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Edited by Helen Yitah and Helen Lauer

Philosophical Foundations of the African Humanities through Postcolonial Perspectives critiques recent claims that the humanities, especially in public universities in poor countries, have lost their significance, defining missions, methods and standards due to the pressure to justify their existence. The predominant responses to these claims have been that the humanities are relevant for creating a “world culture” to address the world’s problems. This book argues that behind such arguments lies a false neutrality constructed to deny the values intrinsic to marginalized cultures and peoples and to justify their perceived inferiority. These essays by scholars in postcolonial studies critique these false claims about the humanities through critical analyses of alterity, difference, and how the Other is perceived, defined and subdued. Contributors: Gordon S.K. Adika, Kofi N. Awoonor, E. John Collins, Kari Dako, Mary Esther Kropp Dakubu, James Gibbs, Helen Lauer, Bernth Lindfors, J.H. Kwabena Nketia, Abena Oduro, Gayatri Chakravorty Spivak, Olúfémi Táíwò, Alexis B. Tengan, Kwasi Wiredu, Francis Nii-Yartey
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Le Queer Impérial

Male homoerotic desire in francophone colonial and postcolonial literature

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Julin Everett

In Le Queer Impérial Julin Everett explores the taboo subject of male homoerotic desire between black Africans and white Europeans in francophone colonial and postcolonial literatures. Everett exposes the intersection of power and desire in blanc-noir relationships in colonial and postcolonial black Africa and postimperial Europe. Reading these literatures for their portrayals of race, gender and sexuality, Everett begins a conversation about personal and political violence in the face of forbidden desires.
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Clinical Trials and the African Person

A Quest to Re-Conceptualize Responsibility

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Ike Iyioke

Clinical Trials and the African Person aims to position the African notion of the self/person within the clinical trials context. As opposed to autonomy-based principlism, this other-regarding/communalist perspective is the preferred alternative model. This tactic draws further attention to the inadequacy of the principlist approach particularly in multicultural settings. It also engenders a rethink, stimulates interest, and re-assesses the failed assumptions of universal ethical principles.
As a novel attempt that runs against much of the prevailing (Euro-American) intellectual mood, this approach strives to introduce the African viewpoint by making explicit the import of the self in a re-contextualized arena, meaning within the community and a given milieu. Thus, research ethics must go beyond autonomy-based considerations for the individual, to rightly embed him/her within his/her community and the environment.
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Trans-afrohispanismos

Puentes culturales críticos entre África, Latinoamérica y España

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Edited by Dorothy Odartey-Wellington

Trans-afrohispanismos: puentes culturales críticos entre África, Latinoamérica y España is an innovative approach to Afro-Hispanic Studies. It focuses on the connections between peoples, territories, and media of expression at the confluence of Africa and the Hispanic world. The volume’s contributors apply perspectives from their respective areas of specialization to their examination of transcultural interactions in a diverse range of contexts. These include Equatorial Guinea, Western Sahara, Spain, Morocco, Afro-descendant communities in Latin America and transnational spaces generated by digital technologies and contemporary migration. The volume offers an expanded understanding of Afro-Hispanic Studies and serves as a model of inquiry in a field whose hallmark is the mobility of people and knowledge.

Trans-afrohispanismos: puentes culturales críticos entre África, Latinoamérica y España es una aproximación innovadora a los Estudios Afrohispánicos. Destaca las conexiones entre gentes, territorios y medios de expresión en la confluencia de África y el mundo hispánico. Estos incluyen Guinea Ecuatorial, el Sáhara Occidental, España, Marruecos, comunidades de afrodescendientes en América Latina y los espacios transnacionales originados por las tecnologías digitales y la migración. Este libro ofrece una visión más amplia de los Estudios Afrohispánicos. Adicionalmente, sirve de modelo de investigación en un campo cuya seña de identidad es la movilidad de gentes y conocimientos.

Contributors are: Joanna Allan, Eduard Arriaga, Antonio Becerra Bolaños, Justo Bolekia Boleká, Julia Borst, Milagros Carazas, Dosinda García-Alvite, Maya García de Vinuesa, Gloria Lara Millán, Alain Lawo-Sukam, Bahia Mahmud Awah, Dorothy Odartey-Wellington, Elisa Rizo, Nayra Pérez Hernández, Juliane Tauchnitz and Kofi Yakpo.
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Terrence L. Craig

The White Spaces of Kenyan Settler Writing provides an overview of Kenyan literature by white writers in the half-century before Independence in 1964. Such literature has been over-shadowed by that of black writers to the point of critical ostracism. It deserves attention for its own sake, as the expression of a community that hoped for permanence but suffered both disappointment and dispossession. It deserves attention for its articulation of an increasingly desperate colonial and Imperial situation at a time when both were being attacked and abandoned in Africa, as in other colonies elsewhere, and when a counter-discourse was being constructed by writers in Britain as well as in Africa. Kenya was likely the best-known twentieth-century colony, for it attracted publicity for its iconic safaris and its Happy Valley scandals. Yet behind such scenes were settlers who had taken over lands from the native peoples and who were trying to make a future for themselves, based on the labour, willing or forced, of those people. This situation can be seen as a microcosm of one colonial exercise, and can illuminate the historical tensions of such times. The bibliography is an attempt to collect the literary resources of white Kenya in this historically significant period.
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Edited by Anke Bartels, Lars Eckstein, Nicole Waller and Dirk Wiemann

