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With this analysis of Sol images, Steven E. Hijmans paints a new picture of the solar cult in ancient Rome. The paucity of literary evidence led Hijmans to prioritize visual sources, and he opens this study with a thorough discussion of the theoretical and methodological issues involved. Emphasizing the danger of facile equivalencies between visual and verbal meanings, his primary focus is Roman praxis, manifest in, for instance, the strict patterning of Sol imagery. These patterns encode core concepts that Sol imagery evoked when deployed, and in those concepts we recognize the bedrock of Rome’s understandings of the sun and his cult. Case studies illustrate these concepts in action and the final chapter analyzes the historical context in which previous, now discredited views on Sol could arise.
This is part I of a two-part set.
This is part I of a two-part set.
Author:
With this analysis of Sol images, Steven E. Hijmans paints a new picture of the solar cult in ancient Rome. The paucity of literary evidence led Hijmans to prioritize visual sources, and he opens this study with a thorough discussion of the theoretical and methodological issues involved. Emphasizing the danger of facile equivalencies between visual and verbal meanings, his primary focus is Roman praxis, manifest in, for instance, the strict patterning of Sol imagery. These patterns encode core concepts that Sol imagery evoked when deployed, and in those concepts we recognize the bedrock of Rome’s understandings of the sun and his cult. Case studies illustrate these concepts in action and the final chapter analyzes the historical context in which previous, now discredited views on Sol could arise.
This is part I of a two-part set.
This is part I of a two-part set.
Author:
Josephus wrote his most impactful history, The Judean War, in seven volumes. The volume translated here and furnished with a full historical commentary, is pivotal. Filled with high drama and penetrating assessments of human behavior under extreme duress, it brings readers from Galilee and mass suicide at Gamala in the Golan to Vespasian’s rise to imperial power. In between, Josephus explains how first John of Gischala and then Simon bar Giora came to be the two dominant figures in Jerusalem, setting up the siege of Titus. This volume also introduces the war’s most famous antagonists: the Zealots (or Disciples).
Author:
Josephus wrote his most impactful history, The Judean War, in seven volumes. The volume translated here and furnished with a full historical commentary, is pivotal. Filled with high drama and penetrating assessments of human behavior under extreme duress, it brings readers from Galilee and mass suicide at Gamala in the Golan to Vespasian’s rise to imperial power. In between, Josephus explains how first John of Gischala and then Simon bar Giora came to be the two dominant figures in Jerusalem, setting up the siege of Titus. This volume also introduces the war’s most famous antagonists: the Zealots (or Disciples).
Late Antique Responses to the Arab Conquests is a showcase of new discoveries in an exciting and rapidly developing field: the study of the transition from Late Antiquity to Early Islam. The contributors to this volume engage with previously neglected sources, such as Arabic rock inscriptions, papyri and Byzantine archaeological remains. They also apply new interpretative methods to the literary tradition, reading the Qur’an as a late antique text, using Arabic poetry as a source to study the gestation of an Arab identity, and extracting settlement patterns of the Arabian colonizers in order to explain regional processes of Arabicization and Islamization. This volume shows how the Arab conquests changed both the Arabian conquerors and the conquered.
Late Antique Responses to the Arab Conquests is a showcase of new discoveries in an exciting and rapidly developing field: the study of the transition from Late Antiquity to Early Islam. The contributors to this volume engage with previously neglected sources, such as Arabic rock inscriptions, papyri and Byzantine archaeological remains. They also apply new interpretative methods to the literary tradition, reading the Qur’an as a late antique text, using Arabic poetry as a source to study the gestation of an Arab identity, and extracting settlement patterns of the Arabian colonizers in order to explain regional processes of Arabicization and Islamization. This volume shows how the Arab conquests changed both the Arabian conquerors and the conquered.
Béni (soit) son nom pour l’éternité
Author:
Les 203 dédicaces votives en araméen de Palmyre de la période entre IIe et IIIe siècle de n.è. intriguent par 3 dénominations divines : « Béni (soit) son nom pour l’éternité », « Maître de l’Univers » et « le Miséricordieux ». Des études précédentes ont postulé univoquement l’anonymat divin. En étant déçu par cette explication du phénomène des inscriptions palmyréniennes, le livre Des dédicaces sans théonyme de Palmyre : Béni (soit) son nom pour l’éternité a pris pour le point de départ les concepts de remerciement et de louange, en découvrant l’existence d’un hymne rituel comme origine de la formule « Béni (soit) son nom pour l’éternité ». Qui sont donc des dieux, des récepteurs des dédicaces de Palmyre ? Peut-on combiner un nom propre d’un dieu avec ces trois formules ? Ce livre répond à ces questions flagrantes.
