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A Multidisciplinary Perspective
Editor: Anna Slaczka
Re-envisioning Śiva Naṭarāja. A Multidisciplinary Perspective offers new insights into the dancing Śiva as icon and concept. Each of the seven essays in this volume addresses an aspect of the Naṭarāja (a specific form of the dancing Śiva) that has been until now untouched by scholars, or one for which the research is here moved substantially forward. Through the use of hitherto unexplored materials - murals, prints, icons, Sanskrit iconographic and ritual texts, Tamil inscriptions, and the analysis of metal alloys and casting techniques - old views are checked and challenged, and new ideas are proposed. Combining a wide range of fields of expertise, the volume will add to our knowledge about this well-studied, but poorly understood icon. With contributions by Anna A. Ślączka, Anna L. Dallapiccola, Nicolas Cane, Leslie C. Orr, Richard H. Davis, Sharada Srinivasan, Libbie Mills, Corinna Wessels-Mevissen.
Improving Reading Fluency
This Reader aims to help students start reading original Sanskrit literature.
When we study ancient languages, there often is quite a gap between introductory, grammar-based classes and independent reading of original texts. This Reader bridges that gap by offering complete grammar and vocabulary notes for 40 entertaining, thought-provoking or simply beautiful passages from Sanskrit narrative and epic, as well as over 130 subhāṣitas (epigrams).
These readings are complemented by review sections on syntax, word formation and compounding, a 900-word study vocabulary, complete transliterations and literal translations of all readings, as well as supplementary online resources.
The Reader can be used for self-study and in a classroom, both to accompany introductory Sanskrit courses and to succeed them.
In Theologising with the Sacred ‘Prostitutes’ of South India, Eve Rebecca Parker theologises with the Dalit women who from childhood have been dedicated to village goddesses and used as ‘sacred’ sex workers. Parker uses ethnographic, anthropological, theological, hermeneutical and historical research and analysis in order to critically engage with the lived religiosity and daily struggles of the dedicated women, known as devadāsīs. In doing so, she works towards an Indecent Dalit Liberation Theology that challenges systems of oppression and cultures of impunity, including casteism, sexism, classism and a history of socio-political and religious marginalisation. The result is a profound theologising of struggle and resistance with the sexual narratives of the oppressed.
Author: Amy Newland
Printed and Painted: The Meiji Art of Ogata Gekkō (1859–1920) is the first English-language publication to offer an in-depth look at the life and career of the Japanese painter and woodblock-print designer Ogata Gekkō. This publication brings together 140 prints and paintings by Gekkō, his students and his contemporaries such as Kawanabe Kyōsai, Tsukioka Yoshitoshi and Yōshū Chikanobu across five subject areas: history and legend; pictures of beautiful women; the natural world, rural and city views; literature and theatre; and modern wars and modern soldiers. The extensive introduction brings to life the character and art of Gekkō, including a translation of a personal account by his accomplished student, the shin-hanga (New Print) artist Yamamura Kōka. An artist often overlooked in discussions of the art of the Meiji period (1868–1912), the publication seeks to highlight the vibrant printed and painted world of the era.
What is video game culture and video games as culture? Culture at Play avoids easy answers and deceitful single definitions. Instead, the collected essays included here navigate the messy and exciting waters of video games, of culture, and of the meeting of video games and culture, and do so from four perspectives: Players: Types and Identities; The Human/The Machine: Agents, Ethics, and Affect; Compassion, Recognition, and the Interpersonal; and Learning through Play. As a form of play, video games can greatly affect our lives. As digital objects, they participate in our digital lives. As both, they have a noticeable impact on our relationships with others, with society, and with ourselves, and this is the scope of this book.
Travelling Ideas and Shared Practices of Secularism in Decolonising South and Southeast Asia
Author: Clemens Six
To what extent was the evolution of secularism in South and Southeast Asia between the end of the First World War and decolonisation after 1945 a result of transimperial and transnational patterns? To capture the diversity of twentieth-century secularisms, Clemens Six explores similarities resulting from translocal networks of ideas and practices since 1918. Six approaches these networks via a framework of global intellectual history, the history of transnational social networks, and the global history of non-state institutions. Empirically, he illustrates his argument with three case studies: the reception of Atatürk’s reforms across Asia and the Middle East; translocal women’s circles in the interwar period; and private US foundations after 1945.
Volume Editors: Alexander Chow and Emma Wild-Wood
‘Ecumenism’ and ‘independency’ suggest two distinct impulses in the history of Christianity: the desire for unity, co-operation, connectivity, and shared belief and practice, and the impulse for distinction, plurality, and contextual translation. Yet ecumenism and independency are better understood as existing in critical tension with one another. They provide a way of examining changes in World Christianity. Taking their lead from the internationally acclaimed research of Brian Stanley, in whose honour this book is published, contributors examine the entangled nature of ecumenism and independency in the modern global history of Christianity. They show how the scrutiny afforded by the attention to local, contextual approaches to Christianity outside the western world, may inform and enrich the attention to transnational connectivity.