Browse results

No Access

Series:

Edited by Vitali I. Betaneli and Peter R. Weisensel

Audacity of the Spirit by A.F. Losev (1893-1988) dares us to think holistically, dialectically. Translated from the Russian original Дерзание духа (Politizdat Moskva, 1988) by Peter R. Weisensel and Vitali I. Betaneli, the book falls into three parts: the dialectical method; Losev’s application of dialectics to history and culture; and his personal reflections on studying philosophy. Losev’s insatiable intellectual curiosity probes a remarkable variety of areas. Positions he considers, though, are not always easily reconcilable, as with Marxism-Leninism and Orthodox Christianity. In Losev’s conception of culture, however, culture and the intrinsic unity of any given cultural order is the common element that underlies everything living, even the order’s incompatibles. The given culture cannot be reduced to any single position nor to all of them taken together. Audacity of the Spirit is an introduction to dialectics for beginners, but it is also a major philosopher’s summing-up of his reflections to a non-specialized audience.
No Access

Series:

Joseph D. Kuzma

This work offers an exploration and critique of Blanchot’s various engagements with psychoanalysis, from the early 1950s onward. Kuzma highlights the political contours of Blanchot’s writings on Freud, Lacan, Leclaire, Winnicott, and others, ultimately suggesting a link between these writings and Blanchot’s broader attempts at rethinking the nature of human relationality, responsibility, and community. This book makes a substantive contribution to our understanding of the political and philosophical dimensions of Blanchot’s writings on madness, narcissism, and trauma, among other topics of critical and clinical relevance. Maurice Blanchot and Psychoanalysis comprises an indispensable text for anyone interested in tracing the history of psychoanalysis in post-War France.
No Access

Philosophizing Brecht

Critical Readings on Art, Consciousness, Social Theory and Performance

Series:

Edited by Norman Roessler and Anthony Squiers

This anthology unites scholars from varied backgrounds with the notion that the theories and artistic productions of Bertolt Brecht are key missing links in bridging diverse discourses in social philosophy, theatre, consciousness studies, and aesthetics. It offers readers interdisciplinary perspectives that create unique dialogues between Brecht and important thinkers such as Althusser, Anders, Bakhtin, Benjamin, Godard, Marx, and Plato. While exploring salient topics such as consciousness, courage, ethics, political aesthetics, and representations of race and the body, it penetrates the philosophical Brecht seeing in him the never-ending dialectic—the idea, the theory, the narrative, the character that is never foreclosed. This book is an essential read for all those interested in Brecht as a socio-cultural theorist and for theatre practitioners.

Contributors: Kevin S. Amidon, José María Durán, Felix J. Fuch, Philip Glahn, Jim Grilli, Wolfgang Fritz Haug, Norman Roessler, Jeremy Spencer, Anthony Squiers, Peter Zazzali.
No Access

Lacan and Cassirer

An Essay on Symbolisation 

Series:

Antoine Mooij

The Neo-Kantian philosopher Cassirer and the psychoanalyst Lacan are two key figures in the so-called medial turn in philosophy: the notion that any form of access to reality is mediated by symbols (images, words, signifiers). This explains why the theories of both philosophers merit a description in their own unique idioms, as well as having their respective basic tenets compared. It will be argued that, rather surprisingly, these tenets turn out be complementary - actually correcting each other – based on their shared notion of man as an animal symbolicum. Its fruitfulness will be substantiated for a limited number of topics within the humanities: perception, language, politics and ethics, and mental disorder, all to be considered from this perspective.
No Access

Nietzsche and the Dionysian

A Compulsion to Ethics

Series:

Peter Durno Murray

Nietzsche and the Dionysian argues that the shuddering mania of the affect associated with Dionysus in Nietzsche’s early work runs as a thread through his thought and is linked to an originary interruption of self-consciousness articulated by the philosophical companion. In this capacity, the companion can be considered a ‘mask of Dionysus’, or one who assumes the singular role of the transmitter of the most valuable affirmative affect and initiates a compulsion to respond which incorporates the otherness of the companion. In the context of such engagements, Nietzsche envisages ‘Dionysian’ or divine ‘madness’ within an optics of life, through which an affirmative ethics can be thought. The ethical response to the philosophical companion requires an affirmation of the plurality of life, formulated in the imperatives to be ‘true to the earth’ and ‘become who you are’. Such an ethics, compelled by the Dionysian affect, grounds any future for humanity in the affirmation of the earth and life.
No Access

Mit Fichte philosophieren

Perspektiven seiner Philosophie nach 200 Jahren

Series:

