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The book investigates China’s relations to the outside world between ca. 100 BCE and 1800 CE. In contrast to most histories of the Silk Roads, the focus of this book clearly lies on the maritime Silk Road and on the period between Tang and high Qing, selecting aspects that have so far been neglected in research on the history of China’s relations with the outside world. The author examines, for example, issue of 'imperialism' in imperial China, the specific role of fanbing 蕃兵 (frontier tribal troops) during Song times, the interrelationship between maritime commerce, military expansion, and environmental factors during the Yuan, the question of whether or not early Ming China can be considered a (proto-)colonialist country, the role force and violence played during the Zheng He expeditions, and the significance the Asia-Pacific world possessed for late Ming and early Qing rulers.
Politics of Development and Imaginaries of the Future
China, Laos, and Vietnam are three of a handful of late socialist countries where capitalist economics rubs up against party-state politics. In these countries, sweeping processes of change open up new vistas of opportunity and imaginaries of the future alongside much uncertainty and anxiety, especially for their large rural populations.

Contributors to this edited volume demonstrate the diverse ways in which rural people build futures in this unique policy landscape and how their aspirations and desires are articulated as projects involving both citizens and the state. This produces a politics of development that happens through and around the state as people navigate discourses of betterment to imagine and make new futures at individual and collective levels.
This book examines the art markets of the Global South while questioning, based on the heterogeneity of the selected contributions, the very idea of its existence in the context of the global art market. Gathering new research by recognized scholars, you will discover different markets from the so-called Global South, their structure, the external determinants affecting their behavior, their role in the art system’s development, and how they articulate with other agents at the local, regional, and international level. In this publication, an important wealth of research on various African countries stands out, providing an unprecedented overview of the markets in that region.

This volume originates from the TIAMSA conference The Art Market and the Global South: New Perspectives and Plural Approaches, held in Lisbon in 2019.
Culture, Diplomacy and Interactions
Series Editor:
The era of globalization has witnessed both increased activities across borders and interactions between nations, especially between the East and the West. East and West: Culture, Diplomacy and Interactions aims to trace and investigate multiple-dimensional interactions between the East and the West from the Age of Sail to the Modern Era, culturally, socially, economically and diplomatically, with a focus on maritime history via and centered on port cities such as Macao, Goa, Melaka, Nagasaki in the East and their counterparts such as Lisbon, Seville, Amsterdam, London in the West. The series examines matters about empires, oceans, and human connections through changes in material lives and cultural politics, and analyzes the impact of the flow of cultural materials across oceans, such as artifacts, arts, goods, foods, books, knowledge, beliefs, etc., on port cities and urbanization. Particularly, it will provide readers with a new maritime vision of the East and Southeast Asian history of connections at the eastern end of the Maritime Silk Road, including the ports of East Indian Ocean and South China Sea: places from Nagasaki to Xiamen/Macao, from Singapore to Shanghai, from Hong Kong to Melbourne, etc. In doing so, it will unfold the process of formation and transformation of networks and fluxing space, generated or altered by trade, migrations, diplomacies, regional conglomerations, etc., illustrate the glocolization of religions, examine the relationship of culture/tradition and diplomatic strategy, and demonstrate the causes to miscommunication, misunderstanding, conflicts and confrontations between nations as well as appropriate reading, understanding and interpreting of each other.

East and West will include studies in such disciplines and area studies as maritime history, missionary history, intellectual history, international relations, arts, architecture, music, religious studies, and cultural studies. This series will feature monographs and edited volumes as well as translated works. It will be of interest to academics as well as general readers, including historians, artists, architects, diplomats, politicians, journalists, travelers, religious groups, businessmen, lawyers, among other groups.

Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Stephanie Carta and Masja Horn.

Please see our Guidelines for a Book Proposal. All submissions are subject to a double-anonymous peer review process prior to publication.
Southeast Asia Mediated deals with media in Southeast Asia. Both old and new media, mass, alternative and grass roots, both today and in the past.
Volume Editor:
Javanese literature is one of the world’s richest and most unusual literary traditions yet it is little known today outside of Java, Indonesia, and a handful of western universities. With its more than a millennium of documented history, its complex interactions over the centuries with literature written in Sanskrit, Arabic, Persian, Malay and Dutch, its often symbiotic relationship with the performing arts of puppetry and dance, and its own immense creativity and insight, this vastly understudied literature offers a lens to understanding Java’s fascinating world as well as human ingenuity more broadly. The essays in this volume, Storied Island: New Explorations in Javanese Literature, take a fresh look at questions and themes pertaining to Java’s literature, employing new theoretical and methodological lenses.