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Early Dutch Maritime Cartography

The North Holland School of Cartography (c. 1580-c. 1620)

Series:

Günter Schilder

Winner of the 2019 Menno Hertzberger Prize for Book History and Bibliography

This book is an exposition of an important, yet previously unknown chapter in the history of Dutch maritime cartography. While Amsterdam was developing into Europe’s most vital commercial hub in the seventeenth century, demanding and controlling the production of maps and sea-charts, a major School of Cartography was already flourishing in the so-called ‘Kop van Noord-Holland’ region just north of Amsterdam. This School specialised in the production of small-scale charts of larger areas, including the European coastlines and the Indian and Atlantic Oceans. Its masters used to call themselves ‘caert-schrijvers’ or ‘map-scribes’ when clarifying their profession. The cities of Enkhuizen and Edam were important trading ports and as such provided an ideal environment for developing into centres of cartography, serving sea-borne navigation.
Apart from the well-known printed pilot guides by Lucas Jansz Waghenaer, the output of these ‘caert-schrijvers’ consists mainly of manuscript charts on vellum. Copies, though few they are, nowadays can be found across the globe. Sea-charts provided invaluable on-board navigation assistance to ship captains. However, another surprising contemporaneous purpose for financing these charts become popular. Rich ship owners and merchants would commission new charts to serve as wall-decoration as well as a reference point for their maritime-related conversations. They feature a decorative lay-out filled with magnificent colours. Moreover, many of these charts are embellished with miniature paintings, certainly making them some of the most beautiful exemplars ever produced by Dutch cartography during its Golden Age.

Konstantinos Sp. Staikos

This examines the papyrus books collected by Plato himself, a habit which began when he was still 'studying' under Socrates and continued throughout his years of teaching in the Academy. The book deals extensively with the works of the Ionian and Eleatic Natural Philosophers, as well as of the Pyhagoreans, which informed the composition of Plato's Dialogues. Furthermore, through this process the fabric of Sophistic literature composed at Athens is unfolded and the pioneers who introduced the study of Mathematics in the Academy are discussed in brief. Finally, a large chapter in the book deals with the architecture of the Academy, including topographical surveys and scale plans which reveal interesting facts about the ideas that went into its design, and the use of its facilities.

Finding their Way at Sea

The Story of the Portolan Charts, the Cartographers Who Drew Them and the Mariners Who Sailed by Them

Richard Pflederer

With an introduction by Tony Campbell.
The story of sea charts, of manuscript portolan charts in particular, is a story intimately intertwined with the history of the western world during some of the most significant and eventful periods of recorded history. Through these astonishingly beautiful and functional charts, we can trace developments in trade and warfare, exploration and colonial domination from the late medieval period through the Renaissance and into the Age of European Enlightenment.
Beginning with their introduction in the late thirteenth century, these sometimes quaintly fanciful portolan charts enjoyed an important place in the navigator's sea chest until they were finally superceded in the eighteenth century by their cheaper but far less charming printed cousins. In the mid-fifteenth century when the Europeans first ventured beyond their home waters and into the open oceans, their successes and their sometimes-heroic failures were documented on charts of the newly discovered oceans and coasts. These new charts, although depicting faraway coasts and employing the latest navigational techniques, were drawn on vellum in the same style as Mediterranean Sea charts. They served the dual purposes of recording information gleaned from previous voyages and guiding the mariners of subsequent voyages.

Japoniæ insulæ: The Mapping of Japan

A Historical Introduction and Cartobibliography of European Printed Maps of Japan before 1800

Series:

Jason C. Hubbard

Japoniæ insulæ: The Mapping of Japan systematically categorizes and provides an overview of all the European printed maps of Japan published to 1800. The author has undertaken a review of the literature, conducted an exhaustive investigation in major libraries and private collections, analyzed these findings and then compiled information on 125 maps of Japan. The introduction contains information about the mapping to 1800, the typology of Japan by western cartographers, an overview on geographical names on early modern western maps of Japan and a presentation of the major cartographic models developed for this book.

In English with Japanese summary.

