List price
EUR €75.00USD $91.00
Browse results
Page:12
Maria Sibylla Merian’s Caterpillar Book
The Flowering of Ecology presents an English translation of Maria Sibylla Merian’s 1679 ‘caterpillar’ book,
Der Raupen wunderbare Verwandelung und sonderbare Blumen–Nahrung. Her processes in making the book and an analysis of its scientific content are presented in a historical context. Merian raised insects for five decades, recording the food plants, behavior and ecology of roughly 300 species. Her most influential invention was an 'ecological' composition in which the metamorphic cycles of insects (usually moths and butterflies) were arrayed around plants that served as food for the caterpillars. Kay Etheridge analyzes the 1679 caterpillar book from the viewpoint of a biologist, arguing that Merian’s study of insect interactions with plants, the first of its kind, was a formative contribution to natural history.
Read Kay Etheridge’s blogpost on “Art Herstory”.
Read Kay Etheridge’s blogpost on “Art Herstory”.
Maria Sibylla Merian’s Caterpillar Book
The Flowering of Ecology presents an English translation of Maria Sibylla Merian’s 1679 ‘caterpillar’ book,
Der Raupen wunderbare Verwandelung und sonderbare Blumen–Nahrung. Her processes in making the book and an analysis of its scientific content are presented in a historical context. Merian raised insects for five decades, recording the food plants, behavior and ecology of roughly 300 species. Her most influential invention was an 'ecological' composition in which the metamorphic cycles of insects (usually moths and butterflies) were arrayed around plants that served as food for the caterpillars. Kay Etheridge analyzes the 1679 caterpillar book from the viewpoint of a biologist, arguing that Merian’s study of insect interactions with plants, the first of its kind, was a formative contribution to natural history.
Read Kay Etheridge’s blogpost on “Art Herstory”.
Read Kay Etheridge’s blogpost on “Art Herstory”.
Controversy, Media and Politics in Human Origins Research
In
The Orce Man: Controversy, Media and Politics in Human Origins Research, Miquel Carandell presents a thrilling story of a controversy on an Spanish “First European” that involved scientists, politicians and newspapers. In the early 1980s, with Spanish democracy in its beginnings, the Orce bone was transformed from a famous human ancestor to an apparently ridiculous donkey remain. With a chronological narrative, this book is not centered on whether the bone was human or not, but on the circumstances that made a certain claim credible or not, from both the scientific community and the general public. Carandell’s analysis draws on the thin line that separates success from failure and the role of media and politics in the controversy.
Controversy, Media and Politics in Human Origins Research
In
The Orce Man: Controversy, Media and Politics in Human Origins Research, Miquel Carandell presents a thrilling story of a controversy on an Spanish “First European” that involved scientists, politicians and newspapers. In the early 1980s, with Spanish democracy in its beginnings, the Orce bone was transformed from a famous human ancestor to an apparently ridiculous donkey remain. With a chronological narrative, this book is not centered on whether the bone was human or not, but on the circumstances that made a certain claim credible or not, from both the scientific community and the general public. Carandell’s analysis draws on the thin line that separates success from failure and the role of media and politics in the controversy.
A Critical Edition with an Introduction, Notes and Indices
Editor / Translator:
Aafke M.I. van Oppenraay
Aristotle's
De Animalibus was an important source of zoological knowledge for the ancient Greeks and for medieval Arabs and Europeans. In the thirteenth century, the work was twice translated into Latin. One translation was produced directly from the Greek by William of Moerbeke. An earlier translation, made available as a critical edition in the present volume for the first time, was produced through an intermediary Arabic translation (Kitāb al-Ḥayawān) by Michael Scot (1175 - c. 1232). Scot's translation was one of the main sources of knowledge on animals in Europe and widely used until well into the fifteenth century. As a faithful translation of a translation produced by a Syriac-speaking Christian, the text contributes to our knowledge of Middle Arabic. The
De Animalibus is composed of three sections:
History of Animals (ten books),
Parts of Animals (four books) and
Generation of Animals (five books).
Parts of Animals and
Generation of Animals were published by BRILL as Volumes 5.2 and 5.3 of the book series ASL in 1998 (ASL 5.2) and 1992 (ASL 5.3). The present Volume 5.1.a contains the first section of Scot's translation of
History of Animals: the general introduction and books 1-3, with Notes. Editions of the two concluding parts of
History of Animals, ASL 5.1.b, books 4-6 and ASL 5.1.c, books 7-10, are in preparation. Complete Latin-Arabic and Arabic-Latin indices of
History of Animals will be published in due course.
