Browse results

You are looking at 1 - 9 of 9 items for :

  • Brill | Sense x
  • Status (Books): Published x
Clear All Modify Search

Marx and the Earth

An Anti-Critique

Series:

John Bellamy Foster and Paul Burkett

A decade and a half ago John Bellamy Foster and Paul Burkett introduced a new, revolutionary understanding of the ecological foundations of Marx’s thought, demonstrating that Marx’s concepts of the universal metabolism of nature, social metabolism, and metabolic rift prefigured much of modern systems ecology. Ecological relations were shown to be central to Marx’s critique of capitalism, including his value analysis. Now in Marx and the Earth Foster and Burkett expand on this analysis in the process of responding to recent ecosocialist criticisms of Marx. The result is a full-fledged anti-critique—pointing to the crucial roles that dialectics, open-system thermodynamics, intrinsic value, and aesthetic understandings played in the original Marxian critique, holding out the possibility of a new red-green synthesis.

Series:

Edited by Ingo Berensmeyer and Christoph Ehland

Literature as cultural discourse has always courted mobility. From the nomadic wanderings of the heroes of Homer and Virgil through the adventures of the medieval knight-errants to the travellers of modern times, movement and mobility have been constitutive elements of story-telling. Since writers have begun to explore the experiential dimension of movement their texts have embraced the essential changeability and instability of ‘mobile worlds’. In this sense literature reflects and processes the transformative force of movement on the perception of the world and is part of the broader cultural discourses of mobility.
From the 1936 film Night Mail to the rapid movements of the dime novel detective and the metaphorical coding of automobility in Futurist poetry, the essays in this volume offer new perspectives on the phenomenon of mobility at the intersection between the literary imagination and cultural experience. They explore movement as a decisive force of change in the history of modernity and show how literature in its representation of mobility simultaneously aims both to mirror and to grasp the phenomenon.

No Maps for These Territories

Cities, Spaces, and Archaeologies of the Future in William Gibson

Series:

Karin Hoepker

No Maps for These Territories offers an archaeology of seemingly tried and trusted concepts: cartography, architecture, urban space. While rethinking Michel Foucault’s theories, Karin Hoepker reconstructs the cartographic dispositives of spatial order. The futuristic fictional cityscapes of science fiction writer William Gibson are the touchstone for this epistemological analysis and typology of spatial formations. In seven probing chapters that focus on architectural blueprints, forms of inhabitation, Wunderkammern, and economic formations of retail, consumption, and entertainment such as shopping malls, amusement parks, and gambling meccas, Hoepker investigates a set of exemplary phenomena crucial to the fields of architecture, geography, philosophy, cartography, history of science, literary studies, and the arts. No Maps for These Territories thus offers close readings of fictional, philosophical, and theoretical texts, and examines instructive examples of the workings of spatial production. In a form of contrastive writing, the monograph sheds critical light on theoretical and fictional texts equally.

Series:

Edited by Pascale Guibert

Too many landscapes have been reduced to silent commodities by being put into golden frames on top of our fireplaces. Too many landscapes have been reified by being considered as objects holding forth referents to an omnipotent looker-on, with his/her language ever ready to seize and transcribe. The articles gathered here, prolonging an international conference held at the University of Caen Basse-Normandie (France), 14-16 June 2007, set the landscapes loose again by engaging with their essentially relational quality.
What makes this volume particularly stimulating and critically innovative is this initial acknowledgement of a landscape’s reflectiveness – that is the fact that it contains unthought thought, and thus presents itself to us both passively and actively. This straightaway appraisal of the lines of flight in the seemingly static, tranquil images facing us, has opened the way to deeply critical readings bent on questioning old tracks, testing new itineraries, denying the closure of the subject. At the same time, and by way of consequence, it leads us to encounter the force in landscape. A force like an energy, an impetus, which makes it possible – if not advisable! – to still compose, read and enjoy landscapes in the XXIst century.

Process

Landscape and Text

Series:

Edited by Catherine Brace and Adeline Johns-Putra

While the relationship between place and creative effort has been the focus of pronounced new interest in various disciplines, the contours and co-ordinates of the process by which one informs the other, by which landscape shapes text and vice versa, have yet to be delineated in any systematic fashion. This volume sheds light on that process, investigating the ways in which it is both reciprocal and interstitial: how does text shape our perception of landscape as much as it is shaped by it, and how do we account for the points at which text and landscape intersect? The first part of the volume introduces us to the question of process in landscape and literary studies; the second part examines the moments within the process by which landscape and text come to bear upon each other; and the final part deals with the relationship between the material experience of landscape and the formal characteristics of a given text, using this to reflect back on the processes of landscape perception and creativity. This volume spans the disciplines of geography, literary studies, and the visual arts. It also brings together scholarly and creative perspectives, interspersing academic commentary with poetic-photographic essays.

