynamics contribute to theorizing the currently largely praxis-based discipline of L2 Modern Hebrew instruction, hence providing a stronger theoretical understanding of how and why students can be assisted in their language learning.

This original research provides a template for renewed L2 Hebrew research.
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The Cross-Cultural Legacy

Critical and Creative Writings in Memory of Hena Maes-Jelinek

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Edited by Gordon Collier, Geoffrey V. Davis, Marc Delrez and Bénédicte Ledent

This volume pays tribute to the formidable legacy of Hena Maes–Jelinek (1929–2008), a pioneering postcolonial scholar who was a professor at the University of Liège, in Belgium. Along with a few moving and affectionate pieces retracing the life and career of this remarkable and deeply human intellectual figure, the collection contains poems, short fiction, and metafiction. The bulk of the book consists of contributions on various areas of postcolonial literature, including the work of Wilson Harris, the ground-breaking writer to whom Hena Maes–Jelinek devoted much of her career. Other writers treated include Ben Okri, Leone Ross, Kamau Brathwaite, Jamaica Kincaid, Peter Carey, Murray Bail, Patrick White, Janice Kulyk Keefer, Dan Jacobson, Joseph Conrad, and Eslanda Goode Robeson. Caryl Phillips revisits his earlier reflections on the ‘European tribe’. There are wide-ranging essays analysing consanguineous authors, on such topics as Caribbean treatments of the Jewish Diaspora, Swiss-Caribbean authors, the contemporary Australian short story and the Asian connection, and ‘habitation’ in Australian fiction, as well as a searching examination of the socio-political fallout from the scandal of Australia’s ‘Stolen Generations’.

Contributors are: Gordon Collier, Tim Cribb, Fred D'Aguiar, Geoffrey V. Davis, Jeanne Delbaere, Marc Delrez, Jean–Pierre Durix, Wilson Harris, Dominique Hecq, Marie Herbillon, Louis James, Karen King–Aribisala, Bénédicte Ledent, Christine Levecq, Alecia McKenzie, Carine Mardorossian, Peter H. Marsden, Alistair Niven, Annalisa Oboe, Britta Olinder, Christine Pagnoulle, Caryl Phillips, Lawrence Scott, Stephanos Stephanides, Klaus Stuckert, Peter O. Stummer, Petra Tournay–Theodotou, Daria Tunca, Cynthia vanden Driesen, Janet Wilson.
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Edited by Sjef Houppermans, Manet van Montfrans, Annelies Schulte Nordholt, Sabine van Wesemael and Nell de Hullu-van Doeselaar

Ce numéro de Marcel Proust Aujourd’hui, ‘Sensations proustiennes’, regroupe une dizaine articles, en français, traitant de de la notion de ‘sensation’ sous plusieurs perspectives : une recherche basée sur la sémiotique et la phénoménologie ; une approche partant des portraits de peintres dans Les Plaisirs et les Jours ; une étude de l’ivresse ; la chambre en tant qu’espace générateur d’une part, polysignifiant de l’autre ; l’érotisme d’Albertine, ainsi que la transposition des sensations dans le domaine du cinéma. En plus des études sur ‘le roman noir’, sur les modalités de la traduction et sur le dynamisme des titres chez Proust complètent ce panorama.

Avec des contributions de: Joel Candau ; Thomas Carrier-Lafleur ; Fanny Daubigny ; Rokus Hofstede ; Sjef Houppermans ; Farzaneh Karimian ; Guillaume Lavoie; Cristian Micu ; Bérengère Moricheau-Airaud ; Thomas Muzart ; Philippe Robichaud ; Philippe Willemart ; Manet van Montfrans ; Nell de Hullu-van Doeselaar ; Annelies Schulte Nordholt ; Sjef Houppermans
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Holocaust Impiety in Jewish American Literature

Memory, Identity, (Post-)Postmodernism

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Joost Krijnen

The Holocaust is often said to be unrepresentable. Yet since the 1990s, a new generation of Jewish American writers have been returning to this history again and again, insisting on engaging with it in highly playful, comic, and “impious” ways. Focusing on the fiction of Michael Chabon, Jonathan Safran Foer, Nicole Krauss, and Nathan Englander, this book suggests that this literature cannot simply be dismissed as insensitive or improper. It argues that these Jewish American authors engage with the Holocaust in ways that renew and ensure its significance for contemporary generations. These ways, moreover, are intricately connected to efforts of finding new means of expressing Jewish American identity, and of moving beyond the increasingly apparent problems of postmodernism.