A Critical Edition with an Introduction, Notes and Indices
Aristotle's
De Animalibus was an important source of zoological knowledge for the ancient Greeks and for medieval Arabs and Europeans. In the thirteenth century, the work was twice translated into Latin. One translation was produced directly from the Greek by William of Moerbeke. An earlier translation, made available as a critical edition in the present volume for the first time, was produced through an intermediary Arabic translation (Kitāb al-Ḥayawān) by Michael Scot (1175 - c. 1232). Scot's translation was one of the main sources of knowledge on animals in Europe and widely used until well into the fifteenth century. As a faithful translation of a translation produced by a Syriac-speaking Christian, the text contributes to our knowledge of Middle Arabic. The
De Animalibus is composed of three sections:
History of Animals (ten books),
Parts of Animals (four books) and
Generation of Animals (five books).
Parts of Animals and
Generation of Animals were published by BRILL as Volumes 5.2 and 5.3 of the book series ASL in 1998 (ASL 5.2) and 1992 (ASL 5.3). The present Volume 5.1.a contains the first section of Scot's translation of
History of Animals: the general introduction and books 1-3, with Notes. Editions of the two concluding parts of
History of Animals, ASL 5.1.b, books 4-6 and ASL 5.1.c, books 7-10, are in preparation. Complete Latin-Arabic and Arabic-Latin indices of
History of Animals will be published in due course.
Exploration and Discovery
Art and Science in Word and Image investigates the theme of ‘riddles of form’, exploring how discovery and innovation have functioned inter-dependently between art, literature and the sciences.
Using the impact of evolutionary biologist D’Arcy Thompson’s On Growth and Form on Modernist practices as springboard into the theme, contributors consider engagements with mysteries of natural form in painting, photography, fiction, etc., as well as theories about cosmic forces, and other fields of knowledge and enquiry. Hence the collection also deals with topics including cultural inscriptions of gardens and landscapes, deconstructions of received history through word and image artworks and texts, experiments in poetic materiality, graphic re-mediations of classic fiction, and textual transactions with animation and photography.
Contributors are: Dina Aleshina, Márcia Arbex, Donna T. Canada Smith, Calum Colvin, Francis Edeline, Philippe Enrico, Étienne Février, Madeline B. Gangnes, Eric T. Haskell, Christina Ionescu, Tim Isherwood, Matthew Jarron, Philippe Kaenel, Judy Kendall, Catherine Lanone, Kristen Nassif, Solange Ribeiro de Oliveira, Eric Robertson, Frances Robertson, Cathy Roche-Liger, David Skilton, Melanie Stengele, Barry Sullivan, Alice Tarbuck, Frederik Van Dam.
Using the impact of evolutionary biologist D’Arcy Thompson’s On Growth and Form on Modernist practices as springboard into the theme, contributors consider engagements with mysteries of natural form in painting, photography, fiction, etc., as well as theories about cosmic forces, and other fields of knowledge and enquiry. Hence the collection also deals with topics including cultural inscriptions of gardens and landscapes, deconstructions of received history through word and image artworks and texts, experiments in poetic materiality, graphic re-mediations of classic fiction, and textual transactions with animation and photography.
Contributors are: Dina Aleshina, Márcia Arbex, Donna T. Canada Smith, Calum Colvin, Francis Edeline, Philippe Enrico, Étienne Février, Madeline B. Gangnes, Eric T. Haskell, Christina Ionescu, Tim Isherwood, Matthew Jarron, Philippe Kaenel, Judy Kendall, Catherine Lanone, Kristen Nassif, Solange Ribeiro de Oliveira, Eric Robertson, Frances Robertson, Cathy Roche-Liger, David Skilton, Melanie Stengele, Barry Sullivan, Alice Tarbuck, Frederik Van Dam.
Exploration and Discovery
Art and Science in Word and Image investigates the theme of ‘riddles of form’, exploring how discovery and innovation have functioned inter-dependently between art, literature and the sciences.