Series:

Arne Fjellberg

This volume completes the survey of the ca. 400 species of springtails, which can be found in Finland, Sweden, Norway, Denmark, Iceland, the Faroes and the Arctic Islands and includes the sections Entomobryomorpha and Symphypleona. The first volume, published in 1998, covered Poduromorpha. Identification keys and full descriptions of the species are richly illustrated by line drawings. Photos are provided for some species displaying characteristic patterns of pigmentation. New diagnostic characters, including sensillary chaetotaxy and details of the mouth apparatus, are introduced.

With the appearence of this book soil scientists and the interested amateur have now a modern tool to identify all species of Nordic springtails. In addition the habitat preferences and geographical distribuition are summarised. The book will be of general interest to everyone working on springtail identification.

Culture, Creativity and Environment

New Environmentalist Criticism

Series:

Edited by Ian Beckett and Terry Gifford

Culture, Creativity and Environment: New Environmentalist Criticism is a collection of new work which examines the intersection between philosophy, literature, visual art, film and the environment at a time of environmental crisis. This book is unusual in the way in which the ‘imaginative’, ‘creative’, element is privileged, notwithstanding the creativity of rigorous cultural criticism. Genuinely interdisciplinary, this book aims to be inclusive in its discussions of diverse cultural media (different literary genres, art forms and film for instance), which offer thoughtful and thought-provoking critiques of our relationships with the environment. Our ability to transcend the ethical and aesthetic categories and discourses that have contributed to our alienation from our environment is dependant upon an enlargement of our imaginative capacities. In a modest way this book might contribute to what Ted Hughes, speaking of the imagination of each new child, described as “nature’s chance to correct culture’s error”.

Five Emus to the King of Siam

Environment and Empire

Series:

Edited by Helen Tiffin

Western exploitation of other peoples is inseparable from attitudes and practices relating to other species and the extra-human environment generally. Colonial depredations turn on such terms as ‘human’, ‘savage’, ‘civilised’, ‘natural’, ‘progressive’, and on the legitimacies governing apprehension and control of space and landscape. Environmental impacts were reinforced, in patterns of unequal ‘exchange’, by the transport of animals, plants and peoples throughout the European empires, instigating widespread ecosystem change under unequal power regimes (a harbinger of today’s ‘globalization’).
This book considers these imperial ‘exchanges’ and charts some contemporary legacies of those inequitable imports and exports, transportations and transmutations. Sheep farming in Australia, transforming the land as it dispossessed the native inhabitants, became a symbol of (new, white) nationhood. The transportation of plants (and animals) into and across the Pacific, even where benign or nostalgic, had widespread environmental effects, despite the hopes of the acclimatisation societies involved, and, by extension, of missionary societies “planting the seeds of Christianity.” In the Caribbean, plantation slavery pushed back the “jungle” (itself an imported word) and erased the indigenous occupants – one example of the righteous, biblically justified cultivation of the wilderness. In Australia, artistic depictions of landscape, often driven by romantic and ‘gothic’ aesthetics, encoded contradictory settler mindsets, and literary representations of colonial Kenya mask the erasure of ecosystems. Chapters on the early twentieth century (in Canada, Kenya, and Queensland) indicate increased awareness of the value of species-preservation, conservation, and disease control. The tension between traditional and ‘Euroscientific’ attitudes towards conservation is revealed in attitudes towards control of the Ganges, while the urge to resource exploitation has produced critical disequilibrium in Papua New Guinea. Broader concerns centering on ecotourism and ecocriticism are treated in further essays summarising how the dominant West has alienated ‘nature’ from human beings through commodification in the service of capitalist ‘progress’.

Series:

Edited by Godela Weiss-Sussex and Franco Bianchini

Urban mindscapes are structures of thinking about a city, built on conceptualisations of the city’s physical landscape as well as on its image as transported through cultural representation, memory and imagination.
This book pursues three main strands of inquiry in its exploration of these ‘landscapes of the mind’ in a European context. The first strand concerns the theory and methodology of researching urban mindscapes and urban ‘imaginaries’. The second strand investigates some of the representations, symbols and collective images that feed into our understanding of European cities. It discusses representations of the city in literature, film, television and other cultural forms, which, in James Donald’s phrase, constitute ‘archives of urban images’. The third and last section of the volume concentrates on the relationship between the collective mindscapes of cities, urban policy and the practice of city marketing.