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The Scottish Cultural Review of Language and Literature publishes new work in Scottish Studies, with a focus on analysis and reinterpretation of the literature and languages of Scotland, and the cultural contexts that have shaped them.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
The series published an average of 1,5 volumes per year over the last 5 years.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
The series published an average of 1,5 volumes per year over the last 5 years.
The book series Studies in Religion and the Arts promotes the development of discourses for exploring the religious dimensions of the verbal, visual and performing arts. The goal of the series is to form an international and multi-disciplinary forum for the scholarly discussion on the expression of religious sentiments in art.
The series has published an average of one volume per year over the last 5 years.
The series has published an average of one volume per year over the last 5 years.
This series offers art-historical and interdisciplinary approaches to how art was conceived, produced, and received across Europe, from the early medieval to the early modern. It pays particular attention to the social, cultural, religious, and political history of the period as seen through contemporary visual and material culture.
The series is interested in all areas of European artistic life in the Middle Ages and Renaissance. Work in the series explores art forms such as painting, sculpture, architecture, textiles, glass, metalwork, ceramics, ephemera, spatial strategies, and more. Themes of study may include emotions, the senses, devotional practices, the environment, animals, bodies, otherness, religious and social changes, literacy (written and visual), protest, and issues of class, race, and gender, to name only a few. Interdisciplinary, multidisciplinary, and comparative work is also warmly welcomed. The series publishes monographs, edited thematic collections, and reference works.
Authors are cordially invited to submit proposals and/or full manuscripts to either the series editors, Professor Sarah Blick and Professor Laura D. Gelfand or the Publisher at Brill, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
The series is interested in all areas of European artistic life in the Middle Ages and Renaissance. Work in the series explores art forms such as painting, sculpture, architecture, textiles, glass, metalwork, ceramics, ephemera, spatial strategies, and more. Themes of study may include emotions, the senses, devotional practices, the environment, animals, bodies, otherness, religious and social changes, literacy (written and visual), protest, and issues of class, race, and gender, to name only a few. Interdisciplinary, multidisciplinary, and comparative work is also warmly welcomed. The series publishes monographs, edited thematic collections, and reference works.
Authors are cordially invited to submit proposals and/or full manuscripts to either the series editors, Professor Sarah Blick and Professor Laura D. Gelfand or the Publisher at Brill, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
Moritz Retzsch's Prints in Circulation
Author:
In a new approach to Goethe's Faust I, Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated.
This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence.
This book is available in open access thanks to an Institut Universitaire de France (IUF) grant.
This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence.
This book is available in open access thanks to an Institut Universitaire de France (IUF) grant.
Moritz Retzsch's Prints in Circulation
Author:
In a new approach to Goethe's Faust I, Evanghelia Stead extensively discusses Moritz Retzsch's twenty-six outline prints (1816) and how their spin-offs made the unfathomable play available to larger reader communities through copying and extensive distribution circuits, including bespoke gifts. The images amply transformed as they travelled throughout Europe and overseas, revealing differences between countries and cultures but also their pliability and resilience whenever remediated.
This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence.
This book is available in open access thanks to an Institut Universitaire de France (IUF) grant.
This interdisciplinary investigation evidences the importance of print culture throughout the nineteenth and early twentieth centuries in nations involved in competition and conflict. Retzsch's foundational set crucially engenders parody, and inspires the stage, literature, and three-dimensional objects, well beyond common perceptions of print culture's influence.
This book is available in open access thanks to an Institut Universitaire de France (IUF) grant.
Editor:
Contemporary Cinema centers upon screen productions since the turn of the millennium in order to chart the rapidly unfolding landscape of the moving image. The series tracks recent shifts in the world of cinema from a wide array of viewpoints: emerging movements, styles, and practices; new ways of thinking about cinema; as well as ongoing expansions of ‘the cinematic’ across the spheres of television, new media, and beyond. Titles devoted to such developments—in film culture, theory, reception, or industry—could cover a broad cross-section of cases or concentrate on a sole landmark film. Of special importance to the series are cinemas and phenomena that remain underseen and overlooked.
Proposals for single-authored monographs and edited volumes are equally welcome.
All submissions are subject to a double-anonymous peer-review process prior to publication.
Authors are cordially invited to submit proposals to the publisher at BRILL, Masja Horn.
Proposals for single-authored monographs and edited volumes are equally welcome.
All submissions are subject to a double-anonymous peer-review process prior to publication.
Authors are cordially invited to submit proposals to the publisher at BRILL, Masja Horn.
A Cultural History of the Avant-Garde in the Nordic Countries is a subseries of Avant-Garde Critical Studies providing a comprehensive overview and in-depth analysis of the cultural manifestations of the avant-garde in the Nordic countries from 1900-2010s.
Due to its success and the continued need to decenter the avant-garde we are continuing the format of the Cultural History of the Avant-Garde in a Companion Series, poignantly called: A Cultural History of the Avant-Garde: A Companion Series. Here you can explore more regions covered.
Due to its success and the continued need to decenter the avant-garde we are continuing the format of the Cultural History of the Avant-Garde in a Companion Series, poignantly called: A Cultural History of the Avant-Garde: A Companion Series. Here you can explore more regions covered.
Visualising the Middle Ages is dedicated to innovative scholarship on art history and material cultures from the end of antiquity to c. 1500. The editors welcome contributions that focus on medieval Europe, as well as those that expand beyond traditional geographic and spiritual boundaries. We welcome contributions across geographies and spiritual traditions. We encourage a wide range of approaches.
The series aims to bridge the history of art and architecture and other fields in medieval studies and beyond. It seeks work with an impact beyond disciplinary confines and established methodological paths.
