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The Journal of African Archaeology Monograph Series is a supplement to the Journal of African Archaeology. It offers a platform for more extensive contributions such as research monographs, refereed conference proceedings and other collections that do not fit the Journal’s scope.
Author:
Rafał Quirini-Popławski offers here the first panorama of the artistic phenomena of the Genoese outposts scattered around the Black Sea, an area whose cultural history is little known. The artistic creativity of the region emerges as extraordinarily rich and colorful, with a variety of heterogeneous, hybrid and intermingled characteristics.
The book questions the extent to which the descriptor "Genoese" can be applied to the settlements’ artistic production; Quirini-Popławski demonstrates that, despite entrenched views of these colonies as centres of Italian and Latin culture, it was in fact Greek and Armenian art that was of greater importance.
The book questions the extent to which the descriptor "Genoese" can be applied to the settlements’ artistic production; Quirini-Popławski demonstrates that, despite entrenched views of these colonies as centres of Italian and Latin culture, it was in fact Greek and Armenian art that was of greater importance.
Author:
Rafał Quirini-Popławski offers here the first panorama of the artistic phenomena of the Genoese outposts scattered around the Black Sea, an area whose cultural history is little known. The artistic creativity of the region emerges as extraordinarily rich and colorful, with a variety of heterogeneous, hybrid and intermingled characteristics.
The book questions the extent to which the descriptor "Genoese" can be applied to the settlements’ artistic production; Quirini-Popławski demonstrates that, despite entrenched views of these colonies as centres of Italian and Latin culture, it was in fact Greek and Armenian art that was of greater importance.
The book questions the extent to which the descriptor "Genoese" can be applied to the settlements’ artistic production; Quirini-Popławski demonstrates that, despite entrenched views of these colonies as centres of Italian and Latin culture, it was in fact Greek and Armenian art that was of greater importance.
[Ancient Architecture in Syria: The ͑Alā and Ḳaṣr Ibn Wardân]
Author:
Editor / Translator:
العلا وقصر ابن وردان من تأليف باتلر وترجمة عائشة موسى يسلط الضوء على (19) موقعًا أثريًا في المنطقة الشمالية من وسط سوريا. ويعد قصر ابن وردان تحفة عمرانية منقطعة النظير تنفرد بين جميع المواقع الأثرية في شمال سوريا بجمالها الأخَّاذ وتنوعها المذهل. وقد بدت مساقطه الأفقية وطرز عمارته ومواد بنائه مماثلة إلى حدٍ كبير لتلك المتَّبعة في تشييد الصروح الإمبراطورية التي اشتهرت في القسطنطينية خلال عهد الإمبراطور جاستينيان.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
The ͑Alā and Ḳaṣr Ibn Wardân, written by Butler and translated by Aisha Moussa, covers (19) ancient sites in Northern Central Syria. Ḳaṣr Ibn Wardân is the most prominent architectural masterpiece which is unmatched in beauty and diversity of style among all ancient ruins in Northern Syria. It was built on a ground plan, in a style, and of material similar to those employed in the imperial edifices of Constantinople during the reign of Justinian.
The whole area boasts its great body of buildings representing every variety of architecture, in a style which is peculiar to the country. No where else are there such abundant remains of the religious, military, domestic and funerary architecture open for study and research activities.
[Ancient Architecture in Syria: The ͑Alā and Ḳaṣr Ibn Wardân]
Author:
العلا وقصر ابن وردان من تأليف باتلر وترجمة عائشة موسى يسلط الضوء على (19) موقعًا أثريًا في المنطقة الشمالية من وسط سوريا. ويعد قصر ابن وردان تحفة عمرانية منقطعة النظير تنفرد بين جميع المواقع الأثرية في شمال سوريا بجمالها الأخَّاذ وتنوعها المذهل. وقد بدت مساقطه الأفقية وطرز عمارته ومواد بنائه مماثلة إلى حدٍ كبير لتلك المتَّبعة في تشييد الصروح الإمبراطورية التي اشتهرت في القسطنطينية خلال عهد الإمبراطور جاستينيان.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
وتتباهى المنطقة بأكملها بكثرة مبانيها الأثرية التي تمثل فنونًا معماريةً متنوعةً تجسدت في نمطٍ فريدٍ اختصت به سوريا دون غيرها من البلدان؛ إذ لا يوجد في أي مكان آخر في العالم مثل هذا الغنى في أوابده الأثرية الدينية والعسكرية والسكنية والجنائزية والتي تفتح الباب واسعًا أمام كل راغبٍ في دراستها وكشف خفاياها.
