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Joseph D. Kuzma

This work offers an exploration and critique of Blanchot’s various engagements with psychoanalysis, from the early 1950s onward. Kuzma highlights the political contours of Blanchot’s writings on Freud, Lacan, Leclaire, Winnicott, and others, ultimately suggesting a link between these writings and Blanchot’s broader attempts at rethinking the nature of human relationality, responsibility, and community. This book makes a substantive contribution to our understanding of the political and philosophical dimensions of Blanchot’s writings on madness, narcissism, and trauma, among other topics of critical and clinical relevance. Maurice Blanchot and Psychoanalysis comprises an indispensable text for anyone interested in tracing the history of psychoanalysis in post-War France.
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Edited by Dirk Vanderbeke and Brett Cooke

The contributors to this volume share the assumption that popular narrative, when viewed with an evolutionary lens, offers us an incisive index into human nature. In theory, narrative art could take a near infinity of possible forms, but in actual practice particular motifs, plot patterns, stereotypical figures, and artistic devices persistently resurface, indicating specific predilections frequently at odds with actual living conditions. The papers explore various media and genres to gauge the impact of our evolutionary inheritance, in interdependence with the respective cultural environments, on our aesthetic appreciation. They also suggest that research into mass culture is indispensable for evolutionary criticism and that it may contribute to discussions of the prehistoric conditions that still influence modern preferences in popular narrative. Contributions by David Andrews, James Carney, Mathias Clasen, Brett Cooke, Tamás Dávid-Barrett, Tom Dolack, Kathryn Duncan, Isabel Behncke Izquierdo, Joe Keener, Alex C. Parrish, Todd K. Platts, Anna Rotkirch, Judith P. Saunders, Michelle Scalise Sugiyama, Dirk Vanderbeke, and Sophia Wege.
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Edited by Pedro Querido and María Ibáñez-Rodríguez

This volume brings together essays that examine a vast gamut of different contemporary cultural manifestations of fear, anxiety, horror, and terror. Topics range from the feminine sublime in American novels to the monstrous double in horror fiction, (in)security at music festivals, the uncanny in graphic novels, epic heroes' Being-towards-death and authenticity, atrocity and history in Central European art, the theme of old age in absurdist literature, and iterations of the "home invasion" subgenre in post-9/11 popular culture. This diversity of insights and methodologies ensures a kaleidoscopic look at a cluster of phenomena and experiences that often manage to both be immediately and universally recognizable and defy straightforward categorization or even description. Contributors are Emily-Rose Carr, Ghada Saad Hassan, Woodrow Hood, María Ibáñez-Rodríguez, Nicole M. Jowsey, Marta Moore, Pedro Querido and Ana Romão.
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Edited by Ricardo Gutiérrez Aguilar

Empathy is sometimes –for unfathomable reasons– a surprisingly evasive emotion. It is indeed a problem open to discussion. It can be particularly problematic since, for one thing, it is in appearance the emotion responsible for stitching together a shared experience with our common fellow. It is the emotion essential to bridging the gap between subjects – to making a community. Some answers in this volume have their place of reference in the welcoming chambers of Mansfield College, at the University of Oxford (UK). The Empathy Project held its third Global Meeting within the premises of ye olde constituent college at Mansfield Road from Thursday 14th to Saturday 16th of July 2016. This volume looks for the common ground between both the results of the conducted research and our experiences: Digital Media ideas on the subject worked just fine elbow to elbow with those proposed by fields like Nursing or Health and Social Care; and Psychiatry, Psychology and Philosophy got along quite well with the lines of inquiry of Education, Literature and Dramatic Performance. Contributors are Victoria Aizkalna, Rosa Elena Belvedresi, Giovanna Costantini, Ricardo Gutiérrez Aguilar, Irina Ionita, Nina Lex, Gerardo López Sastre, Barış Mete, Paulus Pimomo, Johannes Rohbeck, Judy Rollins, Josefa Ros Velasco and Christopher J. Staley.
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Edited by Rallie Murray and Stefanie Schnitzer

Our world has become inundated with images of a reality in which ‘evil’ thrives, and ‘good’ seems to be a naïve, utopian fantasy. ‘Good’ is reserved for superheroes and children’s stories, while the ‘real world’ is driven by greed, violence, and hatred. If we are so consumed with evil, then is there any point to writing about it? Perhaps the more important question is ‘why should we ever stop writing about it?’. Towards that end, this volume is intended to act as a catalyst to an ongoing destabilization of mental (philosophical) and social (political, historical) regimes of ‘evil’ in thought and practice. It is compiled with the intention of saying something new about a very old topic, as a reminder that this is an unfinished conversation which stretches back millennia and has a deeply tangible impact on the worlds within which we live today. Contributors are Peter Brian Barry, Lima Bhuiyan, Diedra L. Clay, Zachary J. Goldberg, Sophia Kanaouti, Stefanie Schnitzer Mills, Rallie Murray, Asli Tekinay and Claudio Vescia Zanini.
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Edited by Tracy Ann Hayes, Theresa Edlmann and Laurinda Brown

