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Kawase Hasui's Masterpieces
Author:
Following on the success of the catalogue raisonné – Kawase Hasui: The Complete Woodblock Prints – published by Hotei Publishing in 2003, Visions of Japan: Kawase Hasui’s Masterpieces brings together in a single volume one hundred of the artist’s most celebrated prints. Fully illustrated, this publication includes annotated descriptions for each work, as well as two essays on Hasui’s life and work by Dr. Kendall H. Brown.
Kawase Hasui (1883-1957) is considered the foremost Japanese landscape print artist of the 20th century, and he is most closely associated with the pioneering Shin-hanga ('New Prints') publisher Watanabe Shōzaburō (1885-1962). Hasui’s work became hugely popular, not only in his native Japan but also in the West, especially in the United States. His valuable contribution to the woodblock print medium was acknowledged in 1956, a year before his death, when he was honoured with the distinction of ‘Living National Treasure’.
Kawase Hasui (1883-1957) is considered the foremost Japanese landscape print artist of the 20th century, and he is most closely associated with the pioneering Shin-hanga ('New Prints') publisher Watanabe Shōzaburō (1885-1962). Hasui’s work became hugely popular, not only in his native Japan but also in the West, especially in the United States. His valuable contribution to the woodblock print medium was acknowledged in 1956, a year before his death, when he was honoured with the distinction of ‘Living National Treasure’.
Kawase Hasui's Masterpieces
Author:
Following on the success of the catalogue raisonné – Kawase Hasui: The Complete Woodblock Prints – published by Hotei Publishing in 2003, Visions of Japan: Kawase Hasui’s Masterpieces brings together in a single volume one hundred of the artist’s most celebrated prints. Fully illustrated, this publication includes annotated descriptions for each work, as well as two essays on Hasui’s life and work by Dr. Kendall H. Brown.
Kawase Hasui (1883-1957) is considered the foremost Japanese landscape print artist of the 20th century, and he is most closely associated with the pioneering Shin-hanga ('New Prints') publisher Watanabe Shōzaburō (1885-1962). Hasui’s work became hugely popular, not only in his native Japan but also in the West, especially in the United States. His valuable contribution to the woodblock print medium was acknowledged in 1956, a year before his death, when he was honoured with the distinction of ‘Living National Treasure’.
Kawase Hasui (1883-1957) is considered the foremost Japanese landscape print artist of the 20th century, and he is most closely associated with the pioneering Shin-hanga ('New Prints') publisher Watanabe Shōzaburō (1885-1962). Hasui’s work became hugely popular, not only in his native Japan but also in the West, especially in the United States. His valuable contribution to the woodblock print medium was acknowledged in 1956, a year before his death, when he was honoured with the distinction of ‘Living National Treasure’.
Translator:
Japanese youth, like everywhere else, are trying to build their future despite the crises that are shaking their world, the latest being the triple disaster of Fukushima. Often considered to be more focused on a personal or even hedonistic life, they surprised the media when a student movement took the floor to criticize the Abe government's security and Self-Defense Forces bills in 2015. The so-called SEALDs movement (Student Emergency Action for Liberal Democracy) was formed some time after the Indigenous or Occupy Wall Street movements, but it shares similar concerns.
Understanding the SEALDs' experience from the perspective of John Dewey's philosophy allows us to highlight once again the dangers that digital technology poses to individuals, the collective and their values.
Understanding the SEALDs' experience from the perspective of John Dewey's philosophy allows us to highlight once again the dangers that digital technology poses to individuals, the collective and their values.
Japanese youth, like everywhere else, are trying to build their future despite the crises that are shaking their world, the latest being the triple disaster of Fukushima. Often considered to be more focused on a personal or even hedonistic life, they surprised the media when a student movement took the floor to criticize the Abe government's security and Self-Defense Forces bills in 2015. The so-called SEALDs movement (Student Emergency Action for Liberal Democracy) was formed some time after the Indigenous or Occupy Wall Street movements, but it shares similar concerns.
Understanding the SEALDs' experience from the perspective of John Dewey's philosophy allows us to highlight once again the dangers that digital technology poses to individuals, the collective and their values.