Formats may include monographs, essay collections, documentary sources and translations. Volumes may contain a substantial number of high-quality black-and-white and full-colour illustrations. Additional material can be included online, such as further illustrations, audio, video, or websites.
Authors are cordially invited to submit proposals and/or full manuscripts to either the series editors, Professor Catherine Harding and Professor Diane Wolfthal , or the Publisher at Brill, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
Cover image generic cover: Fragment of an Animal Relief, ca. 1150. The Met Collection API, Rogers Fund, 1909, Accession Number: 09.152.8.
The series aims to bridge the history of art and architecture and other fields in medieval studies and beyond. It seeks work with an impact beyond disciplinary confines and established methodological paths.
Formats may include monographs, essay collections, documentary sources and translations. Volumes may contain a substantial number of high-quality black-and-white and full-colour illustrations. Additional material can be included online, such as further illustrations, audio, video, or websites.
Authors are cordially invited to submit proposals and/or full manuscripts to either the series editors, Professor Catherine Harding and Professor Diane Wolfthal , or the Publisher at Brill, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
Cover image generic cover: Fragment of an Animal Relief, ca. 1150. The Met Collection API, Rogers Fund, 1909, Accession Number: 09.152.8.
Editor:
This book series provides a forum for investigations of aspects of the medieval world from a textual and cultural perspective, using an interdisciplinary approach. The series examines a varied range of social and cultural issues such as language, identity, monstrosity, gender, race, religion, injustice, medical treatment, death, and grief through the whole medieval period, ca. 600–1500, including early modern and modern medievalisms and responses to the Middle Ages. Innovative and interesting cultural and intertextual studies from all geographical regions of the medieval world are welcome. The series publishes monographs, edited volumes, and critical editions and other works of reference.
Authors are cordially invited to submit proposals and/or full manuscripts to either the series editor, Professor Larissa Tracy, or the Publisher at Brill, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
Authors are cordially invited to submit proposals and/or full manuscripts to either the series editor, Professor Larissa Tracy, or the Publisher at Brill, Dr Kate Hammond.
Brill is in full support of Open Access publishing and offers the option to publish your monograph, edited volume, or chapter in Open Access. Our Open Access services are fully compliant with funder requirements. We support Creative Commons licenses. For more information, please visit Brill Open or contact us at openacess@brill.com.
Eastern and Western Sociocultural Perspectives
Series:
FOKUS, Volume: 10
Volume Editor:
The essays featured in this book cover a broad spectrum of topics related to individual identity strategies and art collecting in the late modern era. They give a pan-European perspective on collecting in its various facets, encompassing the history of museums, exhibition policy, art market history, history of taste shaping and provenance research. By showing how collecting mirrored the social problems of modernity, this book indirectly addresses issues such as the sociocultural role of ethnic minorities, the question of women's emancipation, social exclusion versus inclusion, colonialism and the politicisation of museums. These matters, analysed in the context of private collections, reveal the complexity and relevance of the cultural processes underpinning many social issues that remain the subject of reflection to this day.
Eastern and Western Sociocultural Perspectives
Series:
FOKUS, Volume: 10
Volume Editor:
The essays featured in this book cover a broad spectrum of topics related to individual identity strategies and art collecting in the late modern era. They give a pan-European perspective on collecting in its various facets, encompassing the history of museums, exhibition policy, art market history, history of taste shaping and provenance research. By showing how collecting mirrored the social problems of modernity, this book indirectly addresses issues such as the sociocultural role of ethnic minorities, the question of women's emancipation, social exclusion versus inclusion, colonialism and the politicisation of museums. These matters, analysed in the context of private collections, reveal the complexity and relevance of the cultural processes underpinning many social issues that remain the subject of reflection to this day.
Essays in Honour of Erik Kooper
The study of medieval chronicles is firmly established as a focus of research in the whole range of disciplines comprising Medieval Studies: literature, history, art history, linguistics, book history, digital humanities, and so forth. Each article in this volume dedicated to Erik Kooper presents a case study, balancing the particulars of the chosen materials with more generalized conclusions about their significance. The resulting collection is an anthology of different approaches in Medieval Chronicle Studies, presenting a rich overview of the geographical, linguistic, chronological and methodological diversity of chronicle research as it has developed in no small part thanks to Erik’s rallying.
Contributors are Marie Bláhová, Cristian Bratu, Beth Bryan, Godfried Croenen, Peter Damian-Grint, Kelly DeVries, Isabel Barros Dias, Graeme Dunphy, Márta Font, Chris Given-Wilson, Ryszard Grzesik, Isabelle Guyot-Bachy, Letty Ten Harkel, Michael Hicks, David Hook, Sjoerd Levelt, Julia Marvin, Charles Melville, Firuza Abdullaeva, Martine Meuwese, Sarah Peverley, Jaclyn Rajsic, Lisa Ruch, Françoise Le Saux, Carol Sweetenham, Grischa Vercamer, Alison Williams Lewin, and Jürgen Wolf.
Contributors are Marie Bláhová, Cristian Bratu, Beth Bryan, Godfried Croenen, Peter Damian-Grint, Kelly DeVries, Isabel Barros Dias, Graeme Dunphy, Márta Font, Chris Given-Wilson, Ryszard Grzesik, Isabelle Guyot-Bachy, Letty Ten Harkel, Michael Hicks, David Hook, Sjoerd Levelt, Julia Marvin, Charles Melville, Firuza Abdullaeva, Martine Meuwese, Sarah Peverley, Jaclyn Rajsic, Lisa Ruch, Françoise Le Saux, Carol Sweetenham, Grischa Vercamer, Alison Williams Lewin, and Jürgen Wolf.