Postcolonial Justice addresses a major issue in current postcolonial theory and beyond, namely, the question of how to reconcile an ethics grounded in the reciprocal acknowledgment of diversity and difference with the normative, if not universal thrust that appears to energize any notion of justice. The concept of postcolonial justice shared by the essays in this volume carries an unwavering commitment to difference within and beyond Europe, while equally rejecting radical cultural essentialisms, which refuse to engage in “utopian ideals” of convivial exchange across a plurality of subject positions. Such utopian ideals can no longer claim universal validity, as in the tradition of the European enlightenment; instead they are bound to local frames of speaking from which they project world.
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The Cross-Cultural Legacy

Critical and Creative Writings in Memory of Hena Maes-Jelinek

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Edited by Gordon Collier, Geoffrey V. Davis, Marc Delrez and Bénédicte Ledent

This volume pays tribute to the formidable legacy of Hena Maes–Jelinek (1929–2008), a pioneering postcolonial scholar who was a professor at the University of Liège, in Belgium. Along with a few moving and affectionate pieces retracing the life and career of this remarkable and deeply human intellectual figure, the collection contains poems, short fiction, and metafiction. The bulk of the book consists of contributions on various areas of postcolonial literature, including the work of Wilson Harris, the ground-breaking writer to whom Hena Maes–Jelinek devoted much of her career. Other writers treated include Ben Okri, Leone Ross, Kamau Brathwaite, Jamaica Kincaid, Peter Carey, Murray Bail, Patrick White, Janice Kulyk Keefer, Dan Jacobson, Joseph Conrad, and Eslanda Goode Robeson. Caryl Phillips revisits his earlier reflections on the ‘European tribe’. There are wide-ranging essays analysing consanguineous authors, on such topics as Caribbean treatments of the Jewish Diaspora, Swiss-Caribbean authors, the contemporary Australian short story and the Asian connection, and ‘habitation’ in Australian fiction, as well as a searching examination of the socio-political fallout from the scandal of Australia’s ‘Stolen Generations’.

Contributors are: Gordon Collier, Tim Cribb, Fred D'Aguiar, Geoffrey V. Davis, Jeanne Delbaere, Marc Delrez, Jean–Pierre Durix, Wilson Harris, Dominique Hecq, Marie Herbillon, Louis James, Karen King–Aribisala, Bénédicte Ledent, Christine Levecq, Alecia McKenzie, Carine Mardorossian, Peter H. Marsden, Alistair Niven, Annalisa Oboe, Britta Olinder, Christine Pagnoulle, Caryl Phillips, Lawrence Scott, Stephanos Stephanides, Klaus Stuckert, Peter O. Stummer, Petra Tournay–Theodotou, Daria Tunca, Cynthia vanden Driesen, Janet Wilson.
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Edited by Gordon Collier

The notion of ‘landlines’ intimates communication, and is a fairly safe bet as far as most of the writing offered here, critical and creative, is concerned. In a way, of course, the metaphor is a rearguard action, and blows up in one’s face, as it were, suggesting as it does a system of telephonic communication that is no longer typical of Africa, which is at the forefront of cellphone culture. On the more positive side, it is hoped that ‘landlines’ evoke traditional values, permitting the endorsement of communicative standards that are higher than those fostered by the ‘etherial’ chaos of cyberspace.
The essays included are overwhelmingly concerned with Nigeria (productive power-house of the continent), covering such writers as Chimamanda Ngozi Adichie, Vincent Egbuson, Buchi Emecheta, D.O. Fágúnwà, Sarah Ladipo Manyika, Femi Osofisan (two articles), Wole Soyinka, and Ahmed Yerima. The Nigerian novel (four articles) is roughly matched by studies of Nigerian dramatists (five articles). Also offered are three essays on fiction from outside Nigeria, by Alexander McCall Smith (Botswana), J.M. Coetzee (South Africa), and Marie NDiaye (France), and a treatment of the poetry of Jack Mapanje (Malawi). A further, wide-ranging essay, on cityscapes, discusses novels from Cameroon, Nigeria, Equatorial Guinea, and Kenya, as well as paintings from Equatorial Guinea and public placarding in Accra. Social awareness, a firm sense of history and traditional culture, the contemporary challenges of gender and identity-politics, and the perennial theme of endemic corruption are themes that underpin all of the contributions to Matatu 47.
Matatu has traditionally fostered the publication of creative writing, and the present issue is no exception, featuring as it does poetry from Trinidad, a play from Nigeria, and short stories from Burundi, Ghana, and Nigeria. The volume closes with in-depth reviews of books on Yorùbá proverbs, Chinua Achebe, and transnational literature.

Contributors are: E.B. Adeleke, Tony E. Afejuku, Sophia Akhuemokhan, Niyi Akingbe, Sunday Victor Akwu, Félix Ayoh’Omidire, Dele Bamidele, Gilbert Braspenning, Clare Counihan, Jane Duran, Summer Edward, Pelumi Folajimi, Fausat M. Ibrahim, Isaiah U. Ilo, Ayodele S. Jegede, Mahrukh Khan, Adele King, Adebayo Mosobalaje, Dorothy Odartey–Wellington, H. Oby Okolocha, Harry Olufunwa, Owojecho Omoha, Wumi Raji, Marie–Thérèse Toyi, Flora A. Trebi–Ollennu, Kenneth Usongo, and Lendzemo Constantine Yuka.