Edited by Matteo Vincenzo d'Alfonso

Dieser Band ist dem Andenken des 200. Todesjahres Fichtes gewidmet, mit der Absicht, seine letzten Schriften und die Aktualität seiner Philosophie zu würdigen. Nach dem Abschluss der Fichte-Gesamtausgabe im Jahre 2012 stehen alle Materialien zur Verfügung, die der Fichte-Forschung ermöglichen, eine schlüssige Interpretation der letzten Gedanken Fichtes zu liefern. Dementsprechend ist der Band in vier Teile gegliedert. Der erste Teil beschäftigt sich mit der theoretischen und systematischen Darlegung seines Denkens in den letzten Berliner Jahren; der zweite Teil thematisiert den Freiheitsgedanken als grundlegende Annahme seines Systems und unternimmt unter Berücksichtigung verschiedener Reaktionen auch den Versuch, diesen zu kontextualisieren. Der dritte Teil ist der politischen Seite seiner Theorie gewidmet, die Fichte gerade in den Berliner Jahren weiter ausarbeitete. Diesen klassischen Themen der Fichte-Forschung folgen im vierten Teil Beiträge, die Fichtes philosophische Ansätze in den Dialog mit gegenwärtigen Autoren und Fragen der Philosophie bringen.

Beitragende sind Frederick Beiser, Daniel Breazeale, Matteo Vincenzo d’Alfonso, Mário Jorge De Carvalho, Carla De Pascale, Erich Fuchs, Andres Höntsch, Marco Ivaldo, Christian Klotz, Douglas Moggach, Peter L. Oesterreich, Ives Radrizzani, Klaus Ries, Jacinto Rivera de Rosales Chacón, Friedrike Schick, Andreas Schmidt, Hartmut Traub, Klaus Vieweg, Hans Georg von Manz und Günter Zöller.
No Access

Series:

Edited by Fuat Gursozlu

Peace, Culture, and Violence examines deeper sources of violence by providing a critical reflection on the forms of violence that permeate everyday life and our inability to recognize these forms of violence. Exploring the elements of culture that legitimize and normalize violence, the essays collected in this volume invite us to recognize and critically approach the violent aspects of reality we live in and encourage us to envision peaceful alternatives. Including chapters written by important scholars in the fields of Peace Studies and Social and Political Philosophy, the volume represents an endeavour to seek peace in a world deeply marred by violence. Topics include: thug culture, language, hegemony, police violence, war on drugs, war, terrorism, gender, anti-Semitism, and other topics.

Contributors are: Amin Asfari, Edward Demenchonok, Andrew Fiala, William Gay, Fuat Gursozlu, Joshua M. Hall , Ron Hirschbein, Todd Jones, Sanjay Lal, Alessandro Rovati, Laleye Solomon Akinyemi, David Speetzen, and Lloyd Steffen.
No Access

Series:

Edited by Christopher Elson and Garry Sherbert

In the Name of Friendship: Deguy, Derrida and "Salut " centres on the relationship between poet Michel Deguy and philosopher Jacques Derrida. Translations of two essays, "Of Contemporaneity" by Deguy and "How to Name" by Derrida, allow Christopher Elson and Garry Sherbert to develop the implications of this singular intellectual friendship. In these thinkers’ efforts to reinvent secular forms of the sacred, such as the singularity of the name, and especially poetic naming, Deguy, by adopting a Derridean programme of the impossible, and Derrida, by developing Deguy's ethics of naming through the word "salut," situate themselves at the forefront of contemporary debates over politics and religion alongside figures like Alain Badiou and Jean-Luc Marion, John Caputo and Martin Hagglund.
No Access

Care of the Self

Ancient Problematizations of Life and Contemporary Thought

Series:

Lívia Flachbartová and Pavol Sucharek

Edited by Vladislav Suvák

The studies included in the Care of the Self: Ancient Problematizations of Life and Contemporary Thought focus on different manifestations of “taking care of the self” present in ancient and contemporary thought. Each of these studies approaches the issue of taking care of the self from a different perspective: Part I by Vladislav Suvák focuses on Socrates’ therapeutic education; Part II by Lívia Flachbartová centres on Diogenes’ ascetic practices; and Part III by Pavol Sucharek concentrates on Henri Maldiney’s existential phenomenology.
Taking care of the self ( epimeleia heautou) is not just one of a great many topics associated with ancient ethics. Echoing Michel Foucault, we could say that the care of the self applies to all problematizations of life.
No Access

Series:

Steven Bindeman

Silence exists at the edge of the world, where words break off and meaning fades into ambiguity. The numerous treatments of silence in Steven L. Bindeman’s Silence in Philosophy, Literature, and Art question the misleading clarity of certainty, which persists in the unreflective discourse of common experience. Significant philosophical problems, such as the limits of language, the perception of sound and the construction of meaning, the dynamics of the social realm, and the nature of the human self, all appear differently as a consequence of this questioning. Silence is shown to have two modes, disruptive and healing, which work together as complementary stages within a creative process. The interaction between these two modes of silence serves as the dynamic behind the entire work.