Using the impact of evolutionary biologist D’Arcy Thompson’s On Growth and Form on Modernist practices as springboard into the theme, contributors consider engagements with mysteries of natural form in painting, photography, fiction, etc., as well as theories about cosmic forces, and other fields of knowledge and enquiry. Hence the collection also deals with topics including cultural inscriptions of gardens and landscapes, deconstructions of received history through word and image artworks and texts, experiments in poetic materiality, graphic re-mediations of classic fiction, and textual transactions with animation and photography.
Contributors are: Dina Aleshina, Márcia Arbex, Donna T. Canada Smith, Calum Colvin, Francis Edeline, Philippe Enrico, Étienne Février, Madeline B. Gangnes, Eric T. Haskell, Christina Ionescu, Tim Isherwood, Matthew Jarron, Philippe Kaenel, Judy Kendall, Catherine Lanone, Kristen Nassif, Solange Ribeiro de Oliveira, Eric Robertson, Frances Robertson, Cathy Roche-Liger, David Skilton, Melanie Stengele, Barry Sullivan, Alice Tarbuck, Frederik Van Dam.
Using the impact of evolutionary biologist D’Arcy Thompson’s On Growth and Form on Modernist practices as springboard into the theme, contributors consider engagements with mysteries of natural form in painting, photography, fiction, etc., as well as theories about cosmic forces, and other fields of knowledge and enquiry. Hence the collection also deals with topics including cultural inscriptions of gardens and landscapes, deconstructions of received history through word and image artworks and texts, experiments in poetic materiality, graphic re-mediations of classic fiction, and textual transactions with animation and photography.
Contributors are: Dina Aleshina, Márcia Arbex, Donna T. Canada Smith, Calum Colvin, Francis Edeline, Philippe Enrico, Étienne Février, Madeline B. Gangnes, Eric T. Haskell, Christina Ionescu, Tim Isherwood, Matthew Jarron, Philippe Kaenel, Judy Kendall, Catherine Lanone, Kristen Nassif, Solange Ribeiro de Oliveira, Eric Robertson, Frances Robertson, Cathy Roche-Liger, David Skilton, Melanie Stengele, Barry Sullivan, Alice Tarbuck, Frederik Van Dam.
A Worldwide Descriptive Census, Ownership, and Annotations of the 1543 and 1555 Editions
Additional background information
This book provides bibliographic information, ownership records, a detailed worldwide census and a description of the handwritten annotations for all the surviving copies of the 1543 and 1555 editions of Vesalius’ De humani corporis fabrica. It also offers a groundbreaking historical analysis of how the Fabrica traveled across the globe, and how readers studied, annotated and critiqued its contents from 1543 to 2017. The Fabrica of Andreas Vesalius sheds a fresh light on the book’s vibrant reception history and documents how physicians, artists, theologians and collectors filled its pages with copious annotations. It also offers a novel interpretation of how an early anatomical textbook became one of the most coveted rare books for collectors in the 21st century.
This book provides bibliographic information, ownership records, a detailed worldwide census and a description of the handwritten annotations for all the surviving copies of the 1543 and 1555 editions of Vesalius’ De humani corporis fabrica. It also offers a groundbreaking historical analysis of how the Fabrica traveled across the globe, and how readers studied, annotated and critiqued its contents from 1543 to 2017. The Fabrica of Andreas Vesalius sheds a fresh light on the book’s vibrant reception history and documents how physicians, artists, theologians and collectors filled its pages with copious annotations. It also offers a novel interpretation of how an early anatomical textbook became one of the most coveted rare books for collectors in the 21st century.
A Worldwide Descriptive Census, Ownership, and Annotations of the 1543 and 1555 Editions
Additional background information
This book provides bibliographic information, ownership records, a detailed worldwide census and a description of the handwritten annotations for all the surviving copies of the 1543 and 1555 editions of Vesalius’ De humani corporis fabrica. It also offers a groundbreaking historical analysis of how the Fabrica traveled across the globe, and how readers studied, annotated and critiqued its contents from 1543 to 2017. The Fabrica of Andreas Vesalius sheds a fresh light on the book’s vibrant reception history and documents how physicians, artists, theologians and collectors filled its pages with copious annotations. It also offers a novel interpretation of how an early anatomical textbook became one of the most coveted rare books for collectors in the 21st century.
