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Edited by Norbert Bachleitner, Achim Hölter and John A. McCarthy

In this 200th volume of Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft the editors Norbert Bachleitner, Achim H. Hölter and John A. McCarthy ‘take stock’ of the discipline. It focuses on recurrent questions in the field of Comparative Literature: What is literature? What is meant by ‘comparative’? Or by ‘world’? What constitute ‘transgressions’ or ‘refractions’? What, ultimately, does being at home in the world imply? When we combine the answers to these individual questions, we might ultimately reach an intriguing proposition: Comparative Literature contributes to a sense of being at home in a world that is heterogeneous and fractured, rather than affirming a monolithic canon marked by territory and homogeneity. The volume unites essays on world literature, literature in the context of the history of ideas, comparative women and gender studies, aesthetics and textual analysis, and literary translation and tradition.

Abenteuer

Erzählmuster, Formprinzip, Genre

Edited by Martin von Koppenfels and Manuel Mühlbacher

Nicht alle textuellen Formen eignen sich gleichermaßen, um Abenteuer zu erzählen. Das Abenteuer weist Affinitäten zu einer Reihe literarischer Gattungen auf, es lässt sich jedoch mit keiner identifizieren. Sein Verhältnis zu formalen Prinzipien ist komplex und historisch variabel.
Der von Martin von Koppenfels und Manuel Mühlbacher herausgegebene Band untersucht die bisher kaum beachteten Wechselwirkungen zwischen Abenteuer und narrativer Form aus einer dezidiert literaturwissenschaftlichen Perspektive. Berücksichtigt werden dabei sowohl das literarische Erzählen selbst als auch die theoretische Reflexion darüber: vom antiken Epos bis zum zeitgenössischen Roman und von der italienischen Renaissancepoetik bis zum russischen Formalismus.

Epiphanien

Religiöse Erfahrungen in deutschsprachiger Prosa der ästhetischen Moderne

Hendrick Heimböckel

Seit den frühen Schriftzeugnissen ist die religiöse Erfahrung ein wesentlicher Topos von Literatur: in kosmologischen und prophetischen Texten über philosophische Dialoge bis hin zu Epos, Drama und Lyrik.
In der deutschsprachigen Prosa der Romantik zeichnet sich ein Funktionswandel von religiösen Erfahrungen ab, der sich durch die ästhetische Moderne zieht. Diesen Auswirkungen widmet sich die hier vorliegende Studie anhand der systematischen Analyse von Epiphanien in deutschsprachiger Prosa der Romantik und der 1920er bis 1950er Jahre.

Perspectives on Evil

From Banality to Genocide

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Edited by Kanta Dihal

The question of evil is one of the oldest and most intensely studied topics in intellectual history. In fiction, legend and mythology the boundary between good and evil is often depicted as clear-cut, at least to the reader or listener, who is supposed to understand such tales as lessons and warnings. Evil is something that must be avoided by the hero in some cases and vanquished in others; it is either the exact opposite of the expected good behaviour, or its complete absence. Even so, for the characters in these didactic fictions, it turns out to be deceptively easy to fall to the infernal, ‘dark’ side. The chapters in this volume share a common thread – they all engage with ‘real’ evil: events and deeds of an evil nature that have been lived in the (recent) past and have become part of history, rather than fictional evil.

Poetik der Nation

Englishness in der englischen Romantik

Series:

Ulrike Kristina Köhler

This comparative study focuses on the manifestations of Englishness in various literary genres of English Romanticism. Political essays, travelogues, the Gothic novel and balladry are scrutinized from a production-oriented and context-sensitive perspective and through an imagological lens. This book centres around the interplay between national stereotypes and genre-specific (and nationally unspecific) tropes and conventions. Attention is given to the implied reader, cultural knowledge, the narrative situation and to focalization, as well as lyric-specific elements. The book demonstrates how narratology, cultural memory studies, reception theory, rhetoric and text linguistics can be integrated more effectively into the toolkit of imagology. This will allow national images to be deconstructed in a more fine-grained manner.

