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Sources de la transmission manuscrite en Islam : livres, écrits, images is a Festschrift offered to Marie-Geneviève Guesdon, curator of Arabic manuscripts at the BNF, codicologist and specialist in Arabic manuscript books, on the occasion of her retirement.
It brings together fourteen original contributions for which the collections of the BNF provided an essential source. Handwritten transmission in Islam over the long period is the central axis of the volume. New hypotheses are emerging, both on questions of transmission by shaykhs or scribe-painters and the circulation of ideas, texts and knowledge, as well as on the status and attribution of writings, the making of books, and the history of libraries.

Sources de la transmission manuscrite en Islam : livres, écrits, images sont des mélanges offerts à Marie-Geneviève Guesdon, conservatrice des manuscrits arabes à la BNF, codicologue et spécialiste du livre manuscrit arabe, à l’occasion de son départ à la retraite. Il réunit quatorze contributions originales dont les collections de la BnF forment une source essentielle. La transmission écrite en Islam sur la longue période est l’axe central du volume. De nouvelles hypothèses emergent, aussi bien sur les questions de transmission par les shaykhs ou les scribes-peintres, de circulation des idées, des textes et des savoirs que de statut et d’attribution des écrits, de fabrication du livre et d’histoire des bibliothèques.

Avec: Annie Berthier, Zouhour Chaabane, Khalid Chakor-Alami, François Déroche, Alain J. Desreumaux, Anne-Marie Eddé, Abdelouahad Jahdani, Khaled Kchir, Françoise Micheau, Anne Regourd, Francis Richard, Muriel Roiland, Jacqueline Sublet, Tal Tamari, Saadou Traoré, Annie Vernay-Nouri Annie Berthier, Zouhour Chaabane, Khalid Chakor-Alami, François Déroche, Alain J. Desreumaux, Anne-Marie Eddé, Abdelouahad Jahdani, Khaled Kchir, Françoise Micheau, Anne Regourd, Francis Richard, Muriel Roiland, Jacqueline Sublet, Tal Tamari, Saadou Traoré, Annie Vernay-Nouri
In a seminal study, Cur cantatur?, Anders Ekenberg examined Carolingian sources for explanations of why the liturgy was sung, rather than spoken. This multidisciplinary volume takes up Ekenberg’s question anew, investigating the interplay of New Testament writings, sacred spaces, biblical interpretation, and reception history of liturgical practices and traditions. Analyses of Greek, Latin, Coptic, Arabic, and Gǝʿǝz sources, as well as of archaeological and epigraphic evidence, illuminate an array of topics, including recent trends in liturgical studies; manuscript variants and liturgical praxis; Ignatius of Antioch’s choral metaphor; baptism in ancient Christian apocrypha; and the significance of late ancient altar veils.
Since its discovery at Qumran in the 1950’s, those wishing to study the Songs of the Sage (4Q510, 4Q511) had to approach a scattered grouping of fragments that gave little indication of the overall sequence, structure, and scope of the original composition. In the present volume, Joseph Angel remedies this situation by providing a new edition according to the sequence of the fragments determined by the material reconstruction of the more extensive manuscript, 4Q511. In addition to numerous enhanced readings and fresh English translations, the volume includes a general introduction, apparatus of variant readings, contextualizing commentary, catalog of photographic evidence, and key-word-in-context concordance. This work represents an unparalleled and comprehensive resource for anyone interested in the Songs of the Sage.
The digital world pervades the everyday lives of most people, and online tools have become an essential part of academic research in many disciplines. This reality is true also for biblical studies and related disciplines, areas that work with complex literary traditions, multiple manuscript cultures, and many methodological approaches to the problems at the centre of our discussions. This book shines a light on multiple new and emerging approaches to big disciplinary questions in biblical studies and beyond by highlight projects that are using digital tools, crafting computer-assisted approaches, and re-thinking the resources fundamental to the history of research.
Streams of Tradition in Mark, Matthew, and Luke