The ͑Alā and Ḳaṣr Ibn Wardân, written by Butler and translated by Aisha Moussa, covers (19) ancient sites in Northern Central Syria. Ḳaṣr Ibn Wardân is the most prominent architectural masterpiece which is unmatched in beauty and diversity of style among all ancient ruins in Northern Syria. It was built on a ground plan, in a style, and of material similar to those employed in the imperial edifices of Constantinople during the reign of Justinian.
The whole area boasts its great body of buildings representing every variety of architecture, in a style which is peculiar to the country. No where else are there such abundant remains of the religious, military, domestic and funerary architecture open for study and research activities.
Author:
The introduction of writing enables new forms of literature, but these can be invisible in works that survive as manuscripts. Through looking at inscriptions of poetry on garbage and as graffiti, we can glimpse how literature spread along with writing.
This study uses these lesser-studied sources, including inscriptions on pottery, architecture, and especially wooden tablets known as mokkan, to uncover how poetry, and literature more broadly, was used, shared and thrown away in early Japan. Through looking at these disposable and informal sources, we explore the development of early Japanese literature, and even propose parallels to similar developments in other societies across space and time.
This study uses these lesser-studied sources, including inscriptions on pottery, architecture, and especially wooden tablets known as mokkan, to uncover how poetry, and literature more broadly, was used, shared and thrown away in early Japan. Through looking at these disposable and informal sources, we explore the development of early Japanese literature, and even propose parallels to similar developments in other societies across space and time.
Author:
The introduction of writing enables new forms of literature, but these can be invisible in works that survive as manuscripts. Through looking at inscriptions of poetry on garbage and as graffiti, we can glimpse how literature spread along with writing.
This study uses these lesser-studied sources, including inscriptions on pottery, architecture, and especially wooden tablets known as mokkan, to uncover how poetry, and literature more broadly, was used, shared and thrown away in early Japan. Through looking at these disposable and informal sources, we explore the development of early Japanese literature, and even propose parallels to similar developments in other societies across space and time.
This study uses these lesser-studied sources, including inscriptions on pottery, architecture, and especially wooden tablets known as mokkan, to uncover how poetry, and literature more broadly, was used, shared and thrown away in early Japan. Through looking at these disposable and informal sources, we explore the development of early Japanese literature, and even propose parallels to similar developments in other societies across space and time.
Capital of Roman Baetica and Caliphate of al-Andalus
A Companion to Late Antique and Medieval Islamic Cordoba cover the history and culture of Roman, late antique, Visigoth and al-Andalus Cordoba in nineteen contributions, from the foundation of the city in the 169/168 B.C. by the praetor Marcus Claudius Marcellus to the end of the Muslim period in 1236 B.C., when the city fell into the hands of Ferdinand III the Saint, King of Castile.
Making use of archaeological data and historical sources, combined with the latest research on the various fields under study, its authors give a compelling account of Cordoba’s most important archaeological, urban, political, legal, social, cultural and religious facets throughout the most exciting fifteen centuries of the city.
Making use of archaeological data and historical sources, combined with the latest research on the various fields under study, its authors give a compelling account of Cordoba’s most important archaeological, urban, political, legal, social, cultural and religious facets throughout the most exciting fifteen centuries of the city.
Capital of Roman Baetica and Caliphate of al-Andalus
A Companion to Late Antique and Medieval Islamic Cordoba cover the history and culture of Roman, late antique, Visigoth and al-Andalus Cordoba in nineteen contributions, from the foundation of the city in the 169/168 B.C. by the praetor Marcus Claudius Marcellus to the end of the Muslim period in 1236 B.C., when the city fell into the hands of Ferdinand III the Saint, King of Castile.