Understanding the SEALDs' experience from the perspective of John Dewey's philosophy allows us to highlight once again the dangers that digital technology poses to individuals, the collective and their values.
This volume brings together contributions that, from different disciplinary perspectives, highlight certain aspects and problems related to the configuration of the relationship between the religious and the secular in Japan. In the background stands the question of the historical path dependencies that lead to the formation of a specifically Japanese secularity. Based on the assumption that existing epistemic and social structures shape the way in which Western concepts of secularism were appropriated, the individual case studies demonstrate that the culturally specific appropriation of Western regulatory principles such as secularism has created problems that are of political relevance in contemporary Japan.
This volume brings together contributions that, from different disciplinary perspectives, highlight certain aspects and problems related to the configuration of the relationship between the religious and the secular in Japan. In the background stands the question of the historical path dependencies that lead to the formation of a specifically Japanese secularity. Based on the assumption that existing epistemic and social structures shape the way in which Western concepts of secularism were appropriated, the individual case studies demonstrate that the culturally specific appropriation of Western regulatory principles such as secularism has created problems that are of political relevance in contemporary Japan.
A Cultural and Sociolinguistic Study of Dutch as a Contact Language in Tokugawa and Meiji Japan
Author:
In The Dutch Language in Japan (1600-1900) Christopher Joby offers the first book-length account of the knowledge and use of the Dutch language in Tokugawa and Meiji Japan. For most of this period, the Dutch were the only Europeans permitted to trade with Japan. Using the analytical tool of language process, this book explores the nature and consequences of contact between Dutch and Japanese and other language varieties. The processes analysed include language learning, contact and competition, code switching, translation, lexical, syntactic and graphic interference, and language shift. The picture that emerges is that the multifarious uses of Dutch, especially the translation of Dutch books, would have a profound effect on the language, society, culture and intellectual life of Japan.
A Cultural and Sociolinguistic Study of Dutch as a Contact Language in Tokugawa and Meiji Japan
Author:
In The Dutch Language in Japan (1600-1900) Christopher Joby offers the first book-length account of the knowledge and use of the Dutch language in Tokugawa and Meiji Japan. For most of this period, the Dutch were the only Europeans permitted to trade with Japan. Using the analytical tool of language process, this book explores the nature and consequences of contact between Dutch and Japanese and other language varieties. The processes analysed include language learning, contact and competition, code switching, translation, lexical, syntactic and graphic interference, and language shift. The picture that emerges is that the multifarious uses of Dutch, especially the translation of Dutch books, would have a profound effect on the language, society, culture and intellectual life of Japan.
Author:
Editor / Translator:
Okinawa, the only Japanese prefecture invaded by US forces in 1945, was forced to accommodate 146 “military comfort stations” from 1941–45. How did Okinawans view these intrusive spaces and their impact on regional society? Interviews, survivor testimonies, and archival documents show that the Japanese army manipulated comfort stations to isolate local communities, facilitate “spy hunts,” and foster a fear of rape by Americans that induced many Okinawans to choose death over survival. The politics of sex pursued by the US occupation (1945–72) perpetuated that fear of rape into the postwar era. This study of war, sexual violence, and postcolonial memory sees the comfort stations as discursive spaces of remembrance where differing war experiences can be articulated, exchanged, and mutually reassessed.
Winner of the 2017 Best Publication Award of the Year by the Okinawa Times.
Winner of the 2017 Best Publication Award of the Year by the Okinawa Times.
Author:
Okinawa, the only Japanese prefecture invaded by US forces in 1945, was forced to accommodate 146 “military comfort stations” from 1941–45. How did Okinawans view these intrusive spaces and their impact on regional society? Interviews, survivor testimonies, and archival documents show that the Japanese army manipulated comfort stations to isolate local communities, facilitate “spy hunts,” and foster a fear of rape by Americans that induced many Okinawans to choose death over survival. The politics of sex pursued by the US occupation (1945–72) perpetuated that fear of rape into the postwar era. This study of war, sexual violence, and postcolonial memory sees the comfort stations as discursive spaces of remembrance where differing war experiences can be articulated, exchanged, and mutually reassessed.
