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Adab and Modernity

A “civilising process” ? (sixteenth-twenty-first century)

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Edited by Cathérine Mayeur-Jaouen

Adab is a concept situated at the heart of Arabic and Islamic civilization. Adab is etiquette, ethics, and literature. It is also a creative synthesis, a relationship within a configuration. What became of it, towards modernity ? The question of the "civilising process" (Norbert Elias) helps us reflect on this story. During the modern period, maintaining one's identity while entering into what was termed "civilisation" ( al-tamaddun) soon became a leitmotiv. A debate on what was or what should be culture, ethics, and norms in Middle Eastern societies accompanied this evolution. The resilient notion of adab has been in competition with the Salafist focus on mores ( akhlāq). Still, humanism, poetry, and transgression are constants in the history of adab. Contributors: Francesca Bellino, Elisabetta Benigni, Michel Boivin, Olivier Bouquet, Francesco Chiabotti, Stéphane Dudoignon, Anne-Laure Dupont, Stephan Guth, Albrecht Hofheinz, Katharina Ivanyi, Felix Konrad, Corinne Lefevre, Cathérine Mayeur-Jaouen, Astrid Meier, Nabil Mouline, Samuela Pagani, Luca Patrizi, Stefan Reichmuth, Iris Seri-Hersch, Chantal Verdeil, Anne-Sophie Vivier-Muresan.

Advocating Social Change through International Law

Exploring the Choice between Hard and Soft International Law

Edited by Daniel Bradlow and David Hunter

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Edited by Vincenzo Cicchelli, Sylvie Octobre and Viviane Riegel

Gathering scholars from five continents, this edited book displaces the elitist image of cosmopolitan as well as the blame addressed to aesthetic cosmopolitanism often considered as merely cosmetic. By considering aesthetic cosmopolitanism as a tool to understand how individuals and social groups appropriate the sphere of culture in a global world, the authors are concerned with its operationalization on two strongly interwoven levels, macro and micro, structural and individual. Based on the discussion of theoretical perspectives and empirically grounded research (qualitative and quantitative, conducted in many countries), this volume unveils new insights, on tourism and food, architecture and museums, TV series and movies, rock, K-pop and samba, by providing resources for making sense of aesthetic preferences in a global perspective.

Contributors are: Felicia Chan, Vincenzo Cicchelli, Talitha Alessandra Ferreira, Paula Iadevito, Sukhmani Khorana, Anne Krebs, Antoinette Kujilaars, Franck Mermier, Sylvie Octobre, Joana Pellerano, Rosario Radakovich, Motti Regev, Viviane Riegel, Clara Rodriguez, Leslie Sklair, Yi-Ping Eva Shi, Claire Thoumelin and Dario Verderame.

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Elisabeth Heijmans

In The Agency of Empire: Connections and Strategies in French Expansion (1686-1746) Elisabeth Heijmans places directors and their connections at the centre of the developments and operations of French overseas companies. The focus on directors’ decisions and networks challenges the conception of French overseas companies as highly centralized and controlled by the state.

Through the cases of companies operating in Pondicherry (Coromandel Coast) and Ouidah (Bight of Benin), Elisabeth Heijmans demonstrates the participation of actors not only in Paris but also in provinces, ports and trading posts in the French expansion. The analysis brings to the fore connections across imperial, cultural and religious boundaries in order to diverge from traditional national narratives of the French early modern empire.

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Edited by Stefan Winter and Mafalda Ade

Aleppo and its Hinterland in the Ottoman Period is a collection of eleven essays in English and French by leading scholars of Ottoman Syria, drawing on new research in Turkish, Levantine and other archival sources. Focusing on both the city and its place in the wider region, the collection examines trade guilds and Christian settlement in Aleppo, Turkmen and Bedouin tribes in Aleppo’s interior, international trade and the establishment of an Ottoman commercial tribunal in the Tanzimat period, Aleppo and the rise of the millet system, the Belgian consular presence, Sufi networks in the province of Aleppo, the countryside of Antioch under the Egyptian occupation, and the urban revolt of 1850.

With contributions from Enver Çakar, Elyse Semerdjian, Charles Wilkins, Stefan Winter, Mary Momdjian, Bruce Masters, Sylvain Cornac, Mafalda Ade, Feras Krimsti, Nicolas Jodoin, Stefan Knost.

The Amorite Dynasty of Ugarit

Historical Implications of Linguistic and Archaeological Parallels

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Mary E. Buck

In The Amorite Dynasty of Ugarit Mary Buck takes a new approach to the field of Amorite studies by considering whether the site of Ugarit shares close parallels with other sites and cultures known from the Bronze Age Levant. When viewed in conjunction, the archaeological and linguistic material uncovered in this study serves to enhance our understanding of the historical complexity and diversity of the Middle Bronze Age period of international relations at the site of Ugarit.

With a deft hand, Dr. Buck pursues a nuanced view of populations in the Bronze Age Levant, with the objective of understanding the ancient polity of Ugarit as a kin-based culture that shares close ties with the Amorite populations of the Levant.

The Studies in the Archaeology and History of the Levant series publishes volumes from the Harvard Semitic Museum. Other series offered by Brill that publish volumes from the Museum include Harvard Semitic Studies and Harvard Semitic Monographs, https://semiticmuseum.fas.harvard.edu/publications.

Anarchism and the Avant-Garde

Radical Arts and Politics in Perspective

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Edited by Carolin Kosuch

Anarchism and the Avant-Garde: Radical Arts and Politics in Perspective contributes to the continuing debate on the encounter of the classical anarchisms (1860s−1940s) and the artistic and literary avant-gardes of the same period, probing its dimensions and limits. Case studies on Dadaism, decadence, fauvism, neo-impressionism, symbolism, and various anarchisms explore the influence anarchism had on the avant-gardes and reflect on avant-garde tendencies within anarchism. This volume also explores the divergence of anarchism and the avant-gardes. It offers a rich examination of politics and arts, and it complements an ongoing discourse with theoretical tools to better assess the aesthetic, social, and political cross-pollination that took place between the avant-gardes and the anarchists in Europe.

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Edited by Sophia Papaioannou, Andreas Serafim and Kyriakos N. Demetriou

Persuasion has long been one of the major fields of interest for researchers across a wide range of disciplines. The present volume aims to establish a framework to enhance the understanding of the features, manifestations and purposes of persuasion across all Greek and Roman genres and in various institutional contexts. The volume considers the impact of persuasion techniques upon the audience, and how precisely they help speakers/authors achieve their goals. It also explores the convergences and divergences in deploying persuasion strategies in different genres, such as historiography and oratory, and in a variety of topics. This discussion contributes towards a more complete understanding of persuasion that will help to advance knowledge of decision-making processes in varied institutional contexts in antiquity.