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This volume explores the dissemination of the Dharmaguptaka Vinaya tradition in Tang China (618–907) in the context of the dispersal of the state bureaucracy throughout the empire and the changing centre–periphery dynamics.
The tradition’s development in China during the Tang Dynasty has traditionally been associated with northern China, particularly the capital city of Chang’an, where Daoxuan (596–667), the de facto founder of the “vinaya school” in China, resided.
This book explores the dissemination of Daoxuan’s followers and the subsequent growth of interrelated regional vinaya movements across the Tang regional landscape.
The tradition’s development in China during the Tang Dynasty has traditionally been associated with northern China, particularly the capital city of Chang’an, where Daoxuan (596–667), the de facto founder of the “vinaya school” in China, resided.
This book explores the dissemination of Daoxuan’s followers and the subsequent growth of interrelated regional vinaya movements across the Tang regional landscape.
Author:
This volume explores the dissemination of the Dharmaguptaka Vinaya tradition in Tang China (618–907) in the context of the dispersal of the state bureaucracy throughout the empire and the changing centre–periphery dynamics.
The tradition’s development in China during the Tang Dynasty has traditionally been associated with northern China, particularly the capital city of Chang’an, where Daoxuan (596–667), the de facto founder of the “vinaya school” in China, resided.
This book explores the dissemination of Daoxuan’s followers and the subsequent growth of interrelated regional vinaya movements across the Tang regional landscape.
The tradition’s development in China during the Tang Dynasty has traditionally been associated with northern China, particularly the capital city of Chang’an, where Daoxuan (596–667), the de facto founder of the “vinaya school” in China, resided.
This book explores the dissemination of Daoxuan’s followers and the subsequent growth of interrelated regional vinaya movements across the Tang regional landscape.
Rethinking Networks of Exchange and Material Culture
Silk Road studies has often treated material artifacts and manuscripts separately. This interdisciplinary volume expands the scope of transcultural transmission, questions what constituted a “book,” and explores networks of circulation shared by material artifacts and manuscripts.
Featuring new research in English by international scholars in Buddhist studies, art history, and literary studies, the essays in Beyond the Silk and Book Roads chart new and exciting directions in Silk Road studies.
Contributors are: Ge Jiyong, George A. Keyworth, Ding Li, Ryan Richard Overbey, Hao Chunwen, Wu Shaowei, Liu Yi, Lan Wu, Sha Wutian, Michelle C. Wang, and Stephen Roddy.
Featuring new research in English by international scholars in Buddhist studies, art history, and literary studies, the essays in Beyond the Silk and Book Roads chart new and exciting directions in Silk Road studies.
Contributors are: Ge Jiyong, George A. Keyworth, Ding Li, Ryan Richard Overbey, Hao Chunwen, Wu Shaowei, Liu Yi, Lan Wu, Sha Wutian, Michelle C. Wang, and Stephen Roddy.
Rethinking Networks of Exchange and Material Culture
Silk Road studies has often treated material artifacts and manuscripts separately. This interdisciplinary volume expands the scope of transcultural transmission, questions what constituted a “book,” and explores networks of circulation shared by material artifacts and manuscripts.
Featuring new research in English by international scholars in Buddhist studies, art history, and literary studies, the essays in Beyond the Silk and Book Roads chart new and exciting directions in Silk Road studies.
Contributors are: Ge Jiyong, George A. Keyworth, Ding Li, Ryan Richard Overbey, Hao Chunwen, Wu Shaowei, Liu Yi, Lan Wu, Sha Wutian, Michelle C. Wang, and Stephen Roddy.
Featuring new research in English by international scholars in Buddhist studies, art history, and literary studies, the essays in Beyond the Silk and Book Roads chart new and exciting directions in Silk Road studies.
Contributors are: Ge Jiyong, George A. Keyworth, Ding Li, Ryan Richard Overbey, Hao Chunwen, Wu Shaowei, Liu Yi, Lan Wu, Sha Wutian, Michelle C. Wang, and Stephen Roddy.
