Anarchism and the Avant-Garde

Radical Arts and Politics in Perspective

Series:

Edited by Carolin Kosuch

Anarchism and the Avant-Garde: Radical Arts and Politics in Perspective contributes to the continuing debate on the encounter of the classical anarchisms (1860s−1940s) and the artistic and literary avant-gardes of the same period, probing its dimensions and limits. Case studies on Dadaism, decadence, fauvism, neo-impressionism, symbolism, and various anarchisms explore the influence anarchism had on the avant-gardes and reflect on avant-garde tendencies within anarchism. This volume also explores the divergence of anarchism and the avant-gardes. It offers a rich examination of politics and arts, and it complements an ongoing discourse with theoretical tools to better assess the aesthetic, social, and political cross-pollination that took place between the avant-gardes and the anarchists in Europe.

Medieval Franciscan Approaches to the Virgin Mary

Mater Sanctissima, Misericordia, et Dolorosa

Series:

Edited by Steven McMichael and Katie Wrisley Shelby

This volume offers a sample of the many ways that medieval Franciscans wrote, represented in art, and preached about the ‘model of models’ of the medieval religious experience, the Virgin Mary. This is an extremely valuable collection of essays that highlight the significant role the Franciscans played in developing Mariology in the Middle Ages. Beginning with Francis, Clare, and Anthony, a number of significant theologians, spiritual writers, preachers, and artists are presented in their attempt to capture the significance and meaning of the Virgin Mary in the context of the late Middle Ages within the Franciscan movement.
Contributors are Luciano Bertazzo, Michael W. Blastic, Rachel Fulton Brown, Leah Marie Buturain, Marzia Ceschia, Holly Flora, Alessia Francone, J. Isaac Goff, Darrelyn Gunzburg, Mary Beth Ingham, Christiaan Kappes, Steven J. McMichael, Pacelli Millane, Kimberly Rivers, Filippo Sedda, and Christopher J. Shorrock.

Peter von Danzig

The Story of a Great Caravel, 1462-1475

Series:

Beata Możejko

This study traces the chequered history of Peter von Danzig, a French caravel which was inadvertently taken over by Gdańsk (Danzig). Beata Możejko charts the fluctuating and often dramatic fortunes of the caravel, from her arrival in Gdańsk as a merchantman in 1462 to her demise near La Rochelle in 1475. The author examines the caravel’s role as a warship during the Anglo-Hanseatic conflict, and her most famous operation, when she was used by Gdańsk privateer Paul Beneke to capture a Burgundian galley with a rich cargo that included Hans Memling’s Last Judgement triptych.
Using literary and archival sources, Możejko provides a comprehensive overview and analysis of the information available about the caravel and her colourful career.

Series:

Keren Zdafee

The Egyptian caricature is generally studied as part of Egyptian mass culture, and mainly discussed in the context of Egypt's anti-colonial resistance to British foreign rule, as part of the forging of a “national style". In Cartooning for a Modern Egypt, Keren Zdafee foregrounds the role that Egypt’s foreign-local entrepreneurs and caricaturists played in formulating and constructing the modern Egyptian caricature of the interwar years, that was designated for, and reflected, a colonial and cosmopolitan culture of a few. Keren Zdafee illustrates how Egyptian foreign-local caricaturists envisioned and evaluated the past, present, and future of Egyptian society, in the context of Cairo's colonial cosmopolitanism, by adopting a theoretical, semiotic, and historical approach.

Pieter Bruegel the Elder

Religious Art for the Urban Community

Series:

Barbara A. Kaminska

Barbara Kaminska’s Pieter Bruegel the Elder: Religious Art for the Urban Community is the first book-length study focusing on religious paintings by one of the most captivating Netherlandish artists, long celebrated for his secular imagery. In a period marked by a profound religious, economic, and cultural transformation, Bruegel offered his sophisticated urban audience complex biblical images that required an engaged, active viewing, not only sparking learned dinner conversations, but facilitating the negotiation of values seen as critical to maintaining a harmonious society. By considering the novelty of Bruegel’s panels used in convivia alongside his small, intimate grisaille compositions, this study ultimately shows that Bruegel renewed the idiom of religious painting, successfully preserving its ritualistic and meditative functions.

Series:

Edited by Constance Moffatt and Sara Taglialagamba

The second volume of Leonardo Studies hosts a dual theme of nature and architecture, offering a wide-ranging overview of current Leonardo scholarship on these two abundant subjects. While Leonardo worked on his book on painting, he noted that understanding the physical properties of nature must precede individual projects of painting or designing buildings. The volume begins with the Trattato, and follows with physics, geology, painting that imitates architectural structure and vice-versa, and proceeds to architectural projects, questions of attribution, urban planning, and and the dissemination of Leonardo’s writings in the Trattato and its historiography. This impressive group of articles constitutes not only new research, but also a departure point for future studies on these topics.