Making use of archaeological data and historical sources, combined with the latest research on the various fields under study, its authors give a compelling account of Cordoba’s most important archaeological, urban, political, legal, social, cultural and religious facets throughout the most exciting fifteen centuries of the city.
Making use of archaeological data and historical sources, combined with the latest research on the various fields under study, its authors give a compelling account of Cordoba’s most important archaeological, urban, political, legal, social, cultural and religious facets throughout the most exciting fifteen centuries of the city.
Intention, Memory, Myth
Author:
The stone monuments of Mongolia’s Altai Mountains trace the web of ancient cultures across that remote land. This study breaks new ground by seeking their cultural significance from within their physical locations and viewsheds.
It is the first study to join the mute stone monuments to the vivid petroglyphic rock art of that region. In that and in the examination of a monument’s individualizing details, I seek to recover the impulse of original intention, the way in which monument and location fix cultural memory, and the way in which memory finally gives way to the cultural development of myth.
It is the first study to join the mute stone monuments to the vivid petroglyphic rock art of that region. In that and in the examination of a monument’s individualizing details, I seek to recover the impulse of original intention, the way in which monument and location fix cultural memory, and the way in which memory finally gives way to the cultural development of myth.
Intention, Memory, Myth
Author:
The stone monuments of Mongolia’s Altai Mountains trace the web of ancient cultures across that remote land. This study breaks new ground by seeking their cultural significance from within their physical locations and viewsheds.
It is the first study to join the mute stone monuments to the vivid petroglyphic rock art of that region. In that and in the examination of a monument’s individualizing details, I seek to recover the impulse of original intention, the way in which monument and location fix cultural memory, and the way in which memory finally gives way to the cultural development of myth.
It is the first study to join the mute stone monuments to the vivid petroglyphic rock art of that region. In that and in the examination of a monument’s individualizing details, I seek to recover the impulse of original intention, the way in which monument and location fix cultural memory, and the way in which memory finally gives way to the cultural development of myth.
Burial Assemblages at the National Museum of Denmark Gate of the Priests Series Volume 2
Previously unpublished, the Danish Lot of antiquities from the Tomb of the Priests of Amun (Bab el-Gasus) is thoroughly examined in this book. The in-depth analysis of the objects is followed by an assessment of how these objects were crafted, designed, used and recycled in the Theban necropolis, a procedure that not only reveals to be instrumental in the dating of the objects, as it sheds light into the extraordinary dynamics of funerary workshops during the 21st Dynasty.
The volume also examines the arrival of the Lot and its reception in Denmark.
The volume also examines the arrival of the Lot and its reception in Denmark.
Burial Assemblages at the National Museum of Denmark Gate of the Priests Series Volume 2
Previously unpublished, the Danish Lot of antiquities from the Tomb of the Priests of Amun (Bab el-Gasus) is thoroughly examined in this book. The in-depth analysis of the objects is followed by an assessment of how these objects were crafted, designed, used and recycled in the Theban necropolis, a procedure that not only reveals to be instrumental in the dating of the objects, as it sheds light into the extraordinary dynamics of funerary workshops during the 21st Dynasty.
The volume also examines the arrival of the Lot and its reception in Denmark.
The volume also examines the arrival of the Lot and its reception in Denmark.
Historical and Art Historical Perspectives
Author:
This book offers the first comprehensive study of Byzantine influence on the art and iconography of East Central Europe. Petr Balcárek focuses on the Byzantine cultural and religious legacy in the Czech lands, thereby bringing to light rarely seen images and presenting fresh hypotheses based on newly-explored theological interpretations and historical evidence.
Including a discussion of the Czech and Slovak historiography on Byzantine studies, the work analyses significant artistic and iconographical artefacts in light of the intricate historical and political relationships that shaped Byzantine presence in these territories, comparing them with similar objects from other areas of Byzantine influence in order to draw wide-reaching conclusions.
Including a discussion of the Czech and Slovak historiography on Byzantine studies, the work analyses significant artistic and iconographical artefacts in light of the intricate historical and political relationships that shaped Byzantine presence in these territories, comparing them with similar objects from other areas of Byzantine influence in order to draw wide-reaching conclusions.