Doctrines, Exchanges with Non-Buddhist Traditions
The BuddhistRoad project has been creating a new framework to understand the dynamics of cultural encounter and religious transfer across premodern Eastern Central Asia. This framework includes a new focus on the complex interactions between Buddhism and non-Buddhist traditions and a deepening of the traditional focus on Buddhist doctrines between the 6th and 14th centuries, as Buddhism continued to spread along an ancient, local political-economic-cultural system of exchange, often referred to as the Silk Roads. This volume brings together world renowned experts to discuss these issues including Buddhism and Christianity, Islam, Daoism, Manichaeism, local indigenous traditions, Tantra etc.
Contributors include: Daniel Berounský, Michal Biran, Max Deeg, Lewis Doney, Mélodie Doumy, Meghan Howard Masang, Yukiyo Kasai, Diego Loukota, Carmen Meinert, Sam van Schaik, Henrik H. Sørensen, and Jens Wilkens.
Contributors include: Daniel Berounský, Michal Biran, Max Deeg, Lewis Doney, Mélodie Doumy, Meghan Howard Masang, Yukiyo Kasai, Diego Loukota, Carmen Meinert, Sam van Schaik, Henrik H. Sørensen, and Jens Wilkens.
Doctrines, Exchanges with Non-Buddhist Traditions
The BuddhistRoad project has been creating a new framework to understand the dynamics of cultural encounter and religious transfer across premodern Eastern Central Asia. This framework includes a new focus on the complex interactions between Buddhism and non-Buddhist traditions and a deepening of the traditional focus on Buddhist doctrines between the 6th and 14th centuries, as Buddhism continued to spread along an ancient, local political-economic-cultural system of exchange, often referred to as the Silk Roads. This volume brings together world renowned experts to discuss these issues including Buddhism and Christianity, Islam, Daoism, Manichaeism, local indigenous traditions, Tantra etc.
Contributors include: Daniel Berounský, Michal Biran, Max Deeg, Lewis Doney, Mélodie Doumy, Meghan Howard Masang, Yukiyo Kasai, Diego Loukota, Carmen Meinert, Sam van Schaik, Henrik H. Sørensen, and Jens Wilkens.
Contributors include: Daniel Berounský, Michal Biran, Max Deeg, Lewis Doney, Mélodie Doumy, Meghan Howard Masang, Yukiyo Kasai, Diego Loukota, Carmen Meinert, Sam van Schaik, Henrik H. Sørensen, and Jens Wilkens.
Architecture, Theology, and Practice in an Early Modern Pilgrimage Town
The small town of Vṛndāvana is today one of the most vibrant places of pilgrimage in northern India. Throngs of pilgrims travel there each year to honour the sacred land of Kṛṣṇa’s youth and to visit many of its temples.
The Building of Vṛndāvana explores the complex history of this town’s early modern origins. Bringing together scholars from various disciplines to examine history, architecture, art, ritual, theology, and literature in this pivotal period, the book examines how these various disciplines were used to create, develop, and map Vṛndāvana as the most prominent place of pilgrimage for devotees of Kṛṣṇa.
Contributors are: Guy L. Beck, Måns Broo, David Buchta, John Stratton Hawley, Barbara A. Holdrege, Rembert Lutjeharms, Cynthia D. Packert, and Heidi Pauwels.
The Building of Vṛndāvana explores the complex history of this town’s early modern origins. Bringing together scholars from various disciplines to examine history, architecture, art, ritual, theology, and literature in this pivotal period, the book examines how these various disciplines were used to create, develop, and map Vṛndāvana as the most prominent place of pilgrimage for devotees of Kṛṣṇa.
Contributors are: Guy L. Beck, Måns Broo, David Buchta, John Stratton Hawley, Barbara A. Holdrege, Rembert Lutjeharms, Cynthia D. Packert, and Heidi Pauwels.
Architecture, Theology, and Practice in an Early Modern Pilgrimage Town
The small town of Vṛndāvana is today one of the most vibrant places of pilgrimage in northern India. Throngs of pilgrims travel there each year to honour the sacred land of Kṛṣṇa’s youth and to visit many of its temples.