Winner of the 2017 Best Publication Award of the Year by the Okinawa Times.
Winner of the 2017 Best Publication Award of the Year by the Okinawa Times.
Credibility and the Incredible
Disassembling the Celebrity Figure: Credibility and the Incredible questions the credibility of celebrity brands, exploring how fandoms depend on perceptions and representations of authenticity. It asks how authenticity is projected by global celebrities, and how fans consume these carefully curated personas, and explores how the media breaks down barriers between celebrities and fans. It presents a discussion of celebrities as brands, exploring how their images are maintained after they pass away. It also offers analysis of the ways in which historical figures are later reconstructed as celebrities, and explores how their images are circulated and consumed across contemporary media. Ultimately, the book examines authenticity in celebrity culture by looking at fandom, media representation, branding and celebrity deaths.
Contributors are Marie Josephine Bennett, Lise Dilling-Nielsen, Kylo-Patrick R. Hart, Mingyi Hou, Renata Iwicka, Ephraim Das Janssen, Magdalen Wing-Chi Ki, Celia Lam, Mirella Longo, Aliah Mansor, Jackie Raphael and Millicent Weber.
Contributors are Marie Josephine Bennett, Lise Dilling-Nielsen, Kylo-Patrick R. Hart, Mingyi Hou, Renata Iwicka, Ephraim Das Janssen, Magdalen Wing-Chi Ki, Celia Lam, Mirella Longo, Aliah Mansor, Jackie Raphael and Millicent Weber.
Credibility and the Incredible
Disassembling the Celebrity Figure: Credibility and the Incredible questions the credibility of celebrity brands, exploring how fandoms depend on perceptions and representations of authenticity. It asks how authenticity is projected by global celebrities, and how fans consume these carefully curated personas, and explores how the media breaks down barriers between celebrities and fans. It presents a discussion of celebrities as brands, exploring how their images are maintained after they pass away. It also offers analysis of the ways in which historical figures are later reconstructed as celebrities, and explores how their images are circulated and consumed across contemporary media. Ultimately, the book examines authenticity in celebrity culture by looking at fandom, media representation, branding and celebrity deaths.
Contributors are Marie Josephine Bennett, Lise Dilling-Nielsen, Kylo-Patrick R. Hart, Mingyi Hou, Renata Iwicka, Ephraim Das Janssen, Magdalen Wing-Chi Ki, Celia Lam, Mirella Longo, Aliah Mansor, Jackie Raphael and Millicent Weber.
Contributors are Marie Josephine Bennett, Lise Dilling-Nielsen, Kylo-Patrick R. Hart, Mingyi Hou, Renata Iwicka, Ephraim Das Janssen, Magdalen Wing-Chi Ki, Celia Lam, Mirella Longo, Aliah Mansor, Jackie Raphael and Millicent Weber.
A Literature Review
Despite a long history, the organized field of research on voluntaristics in Japan has emerged only in the past two decades. This article presents a comprehensive review of voluntaristics research in Japan through an overview of past studies and recent hot topics. Nonprofit sector and voluntary action research, now termed voluntaristics (Smith, 2016), is reviewed here using four approaches: organizational, economic, employment, and charitable giving. Discussion of recent changes in the political-legal environment for nonprofit agencies and associations as well as of collaboration among nonprofits, governments, and businesses are presented. The article also covers some of the key topics in recent years, including rising social movements and advocacy, social impact bonds, social capital, and information and communication technologies (ICT) and social media.
In discussing the emergence, expansion, and diversification of nonprofit research in Japan, the article makes two main arguments. First, we argue that studies of voluntaristics are rather recent in Japan, still in pursuit of their own originality. Second, we argue that nonprofit research in Japan is constantly looking for an ideal relationship with practice. Research appears to have not fully caught up with the changing landscape of nonprofits in action, and research has not been able to guide practice into the best next steps. The article highlights characteristics of nonprofit sector research in Japan as well as suggesting key questions for future research.
