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Editor:
Iran and the Caucasus Monographs is a double-anonymous peer-reviewed book series that covers recent findings in Irano-Indian, Caucasian, Near-Eastern, Armenian, and Turkic studies. The focus will be on linguistics and philology, history, archaeology, anthropology, history of religions, art history, as well as ethnopolitical and security issues concerning the said regions. The Series includes short monographs presenting original research, revised high-quality theses, commissioned edited volumes, festschrifts, opera minora of prominent scholars, and scholarly translations with commentaries and appropriate apparatus. The predominant language of the volumes in the Series is English, but German and French submissions are welcome too.
Ehsan Yarshater Lecture Series
Author:
These essays are the revised and updated version of four lectures given in the Yarshater Lecture Series, at SOAS in London in 2013. They concern some aspects of the arts from pre-modern Iran and India, namely, the “making of” of Persian illustrated manuscripts, the iconography of Kashan wares, the use and re-use of luster tiles in Ilkhanid Iran, and the glazed tiles made in three Indian sultanates (Delhi, Bengal and Malwa). These four topics share concepts of influence and impact, although inflected on different modes. The productions they embody represent many poles of influence, even if working on different scales, from the extensive diffusion of products, techniques, and systems to almost isolated productions.
Ehsan Yarshater Lecture Series
Author:
These essays are the revised and updated version of four lectures given in the Yarshater Lecture Series, at SOAS in London in 2013. They concern some aspects of the arts from pre-modern Iran and India, namely, the “making of” of Persian illustrated manuscripts, the iconography of Kashan wares, the use and re-use of luster tiles in Ilkhanid Iran, and the glazed tiles made in three Indian sultanates (Delhi, Bengal and Malwa). These four topics share concepts of influence and impact, although inflected on different modes. The productions they embody represent many poles of influence, even if working on different scales, from the extensive diffusion of products, techniques, and systems to almost isolated productions.
History, Politics, and the Emergence of Shamanism in Transbaikalia
Author:
Do religious traditions not related to written texts have a history? The author explores this question using Buryat shamanism as a case study. Disentangling this religious tradition from its presumed ahistorical space, he places the history of Buryat shamanism in the context of sociopolitical events that unfolded in Mongolia and Transbaikalia between the late 16th and the 19th centuries.
History, Politics, and the Emergence of Shamanism in Transbaikalia
Author:
Do religious traditions not related to written texts have a history? The author explores this question using Buryat shamanism as a case study. Disentangling this religious tradition from its presumed ahistorical space, he places the history of Buryat shamanism in the context of sociopolitical events that unfolded in Mongolia and Transbaikalia between the late 16th and the 19th centuries.
3. The Sun Rises, Stuart Blackburn
2. Himalayan Tribal Tales, Stuart Blackburn
1. Through the Eye of Time, Michael Aram Tarr and Stuart Blackburn
2. Himalayan Tribal Tales, Stuart Blackburn
1. Through the Eye of Time, Michael Aram Tarr and Stuart Blackburn
Texts, Traditions and Practices, 10th-21st Centuries
Memory and Commemoration across Central Asia: Texts, Traditions and Practices, 10th-21st Centuries is a collection of fourteen studies by a group of scholars active in the field of Central Asian Studies, presenting new research into various aspects of the rich cultural heritage of Central Asia (including Afghanistan). By mapping and exploring the interaction between political, ideological, literary and artistic production in Central Asia, the contributors offer a wide range of perspectives on the practice and usage of historical and religious commemoration in different contexts and timeframes. Making use of different approaches – historical, literary, anthropological, or critical heritage studies, the contributors show how memory functions as a fundamental constituent of identity formation in both past and present, and how this has informed perceptions in and outside Central Asia today.
Texts, Traditions and Practices, 10th-21st Centuries
Memory and Commemoration across Central Asia: Texts, Traditions and Practices, 10th-21st Centuries is a collection of fourteen studies by a group of scholars active in the field of Central Asian Studies, presenting new research into various aspects of the rich cultural heritage of Central Asia (including Afghanistan). By mapping and exploring the interaction between political, ideological, literary and artistic production in Central Asia, the contributors offer a wide range of perspectives on the practice and usage of historical and religious commemoration in different contexts and timeframes. Making use of different approaches – historical, literary, anthropological, or critical heritage studies, the contributors show how memory functions as a fundamental constituent of identity formation in both past and present, and how this has informed perceptions in and outside Central Asia today.
A Critique of the Sinocentric Paradigm
Author:
Devised to legitimize the Republic of China’s claim over Inner Asia, the Sinocentric paradigm stems from the Open Door Policy and Chinese nationalism. Advanced against the conquest theory, and rationalized as the pathfinding ecological theory, it is an evolutionary materialist scheme that became the vision of history.
Exposing the initial agenda of this paradigm and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.
Exposing the initial agenda of this paradigm and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.
A Critique of the Sinocentric Paradigm
Author:
Devised to legitimize the Republic of China’s claim over Inner Asia, the Sinocentric paradigm stems from the Open Door Policy and Chinese nationalism. Advanced against the conquest theory, and rationalized as the pathfinding ecological theory, it is an evolutionary materialist scheme that became the vision of history.
Exposing the initial agenda of this paradigm and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.
Exposing the initial agenda of this paradigm and revealing its fundamental contradictions, The Nomadic Leviathan debunks it as a myth. Resurrecting the conquest theory, and reinforcing it with the idea of extrahuman transportation, this book places pastoralism at the origin of the state and civilization, and the Eurasian steppe at the center of human history; the political emerges as the primary and fundamental order defining the social and economic.
Intention, Memory, Myth
Author:
The stone monuments of Mongolia’s Altai Mountains trace the web of ancient cultures across that remote land. This study breaks new ground by seeking their cultural significance from within their physical locations and viewsheds.
It is the first study to join the mute stone monuments to the vivid petroglyphic rock art of that region. In that and in the examination of a monument’s individualizing details, I seek to recover the impulse of original intention, the way in which monument and location fix cultural memory, and the way in which memory finally gives way to the cultural development of myth.
It is the first study to join the mute stone monuments to the vivid petroglyphic rock art of that region. In that and in the examination of a monument’s individualizing details, I seek to recover the impulse of original intention, the way in which monument and location fix cultural memory, and the way in which memory finally gives way to the cultural development of myth.