Contributors are: Janis Bell, Andrea Bernardoni, Marco Carpiceci, Paolo Cavagnero, Fabio Colonnese, Kay Etheridge, Diane Ghirardo, Claudio Giorgione, Domenico Laurenza, Catherine Lucheck, Silvio Mara, Jill Pederson, Richard Schofield, Sara Taglialagamba, Cristiano Tessari, Marco Versiero, and Raffaella Zama

Investigations in Medieval Stained Glass

Materials, Methods, and Expressions

Series:

Edited by Brigitte Kurmann-Schwarz and Elizabeth Pastan

With many excellent books on medieval stained glass available, the reader of this anthology may well ask: “what is the contribution of this collection?” In this book, we have chosen to step away from national, chronological, and regional models. Instead, we started with scholars doing interesting work in stained glass, and called upon colleagues to contribute studies that represent the diversity of approaches to the medium, as well as up-to-date bibliographies for work in the field.

Contributors are: Wojciech Balus, Karine Boulanger, Sarah Brown, Elizabeth Carson Pastan, Madeline H. Caviness, Michael W. Cothren, Francesca Dell’Acqua, Uwe Gast, Françoise Gatouillat, Anne Granboulan, Anne F. Harris, Christine Hediger, Michel Hérold, Timothy B. Husband, Alyce A. Jordan, Herbert L. Kessler, David King, Brigitte Kurmann-Schwarz, Claudine Lautier, Ashley J. Laverock, Meredith P. Lillich, Isabelle Pallot-Frossard, Hartmut Scholz, Mary B. Shepard, Ellen M. Shortell, Nancy M. Thompson.

Series:

Edited by Carsten Jahnke

A Companion to Medieval Lübeck offers an introduction to recent scholarship on the vibrant and source-rich medieval history of Lübeck. Focusing mainly on the twelfth to fifteenth centuries, the volume positions the city of Lübeck within the broader history of Northern Germany and the Baltic Sea area. Thematic contributions highlight the archaeological and architectonical development of a northern town, religious developments, buildings and art in a Hanseatic city, and its social institutions. This volume is the first English-language overview of the history of Lübeck and a corrective to the traditional narratives of German historiography. The volume thus offers a fresh perspective on the history of medieval Lübeck—as well as a handy introduction to the riches of the Lübeck archives—to undergraduates, graduate students, and scholars in related fields.

Contributors are Manfred Finke, Hartmut Freytag, Antjekathrin Graßmann, Angela Huang, Carsten Jahnke, Ursula Radis, Anja Rasche, Dirk Rieger, Harm von Seggern and Ulf Stammwitz.

Armenia between Byzantium and the Orient

Celebrating the Memory of Karen Yuzbashian (1927–2009)

Edited by Bernard Outtier, Cornelia B. Horn, Basil Lourie and Alexey Ostrovsky

This volume commemorating the late Armenian scholar Karen Yuzbashyan comprises studies of mediaeval Armenian culture, including the reception of biblical and parabiblical texts, theological literature, liturgy, hagiography, manuscript studies, Church history and secular history, and Christian art and material culture. Special attention is paid to early Christian and late Jewish texts and traditions preserved in documents written in Armenian. Several contributions focus on the interactions of Armenia with other cultures both within and outside the Byzantine Commonwealth: Greek, Georgian, Syriac, Coptic, Ethiopic, and Iranian. Select contributions may serve as initial reference works for their respective topics (the catalogue of Armenian khachkars in the diaspora and the list of Armenian Catholicoi in Tzovk’).

Illuminating Sanctity

The Body, Soul and Glorification of Saint Amand in the Miniature Cycle in Valenciennes, Bibliothèque Municipale, MS 500

Series:

Maria R. Grasso

Maria R. Grasso’s monograph on the twelfth-century illustrated vita of Saint Amand, Valenciennes, Bibliothèque municipale MS 500, presents new information regarding its contents. The author’s discovery and analysis of a second almost complete set of preliminary drawings beneath another set of the same drawings demonstrates that important alterations were made prior to the execution of the cycle. Grasso’s discussion includes the probable reason for the change: the isolation of the terminating folio depicting the soul of Amand. This important devotional image is the focus of detailed analysis since the soul of Amand rests in the lap of a male figure she convincingly identifies as Christ, an extremely unusual placement for the soul of a saint, demonstrating the creativity of the artists.