203 Palmyrene-Aramaic votive inscriptions from the period between the 2nd and 3rd centuries CE contain three intriguing designations of the gods: “Blessed (be) his name forever”, “Master of the Universe” and “the Merciful”. Previous studies have claimed that the god to whom these inscriptions are addressed is anonymous. Not satisfied with this explanation, Des dédicaces sans théonyme de Palmyre: Béni (soit) son nom pour l’éternité addresses the phenomenon through the lens of thanksgiving and praise, revealing the existence of a contemporary ritual hymn, the origin of the Palmyrene formula “Blessed his name forever”. Who, then, were these gods, the recipients of the dedications? Can we find a match between the formulae and a proper name? This book provides answers to these fascinating questions.
203 Palmyrene-Aramaic votive inscriptions from the period between the 2nd and 3rd centuries CE contain three intriguing designations of the gods: “Blessed (be) his name forever”, “Master of the Universe” and “the Merciful”. Previous studies have claimed that the god to whom these inscriptions are addressed is anonymous. Not satisfied with this explanation, Des dédicaces sans théonyme de Palmyre: Béni (soit) son nom pour l’éternité addresses the phenomenon through the lens of thanksgiving and praise, revealing the existence of a contemporary ritual hymn, the origin of the Palmyrene formula “Blessed his name forever”. Who, then, were these gods, the recipients of the dedications? Can we find a match between the formulae and a proper name? This book provides answers to these fascinating questions.
Béni (soit) son nom pour l’éternité
Author:
Les 203 dédicaces votives en araméen de Palmyre de la période entre IIe et IIIe siècle de n.è. intriguent par 3 dénominations divines : « Béni (soit) son nom pour l’éternité », « Maître de l’Univers » et « le Miséricordieux ». Des études précédentes ont postulé univoquement l’anonymat divin. En étant déçu par cette explication du phénomène des inscriptions palmyréniennes, le livre Des dédicaces sans théonyme de Palmyre : Béni (soit) son nom pour l’éternité a pris pour le point de départ les concepts de remerciement et de louange, en découvrant l’existence d’un hymne rituel comme origine de la formule « Béni (soit) son nom pour l’éternité ». Qui sont donc des dieux, des récepteurs des dédicaces de Palmyre ? Peut-on combiner un nom propre d’un dieu avec ces trois formules ? Ce livre répond à ces questions flagrantes.
203 Palmyrene-Aramaic votive inscriptions from the period between the 2nd and 3rd centuries CE contain three intriguing designations of the gods: “Blessed (be) his name forever”, “Master of the Universe” and “the Merciful”. Previous studies have claimed that the god to whom these inscriptions are addressed is anonymous. Not satisfied with this explanation, Des dédicaces sans théonyme de Palmyre: Béni (soit) son nom pour l’éternité addresses the phenomenon through the lens of thanksgiving and praise, revealing the existence of a contemporary ritual hymn, the origin of the Palmyrene formula “Blessed his name forever”. Who, then, were these gods, the recipients of the dedications? Can we find a match between the formulae and a proper name? This book provides answers to these fascinating questions.
203 Palmyrene-Aramaic votive inscriptions from the period between the 2nd and 3rd centuries CE contain three intriguing designations of the gods: “Blessed (be) his name forever”, “Master of the Universe” and “the Merciful”. Previous studies have claimed that the god to whom these inscriptions are addressed is anonymous. Not satisfied with this explanation, Des dédicaces sans théonyme de Palmyre: Béni (soit) son nom pour l’éternité addresses the phenomenon through the lens of thanksgiving and praise, revealing the existence of a contemporary ritual hymn, the origin of the Palmyrene formula “Blessed his name forever”. Who, then, were these gods, the recipients of the dedications? Can we find a match between the formulae and a proper name? This book provides answers to these fascinating questions.
SENSORIVM: The Senses in Roman Polytheism explores how a range of cults and rituals were perceived and experienced by participants through one or more senses.
The present collection brings together papers from an international group of researchers all inspired by ‘the sensory turn’. Focusing on a wide range of ritual traditions from around the ancient Roman world, they explore the many ways in which smell and taste, sight and sound, separately and together, involved participants in religious performance. Music, incense, images and colors, contrasts of light and dark played as great a role as belief or observance in generating religious experience.