Diese vergleichende Fallstudie richtet den Blick auf die Erscheinungsformen von Englishness in Gattungen der englischen Romantik. Aus einer produktionsästhetischen wie kontextbewussten Perspektive legt sie den politischen Essay, den Reisebericht, die Gothic novel und die Ballade unter das imagologische Mikroskop. Dabei gilt das Interesse dem Zusammenspiel von nationalen Stereotypen und Topoi mit Gattungselementen ohne nationale Konnotation. Der Adressat, kulturelles Wissen, Erzählsituation und Fokalisierung sowie lyrikspezifische Elemente stehen dabei im Fokus. In theoretischer Hinsicht zeigt dieses Buch, wie sich das Handwerkszeug der Narratologie, der kulturwissenschaftlichen Gedächtnisforschung, der Rezeptionsästhetik, der Rhetorik und der Textlinguistik weit stärker als bisher gewinnbringend in das Analyseinstrumentarium der Imagologie integrieren lässt. So lassen sich nationenbezogene Bilder zukünftig nuancierter nachzeichnen und im Zuge dessen besser dekonstruieren.

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Edited by Jay Paul Gates and Brian T. O'Camb

This volume of essays focuses on how individuals living in the late tenth through fifteenth centuries engaged with the authorizing culture of the Anglo-Saxons. Drawing from a reservoir of undertreated early English documents and texts, each contributor shows how individual poets, ecclesiasts, legists, and institutions claimed Anglo-Saxon predecessors for rhetorical purposes in response to social, cultural, and linguistic change. Contributors trouble simple definitions of identity and period, exploring how medieval authors looked to earlier periods of history to define social identities and make claims for their present moment based on the political fiction of an imagined community of a single, distinct nation unified in identity by descent and religion.
Contributors are Cynthia Turner Camp, Irina Dumitrescu, Jay Paul Gates, Erin Michelle Goeres, Mary Kate Hurley, Maren Clegg Hyer, Nicole Marafioti, Brian O’Camb, Kathleen Smith, Carla María Thomas, Larissa Tracy, and Eric Weiskott.

Ágnes Heller and Riccardo Mazzeo

In Wind and Whirlwind the great philosopher Ágnes Heller and social scientist Riccardo Mazzeo explain the pros and cons of utopias and dystopias as they are described in literary works and their relevance to understand the world we live in and the hidden consequences of apparently appealing life trajectories.

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Edited by Joel Kuortti, Kaisa Ilmonen, Elina Valovirta and Janne Korkka

What grows out of the ordinary? This volume focuses on that which has been regarded as ordinary, self-evident and formulaic in literary and cultural phenomena such as diasporic cuisine, pet adoption narratives, Prairie writing, romance between stepsiblings, the program of a political party, and everyday shopping in poetry. The book argues that by engaging with that which is perceived as ordinary we also gain understanding of how otherness becomes defined and constituted. The volume seeks new ways to access that which might lie in-between or beyond the opposition between exploitation and emancipation, and contests the hegemonic logic of revealing oppression and rebuilding liberation in contemporary critical theory to create new ways of knowing which grow out of the ordinary.

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Edited by Danielle Schaub, Jacqueline Linder, Kori Novak, Stephanie Y. Tam and Claudio Zanini

This volume addresses trauma not only from a theoretical, descriptive and therapeutic perspective, but also through the survivor as narrator, meaning maker, and presenter. By conceptualising different outlooks on trauma, exploring transfigurations in writing and art, and engaging trauma through scriptotherapy, dharma art, autoethnography, photovoice and choreography, the interdisciplinary dialogue highlights the need for rethinking and re-examining trauma, as classical treatments geared towards healing do not recognise the potential for transfiguration inherent in the trauma itself. The investigation of the fissures, disruptions and shifts after punctual traumatic events or prolonged exposure to verbal and physical abuse, illness, war, captivity, incarceration, and chemical exposure, amongst others, leads to a new understanding of the transformed self and empowering post-traumatic developments. Contributors are Peter Bray, Francesca Brencio, Mark Callaghan, M. Candace Christensen, Diedra L. Clay, Leanne Dodd, Marie France Forcier, Gen’ichiro Itakura, Jacqueline Linder, Elwin Susan John, Kori D. Novak, Cassie Pedersen, Danielle Schaub, Nicholas Quin Serenati, Aslı Tekinay, Tony M. Vinci and Claudio Zanini.

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Edited by David Thomas and John A. Chesworth

Christian-Muslim Relations, a Bibliographical History Volume 13 (CMR 13) covering Western Europe in the period 1700-1800 is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and also the main body of detailed entries which treat all the works, surviving or lost, that have been recorded. These entries provide biographical details of the authors, descriptions and assessments of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 13, along with the other volumes in this series, is intended as a basic tool for research in Christian-Muslim relations.

Section editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Karoline Cook, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Emma Gaze Loghin, Gordon Nickel, Claire Norton, Radu Păun, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Mehdi Sajid, Cornelia Soldat, Karel Steenbrink, Ann Thomson, Carsten Walbiner.