Keukenhof: van Keukenduin tot Lentetuin

De wordingsgeschiedenis van Internationale Bloemententoonstelling Keukenhof

Maarten Timmer and Arie Dwarswaard

In 1949 one of the icons of the Dutch identity was founded in the western part of Holland: Keukenhof, nowadays known as the most beautiful spring garden in the world, famous worldwide for its beautiful landscaping with bulbflowers as its main focus.
This book describes the long and interesting history of this institution. Every possible aspect of this colourful history is scrutinously described, thus giving a balanced, complete and most interesting account. Many original illustrations and documents are illustrating this unique story, printed in full colour.
In Dutch, with English summaries.

Koeman's Atlantes Neerlandici. New Edition. Vol. IV A (2 Vols.)

The "Galérie agréable du monde" by Pieter van der Aa (1728)

Series:

Peter C.J. van der Krogt

This latest part of the Koeman's Atlantes Neerlandici series contains the description of one single "atlas" only: the Galérie agréable du monde, published by Pieter van der Aa in Leiden in 1728. The work is described page-by-page in the form of a catalogue. Every description is accompanied by a small photo. Large-format digital photographs of all the sheets – both textual and graphic – have been placed on the accompanying DVD, so that this volume is in effect a digital facsimile of the Galérie agréable.
In two volumes.

Wiebe Hogendoorn

This book comprises a series of fifteen Amsterdam Schouwburg set prints from the eighteenth century, accompanied by detailed discussions. Most of these prints have appeared individually in Dutch theatre histories or specialist studies and some of them in foreign theatre histories. However, this is the first publication that includes the complete series, in colour and, what is more, explained from every point of view.
The series of prints in this book gradually came about after the Centenary of the Schouwburg in 1738. In this publication, they are supported by illustrations that can be connected to the set prints and are equally relevant when studying the theatre history of that time.
In cooperation with Ben Albach, Eric Alexander, Tuja van den Berg, Sietske de Jong-Schreuder, Hans de Leeuwe, Bianca M. du Mortier en Rob van der Zalm.

Hendrik D.L. Vervliet

In the course of the early sixteenth century the printed book decoration underwent a double metamorphosis. First stylistically, through the replacement of the previous medieval mostly floral embellishments by new motifs copied from Islamic or Byzantine sources, or borrowed from antiquity. Second technically, by the gradual inclusion of cast ornaments into the printer's bills-of-fount. They increasingly replaced the prestigious, sumptuous and time-consuming hand-painted illumination and decoration, or the less costly and sometimes crude woodcut techniques.
This survey focuses on one pattern of these Renaissance ornaments, namely the vine leaf, or as it is commonly known, the "Aldine" leaf. The design is also known as an ivy leaf or, as palaeographers and some typographers call it, a hedera or floral heart.
As a cast sort the vine leaf was introduced in the early sixteenth-century. It became rapidly one of the most favoured decorative designs in Renaissance typography and has remained a steadfast sort in a printer's case since then. The motif has mainly been studied from a designer's point of view, but a more bibliographically oriented survey seems to be missing. To fill up this void this survey aims to register all sixteenth-century sorts known.
Next to a facsimile in true scale, the bibliography contains the punchcutter's name, the size, occurrences, type-specimens, preserved artefacts and notes.

Ortelius Atlas Maps

An Illustrated Guide. Second Revised Edition

M. van den Broecke

This renowned book has been out of print for a couple of years, but a second, corrected, revised and grangerized edition is now available. This very practical and informative manual gives an extensive overview and a description of all the maps that appeared in the famous first atlas by Abraham Ortelius, the Theatrum Orbis Terrarum of 1570 and all later editions. The book gives illustrated information on every map of the various editions that have appeared of the Ortelius Atlas and provides valuable information on the dating, number of copies printed, editions and the origin of the maps. Titles pages and portraits of Ortelius are also extensively described.

Koeman's Atlantes Neerlandici. New Edition. Vol. IV (3 Vols.)

The Town Atlases, Braun & Hogenberg, Janssonius, Blaeu, De Wit/Mortier and Others

Series:

Peter C.J. van der Krogt

Descriptive and illustrated bibliography of all town atlases by Braun & Hogenberg, Blaeu, Janssonius, De Wit and other Dutch publishers.
Three volumes.