The Building of Vṛndāvana explores the complex history of this town’s early modern origins. Bringing together scholars from various disciplines to examine history, architecture, art, ritual, theology, and literature in this pivotal period, the book examines how these various disciplines were used to create, develop, and map Vṛndāvana as the most prominent place of pilgrimage for devotees of Kṛṣṇa.
Contributors are: Guy L. Beck, Måns Broo, David Buchta, John Stratton Hawley, Barbara A. Holdrege, Rembert Lutjeharms, Cynthia D. Packert, and Heidi Pauwels.
The Building of Vṛndāvana explores the complex history of this town’s early modern origins. Bringing together scholars from various disciplines to examine history, architecture, art, ritual, theology, and literature in this pivotal period, the book examines how these various disciplines were used to create, develop, and map Vṛndāvana as the most prominent place of pilgrimage for devotees of Kṛṣṇa.
Contributors are: Guy L. Beck, Måns Broo, David Buchta, John Stratton Hawley, Barbara A. Holdrege, Rembert Lutjeharms, Cynthia D. Packert, and Heidi Pauwels.
Spirit-Writing in Chinese History and Society
Few religious innovations have shaped Chinese history like the emergence of spirit-writing during the Song dynasty.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
Spirit-Writing in Chinese History and Society
Few religious innovations have shaped Chinese history like the emergence of spirit-writing during the Song dynasty.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
From a divinatory technique it evolved into a complex ritual practice used to transmit messages and revelations from the Gods. This resulted in the production of countless religious scriptures that now form an essential corpus, widely venerated and recited to this day, that is still largely untapped by research.
Using historical and ethnographic approaches, this volume for the first time offers a comprehensive overview of the history of spirit-writing, examining its evolution over a millennium, the practices and technologies used, and the communities involved.
Volume 3: Fozu tongji, juan 43-48: The Song Dynasty
Author:
The Fozu tongji by Zhipan (ca. 1220–1275) is a key text of Chinese Buddhist historiography. The core of the work is formed by the “Fayun tongsai zhi,” an annalistic history of Buddhism in China, which extends through Fozu tongji, juan 34–48.
Thomas Jülch now presents a translation of the “Fayun tongsai zhi” in three volumes. This third volume covers the annalistic display concerning the Song dynasty.
Offering elaborate annotations, Jülch succeeds in clarifying the backgrounds to the historiographic contents, which Zhipan presents in highly essentialized style. Regarding the historical matters addressed in the material translated for the present volume, the Fozu tongji is often the earliest source. In several cases, inaccuracies in Zhipan’s account can however still be discerned, and Jülch succeeds in employing other sources to reveal and correct those errors.
Thomas Jülch now presents a translation of the “Fayun tongsai zhi” in three volumes. This third volume covers the annalistic display concerning the Song dynasty.
Offering elaborate annotations, Jülch succeeds in clarifying the backgrounds to the historiographic contents, which Zhipan presents in highly essentialized style. Regarding the historical matters addressed in the material translated for the present volume, the Fozu tongji is often the earliest source. In several cases, inaccuracies in Zhipan’s account can however still be discerned, and Jülch succeeds in employing other sources to reveal and correct those errors.
Volume 3: Fozu tongji, juan 43-48: The Song Dynasty
Author:
The Fozu tongji by Zhipan (ca. 1220–1275) is a key text of Chinese Buddhist historiography. The core of the work is formed by the “Fayun tongsai zhi,” an annalistic history of Buddhism in China, which extends through Fozu tongji, juan 34–48.
Thomas Jülch now presents a translation of the “Fayun tongsai zhi” in three volumes. This third volume covers the annalistic display concerning the Song dynasty.
Offering elaborate annotations, Jülch succeeds in clarifying the backgrounds to the historiographic contents, which Zhipan presents in highly essentialized style. Regarding the historical matters addressed in the material translated for the present volume, the Fozu tongji is often the earliest source. In several cases, inaccuracies in Zhipan’s account can however still be discerned, and Jülch succeeds in employing other sources to reveal and correct those errors.
Thomas Jülch now presents a translation of the “Fayun tongsai zhi” in three volumes. This third volume covers the annalistic display concerning the Song dynasty.
