Browse results

You are looking at 1 - 10 of 886 items for :

  • Criticism & Theory x
  • Just Published x
  • Search level: All x
Clear All
Editor:
Philosophy, Literature, and Politics (PLP) offers studies of literature and literary history in the context of philosophical and political ideas. The series also spans the discursive territory in which philosophy is produced by literature and vice-versa.
PLP is a special series in VIBS, the Value Inquiry Book Series.
With this volume, the editors Katharina Edtstadler, Sandra Folie, and Gianna Zocco propose an extension of the traditional conception of imagology as a theory and method for studying the cultural construction and literary representation of national, usually European characters. Consisting of an instructive introduction and 21 articles, the book relates this sub-field of comparative literature to contemporary political developments and enriches it with new interdisciplinary, transnational, intersectional, and intermedial perspectives. The contributions offer [1] a reconsideration and update of the field’s methods, genres, and theoretical frames; [2] trans-/post-national, migratory, and marginalized perspectives beyond the European nation-state; [3] insights into geopolitical dichotomies such as Orient/Occident; [4] intersectional approaches considering the entanglements of national images with notions of age, class, gender, sexuality, and ethnicity/race; [5] investigations of the role of national images in visual narratives and music.
During the past decade, human communities worldwide have witnessed a succession of troubling developments that have intensified an already dire collective sense of global environmental crisis often brought on most poignantly in local or regional tragedies such as the BP oil spill in the Gulf of Mexico, the 2010 Pakistan floods, or the Ajka alumina sludge spill in western Hungary. If we accept writer Wendell Berry’s suggestion that the agricultural crisis, one of many perceived faces of ecological decline in the late 20th century, is basically a “crisis of culture,” then what have our experts on culture(s) to say about this situation?

Studies in Environmental Humanities is a series which brings to the forefront the value of the arts and humanities in the formulation of environmental policy. In a spirit of interdisciplinary/multidisciplinary engagement, the series sheds light on the perspectives of literary scholars, historians, human geographers, architects, spatial planners, cultural studies theorists and art historians regarding the environmental turn in contemporary human consciousness.

At its core, the series ponders how writers, artists and other public intellectuals of the humanistic domain can contribute to a better understanding of the state of the planet. To answer this, the series welcomes studies that advance knowledge across a broad disciplinary spectrum both within and beyond the humanities and which engage vital and timely environmental questions.

The series is published in association with the Nordic Network for Interdisciplinary Environmental Studies (NIES) but welcomes proposals from scholars who are no members.

Authors are cordially invited to submit proposals to the publisher at BRILL, Christa Stevens.
Volume Editors: and
Pascale Casanova’s World of Letters and Its Legacies proposes a wide-ranging appraisal of the work, influence and intellectual profile of a major figure in the humanities and social sciences, from sociology to literary theory and criticism. Both a tribute to the life and work of Pascale Casanova and a critical examination of the dissemination of her theoretical ideas around the world and in fields as diverse as world literature, comparative literature, translation studies, and the sociology of literature, the essays selected here are signed by leading scholars in these disciplines including David Damrosch, Claire Ducournau, Mads Rosendahl Thomsen, Tiphaine Samoyault and Jing Tsu among others.
Volume Editor:
The viscerally haunting and politically disturbing Painted Bird, the most famous novel by the Polish-American writer, Jerzy Kosinski, finally receives a long overdue fresh scientific perspective: a truly insightful study of linguistic and cultural controversy in translation against the benchmark of a tailor-made iron-clad methodology of such concepts as involved culture, detached culture and the universe of the opus. The study presents the kaleidoscopic cross section of renditions into as many as thirteen languages, making it a pioneering elaboration of a macrocosm of the afterlife of a translated novel and a tour de force of comparative translation studies. The dark contents of the work, heavily loaded with political and moral issues, vulnerable to shifts and refractions in the process of translation, have been analysed, unaffected by ideological sway, debunking any persistent myths about Kosinski’s harrowing work.