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Brill’s Companion to Classics in the Early Americas illuminates the remarkable range of Greco-Roman classical receptions across the western hemisphere from the late fifteenth to the early nineteenth century. Bringing together fifteen essays by scholars working at the intersection of Classics and all aspects of Americanist studies, this unique collection examines how Hispanophone, Lusophone, Anglophone, Francophone, and/or Indigenous individuals engaged with Greco-Roman literary cultures and materials. By coming at the matter from a multilingual transhemispheric perspective, it disrupts prevailing accounts of classical reception in the Americas which have typically privileged North over South, Anglophone over non-Anglophone, and the cultural production of hegemonic groups over that of more marginalized others. Instead it offers a fresh account of how Greco-Roman literatures and ideas were in play from Canada to the Southern Cone to the Caribbean, treating classical reception in the early Americas as a dynamic, polyvocal phenomenon which is truly transhemispheric in reach.
Volume Editors: Marzena Zawanowska and Mateusz Wilk
King David if one of the most central figures in all of the major monotheistic traditions. He generally connotes the heroic past of the (more imagined than real) ancient Israelite empire and is associated with messianic hopes for the future. Nevertheless, his richly ambivalent and fascinating literary portrayal in the Hebrew Bible is one of the most complex of all biblical characters.
This volume aims at taking a new, critical look at the process of biblical creation and subsequent exegetical transformation of the character of David and his attributed literary composition (the Psalms), with particular emphasis put on the multilateral fertilization and cross-cultural interchanges among Jews, Christians and Muslims.
Text, Interpretation, and Reception
In Ilias Latina. Text, Interpretation, and Reception, the contributors approach this short poem, whose appeal and importance have not been sufficiently appreciated, from a multitude of scholarly perspectives. The challenging synthesis of the different issues shows that both a new edition and a modern literary interpretation of the poem are needed. Particularly focusing in various ways on the technique of vertere, the papers concern four main issues: the different elements of the narration, such as macro- and microstructure, single Bauformen and motifs, characters and scenes; the intertextual allusions to Homer and the texts of the Roman poetic tradition; the literary genre, the explicitly metaliterary passages and the implicit narrative and poetic choices; the medieval reception of the Ilias Latina.
Author: Ruobing Xian
The Odyssey is ‘ein Epos des Raums’. As the narrative unfolds, a number of speculative spaces are made vivid before the eyes of the audience: the locus amoenus surrounding Calypso’s cave, Alcinous’ palace, the landscape of Ithaca, and not least Odysseus’ megaron. The present study argues that the representation of space in the Odyssey plays a much more important role in the epic’s narrative dynamics than is hitherto recognized. By drawing on different approaches to Homeric poetry aiming at profound literary interpretation, this book offers close reading of selected passages from the Odyssey, focusing on the linguistic form as well as the narrative function of the epic’s representation of space.

Die Odyssee ist 'ein Epos des Raums'. Während sich die Erzählung entfaltet, werden der Hörerschaft einige spekulative Räumlichkeiten vor Augen geführt: der locus amoenus um Kalypsos Höhle herum, Alkinoos' Palast, die Ithakalandschaft und nicht zuletzt die Halle des Odysseus. Das vorliegende Buch vertritt die These, dass die Raumdarstellung in der Odyssee eine erheblich wichtigere Rolle spielt als bisher erkannt worden ist. Sich auf verschiedene Ansätze stützend, die auf eine tiefgreifende literarische Interpretation homerischer Dichtung abzielen, bietet dieses Buch eine genaue Lektüre ausgewählter Passagen aus der Odyssee, wobei der Schwerpunkt auf der sprachlichen Form sowie der narrativen Funktion der Raumdarstellung des Epos liegt.