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The Field of Ritual Learning in Early China to 9 CE
Series:
Sinica Leidensia, Volume: 152
Ritual Learning was the engine that drove the cultural dominance of Confucianism. In early China, Confucian officials derive political influence from the sub-discipline of ritual. Imperial regimes establish legitimacy through their state religion, headed by cults to ancestors and to deities of Heaven and Earth. Ritual Learning allows Confucian-educated officials to assert control over these cults, and reshape dynastic legitimacy according to their own design, claimed to derive from the sage kings of antiquity. Confucianism is not just a philosophical and intellectual tradition. Through its ritual tradition, it has cultural and political power, like that of a religion, allowing it to perpetuate itself successfully over time, even in contemporary China.
The Field of Ritual Learning in Early China to 9 CE
Series:
Sinica Leidensia, Volume: 152
Ritual Learning was the engine that drove the cultural dominance of Confucianism. In early China, Confucian officials derive political influence from the sub-discipline of ritual. Imperial regimes establish legitimacy through their state religion, headed by cults to ancestors and to deities of Heaven and Earth. Ritual Learning allows Confucian-educated officials to assert control over these cults, and reshape dynastic legitimacy according to their own design, claimed to derive from the sage kings of antiquity. Confucianism is not just a philosophical and intellectual tradition. Through its ritual tradition, it has cultural and political power, like that of a religion, allowing it to perpetuate itself successfully over time, even in contemporary China.
Emotions, Art, and Christianity in the Transatlantic World, c. 1450–1800 is a collection of studies variously exploring the role of visual and material culture in shaping early modern emotional experiences. The volume’s transatlantic framework moves from The Netherlands, Spain, and Italy to Mexico, Peru, Ecuador, and the Philippines, and centers on visual culture as a means to explore how emotions differ in their local and global “contexts” amidst the many shifts occurring c. 1450–1800. These themes are examined through the lens of art informed by religious ideas, especially Catholicism, with each essay probing how religiously inflected art stimulated, molded, and encoded emotions.
Contributors include: Elena FitzPatrick Sifford, Alison C. Fleming, Natalia Keller, Walter S. Melion, Olaya Sanfuentes, Patricia Simons, Dario Velandia Onofre, and Charles M. Rosenberg.
Contributors include: Elena FitzPatrick Sifford, Alison C. Fleming, Natalia Keller, Walter S. Melion, Olaya Sanfuentes, Patricia Simons, Dario Velandia Onofre, and Charles M. Rosenberg.
Emotions, Art, and Christianity in the Transatlantic World, c. 1450–1800 is a collection of studies variously exploring the role of visual and material culture in shaping early modern emotional experiences. The volume’s transatlantic framework moves from The Netherlands, Spain, and Italy to Mexico, Peru, Ecuador, and the Philippines, and centers on visual culture as a means to explore how emotions differ in their local and global “contexts” amidst the many shifts occurring c. 1450–1800. These themes are examined through the lens of art informed by religious ideas, especially Catholicism, with each essay probing how religiously inflected art stimulated, molded, and encoded emotions.
Contributors include: Elena FitzPatrick Sifford, Alison C. Fleming, Natalia Keller, Walter S. Melion, Olaya Sanfuentes, Patricia Simons, Dario Velandia Onofre, and Charles M. Rosenberg.
Contributors include: Elena FitzPatrick Sifford, Alison C. Fleming, Natalia Keller, Walter S. Melion, Olaya Sanfuentes, Patricia Simons, Dario Velandia Onofre, and Charles M. Rosenberg.
A Wycliffite Commentary on the Book of Revelation
The
Opus arduum valde is a Latin commentary on the Book of Revelation, written in England by an unknown scholarly author in the years 1389-1390. The book originated from the early Wycliffite movement and reflects its experience of persecution in apocalyptic terms. In England it soon fell into oblivion, but was adopted by radical exponents of the fifteenth-century Bohemian Hussites. In the sixteenth century Luther obtained a copy of the
Opus arduum valde which he had printed in Wittenberg with his own preface in 1528. This remarkable document of religious dissent in late medieval Europe, highly regarded in Lollard and Hussite studies, is now for the first time made available in a critical edition.
A Wycliffite Commentary on the Book of Revelation
The
Opus arduum valde is a Latin commentary on the Book of Revelation, written in England by an unknown scholarly author in the years 1389-1390. The book originated from the early Wycliffite movement and reflects its experience of persecution in apocalyptic terms. In England it soon fell into oblivion, but was adopted by radical exponents of the fifteenth-century Bohemian Hussites. In the sixteenth century Luther obtained a copy of the
Opus arduum valde which he had printed in Wittenberg with his own preface in 1528. This remarkable document of religious dissent in late medieval Europe, highly regarded in Lollard and Hussite studies, is now for the first time made available in a critical edition.
In
Transatlantic Charismatic Renewal, c.1950-2000, Andrew Atherstone, Mark Hutchinson and John Maiden bring together leading researchers to examine one of the globally most important religious movements of the twentieth century. Variously referred to as the charismatic ‘renewal’ or ‘revival’, it was a key Christian response to globalization, modernity and secularization. Unlike other accounts (which focus either on denominational pentecostalism or charismatic phenomena outside the West), this volume describes transatlantic Christianity drawing deeply on its pneumatic roots to bring about renewal. New research in archives and overlooked journals illuminate key figures from David du Plessis to John Wimber, providing insights which challenge the standard interpretations of the charismatic movement’s origins and influence.