This book is a collection of papers from an international inter-disciplinary conference focusing on storytelling and human life. The chapters in this volume provide unique accounts of how stories shape the narratives and discourses of people’s lives and work; and those of their families and broader social networks. From making sense of history; to documenting biographies and current pedagogical approaches; to exploring current and emerging spatial and media trends; this book explores the possibilities of narrative approaches as a theoretical scaffold across numerous disciplines and in diverse contexts. Central to all the chapters is the idea of stories being a creative and reflexive means to make sense of people’s past, current realities and future possibilities. Contributors are Prue Bramwell-Davis, Brendon Briggs, Laurinda Brown, Rachel Chung, Elizabeth Cummings, Szymon Czerkawski, Denise Dantas, Joanna Davidson, Nina Dvorko, Sarah Eagle, Theresa Edlmann, Gavin Fairbairn, Keven Fletcher, Sarah Garvey, Phyllis Hastings, Tracy Ann Hayes, Welby Ings, Stephanie Jacobs, Dean Jobb, Caroline M. Kisiel, Maria-Dolores Lozano, Mădălina Moraru, Michael R. Ogden, Nancy Peled, Valerie Perry, Melissa Lee Price, Rasa Račiūnaitė-Paužuolienė, Irena Ragaišienė, Sara Shafer, Remko Smid, Paulette Stevens, Cheryl Svensson, Mary O’Brien Tyrrell, Shunichi Ueno, Leona Ungerer, Sarah White, Wai-ling Wong and Bridget Anthonia Makwemoisa Yakubu.
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Music, Narrative and the Moving Image

Varieties of Plurimedial Interrelations

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Edited by Walter Bernhart and David Francis Urrows

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Edited by Elspeth McInnes and Anka Mason

This work provides an inter-disciplinary exploration of the aftermath of trauma arising from social conflict and the wounds dealt through interpersonal relations of loss, abuse and torture. Contributing authors examine how individuals and societies come to terms with traumatic injuries and disruption. Disciplinary perspectives cross the boundaries of textual analysis, sociology and psychology to offer pathways of perception and recovery. From the conflicts in Rwanda and Lebanon to the ethical challenges of journalism and trauma, loss and dementia, domestic violence and child sexual abuse, as well as the contributions of literary texts to rendering conflict, this volume enables readers to find their own resonance with the rupture and recovery of trauma. Contributors are Kim M. Anderson, Lyn Barnes, Catherine Ann Collins, Fran S. Danis, Stefanie Dinkelbach, Lyda Eleftheriou, Kirsten Havig, Anka D. Mason, Elspeth McInnes, Joan Simalchik, Stephanie Tam and Rana Tayara.
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How to Do Things with Affects

Affective Triggers in Aesthetic Forms and Cultural Practices

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Edited by Ernst van Alphen and Tomáš Jirsa

How to Do Things with Affects develops affect as a highly productive concept for both cultural analysis and the reading of aesthetic forms. Shifting the focus from individual experiences and the human interiority of personal emotions and feelings toward the agency of cultural objects, social arrangements and aesthetic matter, the book examines how affects operate and are triggered by aesthetic forms, media events and cultural practices. Transgressing disciplinary boundaries and emphasizing close reading, the collected essays explore manifold affective transmissions and resonances enacted by modernist literary works, contemporary visual arts, horror and documentary films, museum displays and animated pornography, with a special focus on how they impact on political events, media strategies and social situations.

Contributors: Ernst van Alphen, Mieke Bal, Maria Boletsi, Eugenie Brinkema, Pietro Conte, Anne Fleig, Bernd Herzogenrath, Tomáš Jirsa, Matthias Lüthjohann, Susanna Paasonen, Christina Riley, Jan Slaby, Eliza Steinbock, Christiane Voss.
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Artistic reconfigurations of Rome

An alternative guide to the Eternal City, 1989-2014

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Kaspar Thormod

In Artistic Reconfigurations of Rome Kaspar Thormod examines how visions of Rome manifest themselves in artworks produced by international artists who have stayed at the city’s foreign academies. Structured as an alternative guide to Rome, the book represents an interdisciplinary approach to creating a dynamic visual history that brings into view facets of the city’s diverse contemporary character. Thormod demonstrates that when artists successfully reconfigure Rome they provide us with visions that, being anchored in a present, undermine the connotations of permanence and immovability that cling to the ‘Eternal City’ epithet. Looking at the work of these artists, the reader is invited to engage critically with the question: what is Rome today? – or perhaps better: what can Rome be?