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The prestigious MDP series, started in 1899, has published excavation reports of various sites of ancient Iran as well as studies on the archaeological material excavated there. The present continuation of this series will pursue these same aims on an international level.

The series published one volume over the last 5 years.
Author:
Andrea Fulvio’s Illustrium imagines and the Beginnings of Classical Archaeology is a study of the book recognized by contemporaries as the first attempt (1517) to publish artifacts from Classical Antiquity in the form of a chronology of portraits appearing on coins. By studying correspondences between the illustrated coins and genuine, ancient coins, Madigan parses Fulvio’s methodology, showing how he attempted to exploit coins as historical documents. Situated within humanist literary and historical studies of ancient Rome, his numismatic project required visual artists closely to study and assimilate the conventions of ancient portraiture. The Illustrium imagines exemplifies the range and complexity of early modern responses to ancient artifacts.
Volume Editors: and
The Historian of Islam at Work is a volume in honor of Hugh N. Kennedy. It offers thirty contributions by three generations of prominent scholars in the field of pre-modern Middle Eastern studies, covering the many areas of Islamic historical inquiry in which Hugh Kennedy has been active throughout his career. Grouped around four major themes - Caliphate and power, economy and society, Abbasids, and frontiers and the others - the contributions deal with the history, archaeology, architecture and literature of the Middle East, North Africa and beyond, from the time of the Prophet until the fifteenth century.
Transylvania has some of the most valuable monuments of medieval architecture in Europe. The oldest church was built in the 10th century, but most others came into being only after 1200. Later changes have considerably modified the appearance of still-standing buildings. Written sources are lacking for answers to questions about the identity of the builders and patrons. Countering the idea that only standing structures can reflect the history of medieval churches in Transylvania, this book uses archaeological sources in order to answer some of those questions and to bring to light the hidden past of many monuments.
Construction Processes and Transmission of Knowledge from Late Antiquity to Early Islam
Volume Editor:
This edited volume examines the construction processes and the mechanisms of transmission of knowledge between the eastern and western Mediterranean lands from the late Roman period to the early centuries of Islam. The essays explore issues of material culture, craft techniques, technological and typological changes and cultural contacts in Syria, Jordan, North Africa and Spain. The volume includes case studies on prestigious architectural complexes, defensive systems and other structures located in major urban centres (Cyrrhus, Bosra, Jerash, Sousse, Kairouan and Cordoba), as well as minor sites and rural buildings. It offers a fresh contribution to the long-lasting historiographic debate on the transition from antiquity to the Middle Ages and how Early Islamic architecture fostered the structural assumptions for new building experiences in many Mediterranean regions.

Contributors: Antonio Almagro, Shaker Al Shbib, Stefano Anastasio, Ignacio Arce, Jean-Claude Bessac, Pascale Clauss-Balty, Piero Gilento, Mattia Guidetti, Pedro Gurriarán Daza, Roberto Parenti, Pauline Piraud-Fournet, María de los Ángeles Utrero Agudo, Jean-Pierre van Staëvel, Apolline Vernet, François Villeneuve.
Volume Editor:
The Baltic Crusades in the thirteenth century led to the creation of the medieval Livonia. But what happened after the conquest? The contributors to this volume analyse the cultural, societal, economic and technological changes in the Baltic Sea region c. 1200–1350. The chapters focus on innovations and long-term developments which were important in integrating the area into medieval European society more broadly, while also questioning the traditional divide of the Livonian post-crusade society into native victims and foreign victors. The process of multilateral negotiations and adaptions created a synthesis which was not necessarily an outcome of the wars but also a manifestation of universal innovation processes in northern Europe.
Contributors are Arvi Haak, Tõnno Jonuks, Kristjan Kaljusaar, Ivar Leimus, Christian Lübke, Madis Maasing, Mihkel Mäesalu, Anti Selart, Vija Stikāne, and Andres Tvauri.
Little is known about the Christianization of east-central and eastern Europe, due to the fragmentary nature of the historical record. Yet occasionally, unexpected archaeological discoveries can offer fresh angles and new insights. This volume presents such an example: the discovery of a Byzantine-like church in Alba Iulia, Transylvania, dating from the 10th century - a unique find in terms of both age and function. Next to its ruins, another church was built at the end of the 11th century, following a Roman Catholic architectural model, soon to become the seat of the Latin bishopric of Transylvania.

Who built the older, Byzantine-style church, and what was the political, religious and cultural context of the church? How does this new discovery affect our perception of the ecclesiastical history of Transylvania? A new reading of the archaeological and historical record prompted by these questions is presented here, thereby opening up new challenges for further research.

Contributors are: Daniela Marcu Istrate, Florin Curta, Horia I. Ciugudean, Aurel Dragotă, Monica-Elena Popescu, Călin Cosma, Tudor Sălăgean, Jan Nicolae, Dan Ioan Mureșan, Alexandru Madgearu, Gábor Thoroczkay, Éva Tóth-Révész, Boris Stojkovski, Șerban Turcuș, Adinel C. Dincă, Mihai Kovács, Nicolae Călin Chifăr, Marius Mihail Păsculescu, and Ana Dumitran.
In An Archaeological, Sociological and Historical Study, volume 2 of The Oasis of Bukhara, Rocco Rante, Florian Schwarz and Luigi Tronca engage in a strong, pluridisciplinary collaboration and use an innovative approach to offer a new contribution to the history of the oasis of Bukhara from the end of the last millennium BCE to the end of the medieval era.
Referencing archaeological, historical and sociological data, the book revisits the history of this Central Asian region, giving the reader, specialist and general reader a detailed description of the political and socio-economical features that characterized the oasis during this long chronological span.

The volume is co-published by Brill, Leiden, and the Louvre Museum, Paris.
Volume Editor:
This volume explores how visual arts functioned in the indigenous pre- and post-conquest New World as vehicles of social, religious, and political identity. Twelve scholars in the field of visual arts examine indigenous artistic expressions in the American continent from the pre-Hispanic age to the present. The contributions offer new interpretations of materials, objects, and techniques based on a critical analysis of historical and iconographic sources and argue that indigenous agency in the continent has been primarily conceived and expressed in visual forms in spite of the textual epistemology imposed since the conquest.

Contributors are: Miguel Arisa, Mary Brown, Ananda Cohen-Aponte, Elena FitzPatrick Sifford, Alessia Frassani, Jeremy James George, Orlando Hernández Ying, Angela Herren Rajagopalan, Keith Jordan, Lorena Tezanos Toral, Marcus B. Burke, and Lawrence Waldron.