This book provides bibliographic information, ownership records, a detailed worldwide census and a description of the handwritten annotations for all the surviving copies of the 1543 and 1555 editions of Vesalius’ De humani corporis fabrica. It also offers a groundbreaking historical analysis of how the Fabrica traveled across the globe, and how readers studied, annotated and critiqued its contents from 1543 to 2017. The Fabrica of Andreas Vesalius sheds a fresh light on the book’s vibrant reception history and documents how physicians, artists, theologians and collectors filled its pages with copious annotations. It also offers a novel interpretation of how an early anatomical textbook became one of the most coveted rare books for collectors in the 21st century.
Collecting, Recording and Preserving the Natural World from the Fifteenth to the Twenty-First Century
Volume Editor:
Arthur MacGregor
Interposed between the natural world in all its diversity and the edited form in which we encounter it in literature, imagery and the museum, lie the multiple practices of the naturalists in selecting, recording and preserving the specimens from which our world view is to be reconstituted. The factors that weigh at every stage are here dissected, analysed and set within a historical narrative that spans more than five centuries. During that era, every aspect evolved and changed, as engagement with nature moved from a speculative pursuit heavily influenced by classical scholarship to a systematic science, drawing on advanced theory and technology. Far from being neutrally objective, the process of representing nature is shown as fraught with constraint and compromise.
With a Foreword by Sir David Attenborough
Contributors are: Marie Addyman, Peter Barnard, Paul D. Brinkman, Ian Convery, Peter Davis, Felix Driver, Florike Egmond, Annemarie Jordan Gschwend, Geoff Hancock, Stephen Harris, Hanna Hodacs, Stuart Houston, Dominik Huenniger, Rob Huxley, Charlie Jarvis, Malgosia Nowak-Kemp, Shepard Krech III, Mark Lawley, Arthur Lucas, Marco Masseti, Geoff Moore, Pat Morris, Charles Nelson, Robert Peck, Helen Scales, Han F. Vermeulen, and Glyn Williams.
With a Foreword by Sir David Attenborough
Contributors are: Marie Addyman, Peter Barnard, Paul D. Brinkman, Ian Convery, Peter Davis, Felix Driver, Florike Egmond, Annemarie Jordan Gschwend, Geoff Hancock, Stephen Harris, Hanna Hodacs, Stuart Houston, Dominik Huenniger, Rob Huxley, Charlie Jarvis, Malgosia Nowak-Kemp, Shepard Krech III, Mark Lawley, Arthur Lucas, Marco Masseti, Geoff Moore, Pat Morris, Charles Nelson, Robert Peck, Helen Scales, Han F. Vermeulen, and Glyn Williams.
Collecting, Recording and Preserving the Natural World from the Fifteenth to the Twenty-First Century
Volume Editor:
Arthur MacGregor
Interposed between the natural world in all its diversity and the edited form in which we encounter it in literature, imagery and the museum, lie the multiple practices of the naturalists in selecting, recording and preserving the specimens from which our world view is to be reconstituted. The factors that weigh at every stage are here dissected, analysed and set within a historical narrative that spans more than five centuries. During that era, every aspect evolved and changed, as engagement with nature moved from a speculative pursuit heavily influenced by classical scholarship to a systematic science, drawing on advanced theory and technology. Far from being neutrally objective, the process of representing nature is shown as fraught with constraint and compromise.
With a Foreword by Sir David Attenborough
Contributors are: Marie Addyman, Peter Barnard, Paul D. Brinkman, Ian Convery, Peter Davis, Felix Driver, Florike Egmond, Annemarie Jordan Gschwend, Geoff Hancock, Stephen Harris, Hanna Hodacs, Stuart Houston, Dominik Huenniger, Rob Huxley, Charlie Jarvis, Malgosia Nowak-Kemp, Shepard Krech III, Mark Lawley, Arthur Lucas, Marco Masseti, Geoff Moore, Pat Morris, Charles Nelson, Robert Peck, Helen Scales, Han F. Vermeulen, and Glyn Williams.
With a Foreword by Sir David Attenborough
Contributors are: Marie Addyman, Peter Barnard, Paul D. Brinkman, Ian Convery, Peter Davis, Felix Driver, Florike Egmond, Annemarie Jordan Gschwend, Geoff Hancock, Stephen Harris, Hanna Hodacs, Stuart Houston, Dominik Huenniger, Rob Huxley, Charlie Jarvis, Malgosia Nowak-Kemp, Shepard Krech III, Mark Lawley, Arthur Lucas, Marco Masseti, Geoff Moore, Pat Morris, Charles Nelson, Robert Peck, Helen Scales, Han F. Vermeulen, and Glyn Williams.