Offering elaborate annotations, Jülch succeeds in clarifying the backgrounds to the historiographic contents, which Zhipan presents in highly essentialized style. Regarding the historical matters addressed in the material translated for the present volume, the Fozu tongji is often the earliest source. In several cases, inaccuracies in Zhipan’s account can however still be discerned, and Jülch succeeds in employing other sources to reveal and correct those errors.
The essays collected in this volume for the first time foreground the fundamental role Asian actors played in the formation of scholarly knowledge on Buddhism and the emergence of Buddhist studies as an academic discipline in Europe and Asia during the second half of the nineteenth century.
The contributions focus on different aspects of the interchange between Japanese Buddhists and their European interlocutors ranging from the halls of Oxford to the temples of Nara. They break the mould of previous scholarship and redress the imbalances inherent in Eurocentric accounts of the construction of Buddhism as an object of professorial interest.
Contributors are: Micah Auerback, Mick Deneckere, Stephan Kigensan Licha, Hans Martin Krämer, Ōmi Toshihiro, Jakub Zamorski, Suzanne Marchand, Martin Baumann, Catherine Fhima, and Roland Lardinois.
The contributions focus on different aspects of the interchange between Japanese Buddhists and their European interlocutors ranging from the halls of Oxford to the temples of Nara. They break the mould of previous scholarship and redress the imbalances inherent in Eurocentric accounts of the construction of Buddhism as an object of professorial interest.
Contributors are: Micah Auerback, Mick Deneckere, Stephan Kigensan Licha, Hans Martin Krämer, Ōmi Toshihiro, Jakub Zamorski, Suzanne Marchand, Martin Baumann, Catherine Fhima, and Roland Lardinois.
The essays collected in this volume for the first time foreground the fundamental role Asian actors played in the formation of scholarly knowledge on Buddhism and the emergence of Buddhist studies as an academic discipline in Europe and Asia during the second half of the nineteenth century.
The contributions focus on different aspects of the interchange between Japanese Buddhists and their European interlocutors ranging from the halls of Oxford to the temples of Nara. They break the mould of previous scholarship and redress the imbalances inherent in Eurocentric accounts of the construction of Buddhism as an object of professorial interest.
Contributors are: Micah Auerback, Mick Deneckere, Stephan Kigensan Licha, Hans Martin Krämer, Ōmi Toshihiro, Jakub Zamorski, Suzanne Marchand, Martin Baumann, Catherine Fhima, and Roland Lardinois.
The contributions focus on different aspects of the interchange between Japanese Buddhists and their European interlocutors ranging from the halls of Oxford to the temples of Nara. They break the mould of previous scholarship and redress the imbalances inherent in Eurocentric accounts of the construction of Buddhism as an object of professorial interest.
Contributors are: Micah Auerback, Mick Deneckere, Stephan Kigensan Licha, Hans Martin Krämer, Ōmi Toshihiro, Jakub Zamorski, Suzanne Marchand, Martin Baumann, Catherine Fhima, and Roland Lardinois.
Author:
Islamic art is often misrepresented as an iconophobic tradition. As a result of this assumption, the polyvalence of figural artworks made for South Asian Muslim audiences has remained hidden in plain view.
This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah.
Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.
This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah.
Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.
Author:
Islamic art is often misrepresented as an iconophobic tradition. As a result of this assumption, the polyvalence of figural artworks made for South Asian Muslim audiences has remained hidden in plain view.
This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah.
Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.
This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah.
Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies.
Author:
Who are you? Where do you come from?
These two simple questions have so many answers and are sometimes even difficult to answer.
This book tells the story of a Buddhist-Muslim community from Padum, in the Zangskar Valley - Indian Greater Himalayas. The author has gained a unique insight into this community during twenty years of research while the people shared doubts and joys with her.
These experiences showed her that the meaning of “belonging” to a homeland or a confessional group, and therefore the transformation of the process of identity building in our modern world, is bridging the gap between tradition and modernity.
These two simple questions have so many answers and are sometimes even difficult to answer.
This book tells the story of a Buddhist-Muslim community from Padum, in the Zangskar Valley - Indian Greater Himalayas. The author has gained a unique insight into this community during twenty years of research while the people shared doubts and joys with her.
