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This book presents a group of creative dramatists who confronted this challenge by giving the romantic theme of chuanqi their unique comic twists. This book demonstrates how their comic articulations bring the qing ideal down to the mundane world of family obligations, political ambitions, commercial interests, and gender frustrations.
By highlighting the crucial but understudied role that the comic plays, this book enriches our understanding of the intellectual depth and critical scope of the chuanqi genre.
This book presents a group of creative dramatists who confronted this challenge by giving the romantic theme of chuanqi their unique comic twists. This book demonstrates how their comic articulations bring the qing ideal down to the mundane world of family obligations, political ambitions, commercial interests, and gender frustrations.
By highlighting the crucial but understudied role that the comic plays, this book enriches our understanding of the intellectual depth and critical scope of the chuanqi genre.
It highlights specific moments during which the feminine voice became recognized, accepted, and stabilized, including the shift of focus from the performative to the textual in female representations; the formation of a male literary community; the popularity of romanticized historical narratives; and the emerging sense of literary history.
This study emphasizes the historicity of the feminine voice and strives to question and challenge established notions about textual stability, authorship, the literary canon, and literary history.
It highlights specific moments during which the feminine voice became recognized, accepted, and stabilized, including the shift of focus from the performative to the textual in female representations; the formation of a male literary community; the popularity of romanticized historical narratives; and the emerging sense of literary history.
This study emphasizes the historicity of the feminine voice and strives to question and challenge established notions about textual stability, authorship, the literary canon, and literary history.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
The broad range of cultural forms covered include the book trade and publishing industry, comic strips, literacy and education, popular visual art, Peking Opera, and rural temple fairs. This volume introduces readers to cutting edge Chinese language scholarship and a vibrant cultural scene as it transitioned to the era of the People’s Republic, tracing the continuities as well as the changes in cultural life in China throughout the 20th century.
The study of these two figures, and the ebbs and flows of their lives, reflects and reveals the fundamental tensions in the Chinese revolution which have shaped China’s political trajectory to contemporary times and the broader political, social, and cultural landscapes of Republican China.
The study of these two figures, and the ebbs and flows of their lives, reflects and reveals the fundamental tensions in the Chinese revolution which have shaped China’s political trajectory to contemporary times and the broader political, social, and cultural landscapes of Republican China.
Exposing the initial agenda of this paradigm and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.
Exposing the initial agenda of this paradigm and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.
This book outlines the development and research results of cultural semantic theory, and then proposes the distinction between two types of cultural semantics at the synchronic level: conceptual gap items and items with a cultural meaning. It provides criteria for identifying these items by using detailed examples from theory and application. Finally, the two types of cultural semantics are applied to the case of modern Chinese. The criteria proposed for determining the Chinese cultural semantics apply not only to this, but also to other languages. Therefore, this book offers an operational basis for further studies of cultural semantics in academia.
This book outlines the development and research results of cultural semantic theory, and then proposes the distinction between two types of cultural semantics at the synchronic level: conceptual gap items and items with a cultural meaning. It provides criteria for identifying these items by using detailed examples from theory and application. Finally, the two types of cultural semantics are applied to the case of modern Chinese. The criteria proposed for determining the Chinese cultural semantics apply not only to this, but also to other languages. Therefore, this book offers an operational basis for further studies of cultural semantics in academia.
Based on this documentation, the book reconstructs the process of “appropriation” by Jesuit missionaries and their Chinese converts of ancient traces of Christianity that were discovered in China in the first half of the seventeenth century, such as the Xi’an stele (781) and other Christian relics
Based on this documentation, the book reconstructs the process of “appropriation” by Jesuit missionaries and their Chinese converts of ancient traces of Christianity that were discovered in China in the first half of the seventeenth century, such as the Xi’an stele (781) and other Christian relics
A central feature of the Buddhist tradition, monastic discipline has received growing attention in the contemporary Buddhist world, but little from scholars. Adopting a diachronic perspective and a multidisciplinary approach, contributions by leading scholars investigate relevant Vinaya-related practices in twentieth and twenty-first centuries China and Taiwan, including issues of monastic identity and authenticity, updated ordination procedures, recent variations of Mahāyāna precepts and rules, and original perspectives on body movement and related sport activities.
The restoration and renewal of Vinaya practices and standards within Chinese Buddhist practices shed new light on the response of Buddhist leaders and communities to the challenges of modernity.
Contributors are: Ester Bianchi, Raoul Birnbaum, Daniela Campo, Tzu-Lung Chiu, Ann Heirman, Zhe Ji, Yu-chen Li, Pei-ying Lin, and Jiang Wu.
A central feature of the Buddhist tradition, monastic discipline has received growing attention in the contemporary Buddhist world, but little from scholars. Adopting a diachronic perspective and a multidisciplinary approach, contributions by leading scholars investigate relevant Vinaya-related practices in twentieth and twenty-first centuries China and Taiwan, including issues of monastic identity and authenticity, updated ordination procedures, recent variations of Mahāyāna precepts and rules, and original perspectives on body movement and related sport activities.
The restoration and renewal of Vinaya practices and standards within Chinese Buddhist practices shed new light on the response of Buddhist leaders and communities to the challenges of modernity.
Contributors are: Ester Bianchi, Raoul Birnbaum, Daniela Campo, Tzu-Lung Chiu, Ann Heirman, Zhe Ji, Yu-chen Li, Pei-ying Lin, and Jiang Wu.