This Synoptikon brings together the Synoptic Gospels, freshly translated, comparing them with materials selected from previous volumes in this series. The aim is to serve commentators who engage the Gospels critically and with the awareness that a consideration of their Judaic environments is crucial. Placing the texts within that setting evokes particular streams of tradition that interacted so as to produce the Gospels. These are set out in distinctive typefaces, so that readers may assess the depth of the Synoptic tradition as well as the breadth of its development.
The story of Tobit builds on various themes derived from myth, legend and folktale. Tobiah’s journey recalls Homer’s Odyssey, the suffering of the righteous brings to mind the legend of Job, and the narrative around a disgraced and then rehabilitated official evokes the story of Ahiqar. The author of Tobit seeks to exploit his readers’ knowledge of these stories in order to convey his message more effectively: he encourages them to trust in divine providence that intervenes on behalf of the faithful.
This volume, based on essays previously published in Italian, charts Tobit’s narrative sources through comparative literary analysis, firmly placing the story in the genre of the didactic and edifying religious novel.
Anchoring Cultural Formation in the First Millennium BCE
Canonisation is fundamental to the sustainability of cultures. This volume is meant as a (theoretical) exploration of the process, taking Eurasian societies from roughly the first millennium BCE (Babylonian, Assyrian, Persian, Greek, Egyptian, Jewish and Roman) as case studies. It focuses on canonisation as a form of cultural formation, asking why and how canonisation works in this particular way and explaining the importance of the first millennium BCE for these question and vice versa. As a result of this focus, notions like anchoring, cultural memory, embedding and innovation play an important role throughout the book.
A Textual Reconstruction of Chapters 1–7
The first half of the book of Daniel contains world-famous stories like the Writing on the Wall. These stories have mostly been transmitted in Aramaic, not Hebrew, as has the influential apocalypse of Daniel 7. This Aramaic corpus shows clear signs of multiple authorship. Which different textual layers can we tease apart, and what do they tell us about the changing function of the Danielic material during the Second Temple Period? This monograph compares the Masoretic Text of Daniel to ancient manuscripts and translations preserving textual variants. By highlighting tensions in the reconstructed archetype underlying all these texts, it then probes the tales’ prehistory even further, showing how Daniel underwent many transformations to yield the book we know today.
Classical Perspectives on Ascent in the Journey to God
Volume Editors: and
How does one grow holy in such times? This question drove the early Christian imagination no less than it does today. Patristic Spirituality: Classical Perspectives on Ascent to the Divine features numerous studies offering an “itinerary” for early Christian believers wishing to enter into the divine presence. Readers will discover an array of perennial early Christian wisdom into the practical challenges of ascent, “a work of God in Christ, transforming and incorporating us,” says Lewis Ayres. See how early Christians cultivated the life of grace with hospitality, silence, almsgiving, and other ascetic practices for human elevation into mystical union with God.

Contributors are: Benjamin D. Wayman, John S. Bergsma and Luke Iyengar, Hans Boersma, Stanley E. Porter, Gregory Vall Don W. Springer, Bogdan G. Bucur, Amy Brown Hughes, Sean Argondizza-Moberg, Stephen M. Hildebrand, Brian Matz, Anna Silvas, Ann Conway-Jones, Sandy L. Haney, Despina D. Prassas, Gerald Boersma, Brian E. Daley, Andrew Louth, Jonathan L. Zecher, Kevin M. Clarke, Lewis Ayres.
The first scholarly book on Thomas Vaughan (1621–1666) draws from recent studies in Western esotericism to place his famously difficult writings in their proper context. It shows that they develop themes from a distinctively Rosicrucian synthesis of alchemy, magic, and Christian cabala. Vaughan introduced Rosicrucian documents to English readers and placed them in older philosophical contexts during the breakdown of censorship that followed the English Revolution against the old order in politics and religion. Willard’s book will appeal to students of early modern ideas about religion, science, and society as they were seen by an intelligent and eloquent outsider.