The Parallel Worlds of Cesi and Galileo
Translator:
Peter Mason
Set in the context of Counter-Reformation Rome, this book focuses on the twenty-year long relationship (1611-1630) between Galileo Galilei and Federico Cesi, the founder of the Academy of the Lynx-eyed. Contrary to the historiographical tradition, it demonstrates that the visions of Galileo and Cesi were not at all convergent. In the course of the events that led to the adoption of the anti-Copernican decree of 1616, Galileo realized that the Lynceans were not prepared to support his battle for freedom of thought. In addition to identifying the author of the anonymous denunciation of Galileo’s
Assayer, Paolo Galluzzi offers an original reconstruction of the dynamics which culminated in the Church’s condemnation of the famous Tuscan scientist in 1633.
This book was originally published in Italian as Libertà di filosofare in naturalibus: I mondi paralleli di Cesi e Galileo (Storia dell’Accademia dei Lincei, Studi 4). Rome: Scienze e Lettere, Editore Commerciale, 2014.
This book was originally published in Italian as Libertà di filosofare in naturalibus: I mondi paralleli di Cesi e Galileo (Storia dell’Accademia dei Lincei, Studi 4). Rome: Scienze e Lettere, Editore Commerciale, 2014.
The Parallel Worlds of Cesi and Galileo
Set in the context of Counter-Reformation Rome, this book focuses on the twenty-year long relationship (1611-1630) between Galileo Galilei and Federico Cesi, the founder of the Academy of the Lynx-eyed. Contrary to the historiographical tradition, it demonstrates that the visions of Galileo and Cesi were not at all convergent. In the course of the events that led to the adoption of the anti-Copernican decree of 1616, Galileo realized that the Lynceans were not prepared to support his battle for freedom of thought. In addition to identifying the author of the anonymous denunciation of Galileo’s
Assayer, Paolo Galluzzi offers an original reconstruction of the dynamics which culminated in the Church’s condemnation of the famous Tuscan scientist in 1633.
This book was originally published in Italian as Libertà di filosofare in naturalibus: I mondi paralleli di Cesi e Galileo (Storia dell’Accademia dei Lincei, Studi 4). Rome: Scienze e Lettere, Editore Commerciale, 2014.
This book was originally published in Italian as Libertà di filosofare in naturalibus: I mondi paralleli di Cesi e Galileo (Storia dell’Accademia dei Lincei, Studi 4). Rome: Scienze e Lettere, Editore Commerciale, 2014.
Plasticity, Embodiment, and the Unclosed Circle
In her new book
Art and the Brain: Plasticity, Embodiment and the Unclosed Circle, Amy Ione offers a profound assessment of our ever-evolving view of the biological brain as it pertains to embodied human experience. She deftly takes the reader from Deep History into our current worldview by surveying the range of nascent responses to perception, thoughts and feelings that have bred paradigmatic changes and led to contemporary research modalities. Interweaving carefully chosen illustrations with the emerging ideas of brain function that define various time periods reinforces a multidisciplinary framework connecting neurological research, theories of mind, art investigations, and intergenerational cultural practices.
The book will serve as a foundation for future investigations of neuroscience, art, and the humanities.
The book will serve as a foundation for future investigations of neuroscience, art, and the humanities.
Plasticity, Embodiment, and the Unclosed Circle
In her new book
Art and the Brain: Plasticity, Embodiment and the Unclosed Circle, Amy Ione offers a profound assessment of our ever-evolving view of the biological brain as it pertains to embodied human experience. She deftly takes the reader from Deep History into our current worldview by surveying the range of nascent responses to perception, thoughts and feelings that have bred paradigmatic changes and led to contemporary research modalities. Interweaving carefully chosen illustrations with the emerging ideas of brain function that define various time periods reinforces a multidisciplinary framework connecting neurological research, theories of mind, art investigations, and intergenerational cultural practices.
The book will serve as a foundation for future investigations of neuroscience, art, and the humanities.
The book will serve as a foundation for future investigations of neuroscience, art, and the humanities.