Together they contribute to an original understanding of the Roman sensory universe, and add an embodied perspective to the notion of Lived Ancient Religion.
Contributors are Martin Devecka; Visa Helenius; Yulia Ustinova; Attilio Mastrocinque; Maik Patzelt; Mark Bradley; Adeline Grand-Clément; Rocío Gordillo Hervás; Rebeca Rubio; Elena Muñiz Grijalvo; David Espinosa-Espinosa; A. César González-García, Marco V. García-Quintela; Jörg Rüpke; Rosa Sierra del Molino; Israel Campos Méndez; Valentino Gasparini; Nicole Belayche; Antón Alvar Nuño; Jaime Alvar Ezquerra; Clelia Martínez Maza.
The present collection brings together papers from an international group of researchers all inspired by ‘the sensory turn’. Focusing on a wide range of ritual traditions from around the ancient Roman world, they explore the many ways in which smell and taste, sight and sound, separately and together, involved participants in religious performance. Music, incense, images and colors, contrasts of light and dark played as great a role as belief or observance in generating religious experience.
Together they contribute to an original understanding of the Roman sensory universe, and add an embodied perspective to the notion of Lived Ancient Religion.
Contributors are Martin Devecka; Visa Helenius; Yulia Ustinova; Attilio Mastrocinque; Maik Patzelt; Mark Bradley; Adeline Grand-Clément; Rocío Gordillo Hervás; Rebeca Rubio; Elena Muñiz Grijalvo; David Espinosa-Espinosa; A. César González-García, Marco V. García-Quintela; Jörg Rüpke; Rosa Sierra del Molino; Israel Campos Méndez; Valentino Gasparini; Nicole Belayche; Antón Alvar Nuño; Jaime Alvar Ezquerra; Clelia Martínez Maza.
SENSORIVM: The Senses in Roman Polytheism explores how a range of cults and rituals were perceived and experienced by participants through one or more senses.
The present collection brings together papers from an international group of researchers all inspired by ‘the sensory turn’. Focusing on a wide range of ritual traditions from around the ancient Roman world, they explore the many ways in which smell and taste, sight and sound, separately and together, involved participants in religious performance. Music, incense, images and colors, contrasts of light and dark played as great a role as belief or observance in generating religious experience.
Together they contribute to an original understanding of the Roman sensory universe, and add an embodied perspective to the notion of Lived Ancient Religion.
Contributors are Martin Devecka; Visa Helenius; Yulia Ustinova; Attilio Mastrocinque; Maik Patzelt; Mark Bradley; Adeline Grand-Clément; Rocío Gordillo Hervás; Rebeca Rubio; Elena Muñiz Grijalvo; David Espinosa-Espinosa; A. César González-García, Marco V. García-Quintela; Jörg Rüpke; Rosa Sierra del Molino; Israel Campos Méndez; Valentino Gasparini; Nicole Belayche; Antón Alvar Nuño; Jaime Alvar Ezquerra; Clelia Martínez Maza.
The present collection brings together papers from an international group of researchers all inspired by ‘the sensory turn’. Focusing on a wide range of ritual traditions from around the ancient Roman world, they explore the many ways in which smell and taste, sight and sound, separately and together, involved participants in religious performance. Music, incense, images and colors, contrasts of light and dark played as great a role as belief or observance in generating religious experience.
Together they contribute to an original understanding of the Roman sensory universe, and add an embodied perspective to the notion of Lived Ancient Religion.
Contributors are Martin Devecka; Visa Helenius; Yulia Ustinova; Attilio Mastrocinque; Maik Patzelt; Mark Bradley; Adeline Grand-Clément; Rocío Gordillo Hervás; Rebeca Rubio; Elena Muñiz Grijalvo; David Espinosa-Espinosa; A. César González-García, Marco V. García-Quintela; Jörg Rüpke; Rosa Sierra del Molino; Israel Campos Méndez; Valentino Gasparini; Nicole Belayche; Antón Alvar Nuño; Jaime Alvar Ezquerra; Clelia Martínez Maza.