These experiences showed her that the meaning of “belonging” to a homeland or a confessional group, and therefore the transformation of the process of identity building in our modern world, is bridging the gap between tradition and modernity.
Author:
Who are you? Where do you come from?
These two simple questions have so many answers and are sometimes even difficult to answer.
This book tells the story of a Buddhist-Muslim community from Padum, in the Zangskar Valley - Indian Greater Himalayas. The author has gained a unique insight into this community during twenty years of research while the people shared doubts and joys with her.
These experiences showed her that the meaning of “belonging” to a homeland or a confessional group, and therefore the transformation of the process of identity building in our modern world, is bridging the gap between tradition and modernity.
These two simple questions have so many answers and are sometimes even difficult to answer.
This book tells the story of a Buddhist-Muslim community from Padum, in the Zangskar Valley - Indian Greater Himalayas. The author has gained a unique insight into this community during twenty years of research while the people shared doubts and joys with her.
These experiences showed her that the meaning of “belonging” to a homeland or a confessional group, and therefore the transformation of the process of identity building in our modern world, is bridging the gap between tradition and modernity.
Volume 3, Prophetic Piety: Individual and Collective Manifestations
This third collective volume of the series The Presence of the Prophet explores the expressions of piety and devotion to the person of the Prophet and their individual and collective significance in early modern and modern times. The authors provide a rich collection of regional case studies on how the Prophet’s presence and aura are individually and collectively evoked in dreams, visions, and prayers, in the performance of poetry in his praise, in the devotion to relics related to him, and in the celebration of his birthday. They also highlight the role of the Prophetic figure in the identity formation of young Muslims and cover the controversies and compromises which nowadays shape the devotional practices centered on the Prophet.
Contributors
Nelly Amri, Emma Aubin-Boltanski, Sana Chavoshian, Rachida Chih, Vincent Geisser, Denis Gril, Mohamed Amine Hamidoune, David Jordan, Hanan Karam, Kai Kresse, Jamal Malik,Youssef Nouiouar, Luca Patrizi, Thomas Pierret, Stefan Reichmuth, Youssouf T. Sangaré, Besnik Sinani, Fabio Vicini and Ines Weinrich.
Contributors
Nelly Amri, Emma Aubin-Boltanski, Sana Chavoshian, Rachida Chih, Vincent Geisser, Denis Gril, Mohamed Amine Hamidoune, David Jordan, Hanan Karam, Kai Kresse, Jamal Malik,Youssef Nouiouar, Luca Patrizi, Thomas Pierret, Stefan Reichmuth, Youssouf T. Sangaré, Besnik Sinani, Fabio Vicini and Ines Weinrich.
Volume 3, Prophetic Piety: Individual and Collective Manifestations
This third collective volume of the series The Presence of the Prophet explores the expressions of piety and devotion to the person of the Prophet and their individual and collective significance in early modern and modern times. The authors provide a rich collection of regional case studies on how the Prophet’s presence and aura are individually and collectively evoked in dreams, visions, and prayers, in the performance of poetry in his praise, in the devotion to relics related to him, and in the celebration of his birthday. They also highlight the role of the Prophetic figure in the identity formation of young Muslims and cover the controversies and compromises which nowadays shape the devotional practices centered on the Prophet.
Contributors
Nelly Amri, Emma Aubin-Boltanski, Sana Chavoshian, Rachida Chih, Vincent Geisser, Denis Gril, Mohamed Amine Hamidoune, David Jordan, Hanan Karam, Kai Kresse, Jamal Malik,Youssef Nouiouar, Luca Patrizi, Thomas Pierret, Stefan Reichmuth, Youssouf T. Sangaré, Besnik Sinani, Fabio Vicini and Ines Weinrich.
Contributors
Nelly Amri, Emma Aubin-Boltanski, Sana Chavoshian, Rachida Chih, Vincent Geisser, Denis Gril, Mohamed Amine Hamidoune, David Jordan, Hanan Karam, Kai Kresse, Jamal Malik,Youssef Nouiouar, Luca Patrizi, Thomas Pierret, Stefan Reichmuth, Youssouf T. Sangaré, Besnik Sinani, Fabio Vicini and Ines Weinrich.
Page:12