In discussing the emergence, expansion, and diversification of nonprofit research in Japan, the article makes two main arguments. First, we argue that studies of voluntaristics are rather recent in Japan, still in pursuit of their own originality. Second, we argue that nonprofit research in Japan is constantly looking for an ideal relationship with practice. Research appears to have not fully caught up with the changing landscape of nonprofits in action, and research has not been able to guide practice into the best next steps. The article highlights characteristics of nonprofit sector research in Japan as well as suggesting key questions for future research.
A Literature Review
Despite a long history, the organized field of research on voluntaristics in Japan has emerged only in the past two decades. This article presents a comprehensive review of voluntaristics research in Japan through an overview of past studies and recent hot topics. Nonprofit sector and voluntary action research, now termed voluntaristics (Smith, 2016), is reviewed here using four approaches: organizational, economic, employment, and charitable giving. Discussion of recent changes in the political-legal environment for nonprofit agencies and associations as well as of collaboration among nonprofits, governments, and businesses are presented. The article also covers some of the key topics in recent years, including rising social movements and advocacy, social impact bonds, social capital, and information and communication technologies (ICT) and social media.
In discussing the emergence, expansion, and diversification of nonprofit research in Japan, the article makes two main arguments. First, we argue that studies of voluntaristics are rather recent in Japan, still in pursuit of their own originality. Second, we argue that nonprofit research in Japan is constantly looking for an ideal relationship with practice. Research appears to have not fully caught up with the changing landscape of nonprofits in action, and research has not been able to guide practice into the best next steps. The article highlights characteristics of nonprofit sector research in Japan as well as suggesting key questions for future research.
In discussing the emergence, expansion, and diversification of nonprofit research in Japan, the article makes two main arguments. First, we argue that studies of voluntaristics are rather recent in Japan, still in pursuit of their own originality. Second, we argue that nonprofit research in Japan is constantly looking for an ideal relationship with practice. Research appears to have not fully caught up with the changing landscape of nonprofits in action, and research has not been able to guide practice into the best next steps. The article highlights characteristics of nonprofit sector research in Japan as well as suggesting key questions for future research.
Author:
In Cultural and Theological Reflections on the Japanese Quest for Divinity, John J. Keane offers an explanation of Japanese divinity (kami 神) using sociology, anthropology, linguistics, literature and history. He presents an overview of how the Japanese have sought to love and serve their kami - a quest that rivals the interest that the West gives to God. The principles of interreligious dialogue are applied to the meaning of kami and a plea is made for a dialogue that respectfully accepts differences between the cultures and the theologies of Eastern and Western thought. Important cultural themes are discussed as a part of this quest, such as the emperors of Japan and the Japanese Tea Ceremony. The work also challenges the understanding of kami as highlighted by Akutagawa Ryunosuke and Endo Shusaku.
Author:
In Cultural and Theological Reflections on the Japanese Quest for Divinity, John J. Keane offers an explanation of Japanese divinity (kami 神) using sociology, anthropology, linguistics, literature and history. He presents an overview of how the Japanese have sought to love and serve their kami - a quest that rivals the interest that the West gives to God. The principles of interreligious dialogue are applied to the meaning of kami and a plea is made for a dialogue that respectfully accepts differences between the cultures and the theologies of Eastern and Western thought. Important cultural themes are discussed as a part of this quest, such as the emperors of Japan and the Japanese Tea Ceremony. The work also challenges the understanding of kami as highlighted by Akutagawa Ryunosuke and Endo Shusaku.
Author:
Utagawa Hiroshige (1797-1858) designed a series of 70 landscapes depicting the provinces of Japan between 1854 and 1856. It was the first of a number of sets from the highly productive years of his later life. The designs comprising Famous places in the 60-odd provinces (Rokuju yoshu meisho zue) are taken from all corners of Japan. Designs published before this series had already depicted the famous routes between Edo and Kyoto, the Tokaido and the Kisokaido, and various well known locations such as the famous waterfalls, Lake Omi and the Jewel Rivers, but a series on such a grand scale devoted to the provincies was a novelty. It evidently met with critical acclaim as the publishers Koshimuraya Heisuke issued several editions.