Zand ī Fragard ī Jud-Dēw-Dād (A Commentary on the Chapters of the Widēwdād)
Series:
Iran Studies, Volume: 19
Author:
Laws of Ritual Purity: Zand ī Fragard ī Jud-Dēw-Dād (A Commentary on the Chapters of the Widēwdād) describes the various ways in which Zoroastrian authorities in the fifth-sixth centuries CE reinterpreted the purity laws of their community. Its redactor(s), conversant with the notions and practices of purity and impurity as developed by their predecessors, attempt(s) to determine the parameters of the various categories of pollution, the minimum measures of polluted substances, and the effect of the interaction of pollution with other substances that are important to humans. It is therefore in essence a technical legal corpus designed to provide a comprehensive picture of a central aspect of Zoroastrian ritual life: the extent of one’s liability contracting pollution and how atonement/purification can be achieved.
Zand ī Fragard ī Jud-Dēw-Dād (A Commentary on the Chapters of the Widēwdād)
Series:
Iran Studies, Volume: 19
Author:
Laws of Ritual Purity: Zand ī Fragard ī Jud-Dēw-Dād (A Commentary on the Chapters of the Widēwdād) describes the various ways in which Zoroastrian authorities in the fifth-sixth centuries CE reinterpreted the purity laws of their community. Its redactor(s), conversant with the notions and practices of purity and impurity as developed by their predecessors, attempt(s) to determine the parameters of the various categories of pollution, the minimum measures of polluted substances, and the effect of the interaction of pollution with other substances that are important to humans. It is therefore in essence a technical legal corpus designed to provide a comprehensive picture of a central aspect of Zoroastrian ritual life: the extent of one’s liability contracting pollution and how atonement/purification can be achieved.
Mystery Cults in Visual Representation in Graeco-Roman Antiquity aims to fill a gap in the study of mystery cults in Graeco-Roman Antiquity by focusing on images for investigating their ritual praxis. Nicole Belayche and Francesco Massa have gathered experts on visual language in order to illuminate cultic rituals renowned for both their “mysteries” and their images. This book tackles three interrelated questions. Focusing on the cult of Dionysus, it analyses whether, and how, images are used to depict mystery cults. The relationship between historiography and images of mystery cults is considered with a focus on the Mithraic and Isiac cults. Finally, turning to the cults of Dionysus and the Mother of the Gods, this work shows how depictions of specific cultic objects succeed in expressing mystery cults.
Mystery Cults in Visual Representation in Graeco-Roman Antiquity aims to fill a gap in the study of mystery cults in Graeco-Roman Antiquity by focusing on images for investigating their ritual praxis. Nicole Belayche and Francesco Massa have gathered experts on visual language in order to illuminate cultic rituals renowned for both their “mysteries” and their images. This book tackles three interrelated questions. Focusing on the cult of Dionysus, it analyses whether, and how, images are used to depict mystery cults. The relationship between historiography and images of mystery cults is considered with a focus on the Mithraic and Isiac cults. Finally, turning to the cults of Dionysus and the Mother of the Gods, this work shows how depictions of specific cultic objects succeed in expressing mystery cults.
Author:
With Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess Gerald V. Lalonde offers the first comprehensive history of the martial cult of Athena Itonia, from its origins in Greek prehistory to its demise in the Roman imperial age. The Itonian goddess appears first among the Thessalians and eventually as the patron deity of their famed cavalry. Archaic poets attest to "Athena, warrior goddess" and her festival games at the Itoneion near Boiotian Koroneia. The cult also came south to Athens, probably with the mounted Thessalian allies of Peisistratos. Hellenistic decrees from Amorgos tell of elaborate festival sacrifices to Athena Itonia, likely supplications for protection of the islanders and their maritime trade when piracy plagued the Cyclades after collapse of the Greek naval forces that policed the Aegean Sea. This will be an indispensable volume for all interested in the social, political, and military uses of ancient Greek religious cult and the geography, chronology, and circumstances of its propagation among Greek poleis and federations.
Author:
With Athena Itonia: Geography and Meaning of an Ancient Greek War Goddess Gerald V. Lalonde offers the first comprehensive history of the martial cult of Athena Itonia, from its origins in Greek prehistory to its demise in the Roman imperial age. The Itonian goddess appears first among the Thessalians and eventually as the patron deity of their famed cavalry. Archaic poets attest to "Athena, warrior goddess" and her festival games at the Itoneion near Boiotian Koroneia. The cult also came south to Athens, probably with the mounted Thessalian allies of Peisistratos. Hellenistic decrees from Amorgos tell of elaborate festival sacrifices to Athena Itonia, likely supplications for protection of the islanders and their maritime trade when piracy plagued the Cyclades after collapse of the Greek naval forces that policed the Aegean Sea. This will be an indispensable volume for all interested in the social, political, and military uses of ancient Greek religious cult and the geography, chronology, and circumstances of its propagation among Greek poleis and federations.
