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Role and Content of its Historical Access to the Outside World
The book investigates China’s relations to the outside world between ca. 100 BCE and 1800 AD. In contrast to most histories of the Silk Roads, the focus of this book clearly lies on the maritime Silk Road and on the period between Tang and high Qing, selecting aspects that have so far been neglected in research on the history of China’s relations with the outside world. The author examines, for example, the power alliance between the Tang and the Arabs during Tang times, the specific role of fanbing 蕃兵 (frontier tribal troops) during Song times, the interrelationship between maritime commerce, military expansion, and environmental factors during the Yuan, the question of whether or not early Ming China can be considered a (proto-)colonialist country, the role force and violence played during the Zheng He expeditions, and what role of the Asia-Pacific world played for late Ming and early Qing rulers.
Role and Content of its Historical Access to the Outside World
The book investigates China’s relations to the outside world between ca. 100 BCE and 1800 AD. In contrast to most histories of the Silk Roads, the focus of this book clearly lies on the maritime Silk Road and on the period between Tang and high Qing, selecting aspects that have so far been neglected in research on the history of China’s relations with the outside world. The author examines, for example, the power alliance between the Tang and the Arabs during Tang times, the specific role of fanbing 蕃兵 (frontier tribal troops) during Song times, the interrelationship between maritime commerce, military expansion, and environmental factors during the Yuan, the question of whether or not early Ming China can be considered a (proto-)colonialist country, the role force and violence played during the Zheng He expeditions, and what role of the Asia-Pacific world played for late Ming and early Qing rulers.
Selected Essays
Volume Editor:
The establishment of the People’s Republic of China in 1949 heralded dramatic changes in Chinese cultural practices. This volume, the latest entry in the Historical Studies of Contemporary China series, includes 11 articles translated from Historical Studies of Contemporary China (Dangdai Zhongguo shi yanjiu), one of China’s leading academic journals.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
Selected Essays
Volume Editor:
The establishment of the People’s Republic of China in 1949 heralded dramatic changes in Chinese cultural practices. This volume, the latest entry in the Historical Studies of Contemporary China series, includes 11 articles translated from Historical Studies of Contemporary China (Dangdai Zhongguo shi yanjiu), one of China’s leading academic journals.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
The Song Dynasty Making of China’s Greatest Poet
Irreducible to conventional labels usually applied to him, the Tang poet Du Fu (712–770) both defined and was defined by the literary, intellectual, and socio-political cultures of the Song dynasty (960–1279).
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.
The Song Dynasty Making of China’s Greatest Poet
Irreducible to conventional labels usually applied to him, the Tang poet Du Fu (712–770) both defined and was defined by the literary, intellectual, and socio-political cultures of the Song dynasty (960–1279).
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.
Jue Chen not only argues in his work that Du Fu was constructed according to particular literary and intellectual agendas of Song literati but also that conventional labels applied to Du Fu do not accurately represent this construction campaign. He also discusses how Du Fu’s image as the greatest poet sheds unique light on issues that can deepen our understanding of the subtleties in the poetic culture of Song China.