Editor:
Fabian Käs
Das vorliegende Buch widmet sich den Lebensumständen und der Berufsethik der arabischen Ärzte des Mittelalters. Auf der Grundlage zahlreicher biographischer, protreptischer, deontologischer und isagogischer Schriften untersucht Bürgel verschiedenste Aspekte der medizinischen Ausbildung, der Berufsausübung und der Rolle von Ärzten in der islamischen Gesellschaft. Besonderes Augenmerk gilt dabei der Bewahrung und Weiterentwicklung der antiken griechischen Berufsethik. Ein weiterer Schwerpunkt liegt auf den Wechselbeziehungen zwischen wissenschaftlicher Medizin und islamischer Religion.
The present book investigates conditions of life and professional ethics of the Arab physicians in the Middle Ages. Based on a multitude of biographical, protreptic, deontological, and isagogic texts, Bürgel analyzes diverse aspects of medical education, professional conduct, and the role of doctors in Islamicate societies. Special attention is given to the survival and further development of ancient Greek professional ethics. Another focus is on the interrelations between scientific medicine and Islamic religion.
The present book investigates conditions of life and professional ethics of the Arab physicians in the Middle Ages. Based on a multitude of biographical, protreptic, deontological, and isagogic texts, Bürgel analyzes diverse aspects of medical education, professional conduct, and the role of doctors in Islamicate societies. Special attention is given to the survival and further development of ancient Greek professional ethics. Another focus is on the interrelations between scientific medicine and Islamic religion.
Editor:
Fabian Käs
Das vorliegende Buch widmet sich den Lebensumständen und der Berufsethik der arabischen Ärzte des Mittelalters. Auf der Grundlage zahlreicher biographischer, protreptischer, deontologischer und isagogischer Schriften untersucht Bürgel verschiedenste Aspekte der medizinischen Ausbildung, der Berufsausübung und der Rolle von Ärzten in der islamischen Gesellschaft. Besonderes Augenmerk gilt dabei der Bewahrung und Weiterentwicklung der antiken griechischen Berufsethik. Ein weiterer Schwerpunkt liegt auf den Wechselbeziehungen zwischen wissenschaftlicher Medizin und islamischer Religion.
The present book investigates conditions of life and professional ethics of the Arab physicians in the Middle Ages. Based on a multitude of biographical, protreptic, deontological, and isagogic texts, Bürgel analyzes diverse aspects of medical education, professional conduct, and the role of doctors in Islamicate societies. Special attention is given to the survival and further development of ancient Greek professional ethics. Another focus is on the interrelations between scientific medicine and Islamic religion.
The present book investigates conditions of life and professional ethics of the Arab physicians in the Middle Ages. Based on a multitude of biographical, protreptic, deontological, and isagogic texts, Bürgel analyzes diverse aspects of medical education, professional conduct, and the role of doctors in Islamicate societies. Special attention is given to the survival and further development of ancient Greek professional ethics. Another focus is on the interrelations between scientific medicine and Islamic religion.
Master of the Minuscule
In
Antoni van Leeuwenhoek, Master of the Minuscule, the Father of Microbiology is presented in the context of his time, relationships and the Dutch Golden Age. Although he lacked an academic education, he dedicated his life to investigating the microscopic world using handmade, single-lensed microscopes and magnifiers. An expert observer, he planned experiments and designed equipment to test his theories. His pioneering discoveries included blood cells, protozoa, bacteria and spermatozoa, and resulted in an international reputation among the scientific and upper classes of 17th and 18th century Europe, aided by his Fellowship of the Royal Society of London.
This lavishly illustrated biography sets his legacy of scientific achievements against the ideas and reactions of his fellow scientists and other contemporaries.
This lavishly illustrated biography sets his legacy of scientific achievements against the ideas and reactions of his fellow scientists and other contemporaries.
Master of the Minuscule
In
Antoni van Leeuwenhoek, Master of the Minuscule, the Father of Microbiology is presented in the context of his time, relationships and the Dutch Golden Age. Although he lacked an academic education, he dedicated his life to investigating the microscopic world using handmade, single-lensed microscopes and magnifiers. An expert observer, he planned experiments and designed equipment to test his theories. His pioneering discoveries included blood cells, protozoa, bacteria and spermatozoa, and resulted in an international reputation among the scientific and upper classes of 17th and 18th century Europe, aided by his Fellowship of the Royal Society of London.
This lavishly illustrated biography sets his legacy of scientific achievements against the ideas and reactions of his fellow scientists and other contemporaries.
This lavishly illustrated biography sets his legacy of scientific achievements against the ideas and reactions of his fellow scientists and other contemporaries.
Page:12