Frameworks of Comparison in History, Religion and Anthropology
Historically, all societies have used comparison to analyze cultural difference through the interaction of religion, power, and translation. When comparison is a self-reflective practice, it can be seen as a form of comparatism. Many scholars are concerned in one way or another with the practice and methods of comparison, and the need for a cognitively robust relativism is an integral part of a mature historical self-placement. This volume looks at how different theories and practices of writing and interpretation have developed at different times in different cultures and reconsiders the specificities of modern comparative approaches within a variety of comparative moments. The idea is to reconsider the specificities, the obstacles, and the possibilities of modern comparative approaches in history and anthropology through a variety of earlier and parallel comparative horizons. Particular attention is given to the exceptional role of Athens and Jerusalem in shaping the Western understanding of cultural difference.
Contributors are: Matei Candea, Philippe Descola, Renaud Gagné, Simon Goldhill, Anthony Grafton, Caroline Humphrey, Dmitri Levitin, Geoffrey Lloyd, Joan-Pau Rubiés, Jonathan Sheehan, Marilyn Strathern, Guy Stroumsa, and Phiroze Vasunia.
Contributors are: Matei Candea, Philippe Descola, Renaud Gagné, Simon Goldhill, Anthony Grafton, Caroline Humphrey, Dmitri Levitin, Geoffrey Lloyd, Joan-Pau Rubiés, Jonathan Sheehan, Marilyn Strathern, Guy Stroumsa, and Phiroze Vasunia.
Frameworks of Comparison in History, Religion and Anthropology
Historically, all societies have used comparison to analyze cultural difference through the interaction of religion, power, and translation. When comparison is a self-reflective practice, it can be seen as a form of comparatism. Many scholars are concerned in one way or another with the practice and methods of comparison, and the need for a cognitively robust relativism is an integral part of a mature historical self-placement. This volume looks at how different theories and practices of writing and interpretation have developed at different times in different cultures and reconsiders the specificities of modern comparative approaches within a variety of comparative moments. The idea is to reconsider the specificities, the obstacles, and the possibilities of modern comparative approaches in history and anthropology through a variety of earlier and parallel comparative horizons. Particular attention is given to the exceptional role of Athens and Jerusalem in shaping the Western understanding of cultural difference.
Contributors are: Matei Candea, Philippe Descola, Renaud Gagné, Simon Goldhill, Anthony Grafton, Caroline Humphrey, Dmitri Levitin, Geoffrey Lloyd, Joan-Pau Rubiés, Jonathan Sheehan, Marilyn Strathern, Guy Stroumsa, and Phiroze Vasunia.
Contributors are: Matei Candea, Philippe Descola, Renaud Gagné, Simon Goldhill, Anthony Grafton, Caroline Humphrey, Dmitri Levitin, Geoffrey Lloyd, Joan-Pau Rubiés, Jonathan Sheehan, Marilyn Strathern, Guy Stroumsa, and Phiroze Vasunia.
The Charge of Barbarism and Early Christian Apologetics
Author:
In her book Barbarian or Greek?: The Charge of Barbarism and Early Christian Apologetics, Stamenka Antonova examines different aspects of the charge of barbarism in the Greek and Latin Christian apologetic texts (2-4th centuries) and the various responses to it by the early Christians. The author demonstrates that the charge of barbarism encompasses a broad range of meanings, such as low social class, inadequate education, immorality, criminal activity, political treason, as well as foreign ethnicity and language. In addition to contextualizing the charge of barbarism in ancient rhetorical practices, the author also applies literary criticism and post-colonial theory to shed light on the concept of the barbarian as an ideological-rhetorical tool for othering, marginalization and persecution in the Roman Empire.
The Charge of Barbarism and Early Christian Apologetics
Author:
In her book Barbarian or Greek?: The Charge of Barbarism and Early Christian Apologetics, Stamenka Antonova examines different aspects of the charge of barbarism in the Greek and Latin Christian apologetic texts (2-4th centuries) and the various responses to it by the early Christians. The author demonstrates that the charge of barbarism encompasses a broad range of meanings, such as low social class, inadequate education, immorality, criminal activity, political treason, as well as foreign ethnicity and language. In addition to contextualizing the charge of barbarism in ancient rhetorical practices, the author also applies literary criticism and post-colonial theory to shed light on the concept of the barbarian as an ideological-rhetorical tool for othering, marginalization and persecution in the Roman Empire.