In this study, the author Marije Jansen briefly discusses Hiroshige's life and the formal aspects of this series. Jansen takes as her point of departure the set in possession of the German collector Gerhard Pulverer, which is generally acknowledged to be a superb example of a first edition, and compares this series to a number of other sets in public and private collections. The detectable printing variations in each design are carefully analysed, making this an indispensable tool for collectors.
In this study, the author Marije Jansen briefly discusses Hiroshige's life and the formal aspects of this series. Jansen takes as her point of departure the set in possession of the German collector Gerhard Pulverer, which is generally acknowledged to be a superb example of a first edition, and compares this series to a number of other sets in public and private collections. The detectable printing variations in each design are carefully analysed, making this an indispensable tool for collectors.
Author:
Utagawa Hiroshige (1797-1858) designed a series of 70 landscapes depicting the provinces of Japan between 1854 and 1856. It was the first of a number of sets from the highly productive years of his later life. The designs comprising Famous places in the 60-odd provinces (Rokuju yoshu meisho zue) are taken from all corners of Japan. Designs published before this series had already depicted the famous routes between Edo and Kyoto, the Tokaido and the Kisokaido, and various well known locations such as the famous waterfalls, Lake Omi and the Jewel Rivers, but a series on such a grand scale devoted to the provincies was a novelty. It evidently met with critical acclaim as the publishers Koshimuraya Heisuke issued several editions.
In this study, the author Marije Jansen briefly discusses Hiroshige's life and the formal aspects of this series. Jansen takes as her point of departure the set in possession of the German collector Gerhard Pulverer, which is generally acknowledged to be a superb example of a first edition, and compares this series to a number of other sets in public and private collections. The detectable printing variations in each design are carefully analysed, making this an indispensable tool for collectors.
In this study, the author Marije Jansen briefly discusses Hiroshige's life and the formal aspects of this series. Jansen takes as her point of departure the set in possession of the German collector Gerhard Pulverer, which is generally acknowledged to be a superb example of a first edition, and compares this series to a number of other sets in public and private collections. The detectable printing variations in each design are carefully analysed, making this an indispensable tool for collectors.
Baron Raimund von Stillfried and Early Yokohama Photography
Series:
Photography in Asia, Volume: 1
Author:
A Career of Japan is the first study of one of the major photographers and personalities of nineteenth-century Japan. Baron Raimund von Stillfried was the most important foreign-born photographer of the Meiji era and one of the first globally active photographers of his generation. He played a key role in the international image of Japan and the adoption of photography within Japanese society itself. Yet, the lack of a thorough study of his activities, travels, and work has been a fundamental gap in both Japanese- and Western-language scholarship. Based on extensive new primary sources and unpublished documents from archives around the world, this book examines von Stillfried’s significance as a cultural mediator between Japan and Central Europe. It highlights the tensions and fierce competition that underpinned the globalising photographic industry at a site of cultural contact and exchange – treaty-port Yokohama. In the process, it raises key questions for Japanese visual culture, Habsburg studies, and cross-cultural histories of photography and globalisation.
A Career of Japan is the winner of the 2nd Professor Josef Kreiner Hosei University Award for International Studies (Kreiner Award).
“Luke Gartlan’s book is a compelling and enjoyable read, and contributes major new perspectives to the growing field of Meiji photography. It will certainly be the authoritative work on Raimund von Stillfried, but it is also impressive for its contributions to other important areas of Meiji cultural studies, including representations of the emperor, photography of Hokkaido, and world’s fairs.” Bert Winther-Tamaki (University of California, Irvine)
A Career of Japan is the winner of the 2nd Professor Josef Kreiner Hosei University Award for International Studies (Kreiner Award).
“Luke Gartlan’s book is a compelling and enjoyable read, and contributes major new perspectives to the growing field of Meiji photography. It will certainly be the authoritative work on Raimund von Stillfried, but it is also impressive for its contributions to other important areas of Meiji cultural studies, including representations of the emperor, photography of Hokkaido, and world’s fairs.” Bert Winther-Tamaki (University of California, Irvine)