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This longitudinal study weaves the complex stories of many disparate musics into an account of quests for identities that illuminates Lombok’s history, its complex religious and ethnic composition, and its current political circumstances. It focuses on agents, musicians and leaders on the ground, and the socioreligious and artistic changes that transformed many music forms. The book outlines the years of political difficulty for music and years of transition and government interventions to remake musics, and identifies the emerging ideologies and developments that laid the groundwork for a diversity of musics – traditional, Islamic, popular – to simultaneously exist in an unprecedented way.
Religious Diffusion and Cross-fertilization beyond the Reach of the Central Tibetan Government
The volume brings together nine contributions presenting cutting-edge research on ris med. The relatively high degree of political autonomy in the A mdo and Khams regions paved the way for the Rnying ma, Sa skya, Bka’ brgyud, Jo nang, and Bon traditions to closely collaborate with each other in a spirit of mutual respect and non-partiality ( ris med), while enjoying protection and support from local rulers. The contributors examine degrees of tolerance ranging from hierarchical inclusivism to genuine pluralism, inter-tradition relations and collaborations, religio-political entanglements, and the positions, writings and actions of the key figures of ris med. Thus, they bring to light that ris med cannot be reduced to its historical, political, religious or sociological facet, but is always a conglomerate of all of them.

Groundbreaking research by leading international Tibetan studies scholars Filippo Brambilla, Gabriele Coura, Douglas Duckworth, Adam C. Krug, Klaus-Dieter Mathes, Giacomella Orofino, Rachel H. Pang, Adam S. Pearcey, and Frédéric Richard.