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For the contributors to
In Fashion: Culture, Commerce, Craft, and Identity being “in fashion” is about self-presentation; defining how fashion is presented in the visual, written, and performing arts; and about design, craft, manufacturing, packaging, marketing and archives. The book’s international cast of authors engage “in” fashion from various disciplinary, professional, and creative perspectives; i.e., anthropology, archaeology, art history, cultural studies, design, environmental studies, fashion studies, history, international relations, literature, marketing, philosophy, sociology, technology, and theatre.
In Fashion has five sections:
• Fashioning Representations: Texts, Images, and Performances;
• Fashionable: Shopping, Luxury, and Vintage;
• Fashion’s Materials: Craft, Industry, and Innovation;
• Museum Worthy: Fashion and the Archive;
• Fashioning Cultural Identities: Case Studies.
In Fashion has five sections:
• Fashioning Representations: Texts, Images, and Performances;
• Fashionable: Shopping, Luxury, and Vintage;
• Fashion’s Materials: Craft, Industry, and Innovation;
• Museum Worthy: Fashion and the Archive;
• Fashioning Cultural Identities: Case Studies.
For the contributors to
In Fashion: Culture, Commerce, Craft, and Identity being “in fashion” is about self-presentation; defining how fashion is presented in the visual, written, and performing arts; and about design, craft, manufacturing, packaging, marketing and archives. The book’s international cast of authors engage “in” fashion from various disciplinary, professional, and creative perspectives; i.e., anthropology, archaeology, art history, cultural studies, design, environmental studies, fashion studies, history, international relations, literature, marketing, philosophy, sociology, technology, and theatre.
In Fashion has five sections:
• Fashioning Representations: Texts, Images, and Performances;
• Fashionable: Shopping, Luxury, and Vintage;
• Fashion’s Materials: Craft, Industry, and Innovation;
• Museum Worthy: Fashion and the Archive;
• Fashioning Cultural Identities: Case Studies.
In Fashion has five sections:
• Fashioning Representations: Texts, Images, and Performances;
• Fashionable: Shopping, Luxury, and Vintage;
• Fashion’s Materials: Craft, Industry, and Innovation;
• Museum Worthy: Fashion and the Archive;
• Fashioning Cultural Identities: Case Studies.
What is video game culture and video games as culture?
Culture at Play avoids easy answers and deceitful single definitions. Instead, the collected essays included here navigate the messy and exciting waters of video games, of culture, and of the meeting of video games and culture, and do so from four perspectives: Players: Types and Identities; The Human/The Machine: Agents, Ethics, and Affect; Compassion, Recognition, and the Interpersonal; and Learning through Play. As a form of play, video games can greatly affect our lives. As digital objects, they participate in our digital lives. As both, they have a noticeable impact on our relationships with others, with society, and with ourselves, and this is the scope of this book.
What is video game culture and video games as culture?
Culture at Play avoids easy answers and deceitful single definitions. Instead, the collected essays included here navigate the messy and exciting waters of video games, of culture, and of the meeting of video games and culture, and do so from four perspectives: Players: Types and Identities; The Human/The Machine: Agents, Ethics, and Affect; Compassion, Recognition, and the Interpersonal; and Learning through Play. As a form of play, video games can greatly affect our lives. As digital objects, they participate in our digital lives. As both, they have a noticeable impact on our relationships with others, with society, and with ourselves, and this is the scope of this book.
An Introduction to an Interdisciplinary Field
The wide spectrum of links and interrelations found amongst the diversity of human sexual expressions and spiritual practices around the world constitutes one of the most fruitful grounds of scholarly research today.
Exploring Sexuality and Spirituality introduces an emerging academic field of studies focused on the multiplicity of problematizations intersecting spirituality and sexuality, from eroticism and ecstasy embodiments to inner spiritual cultivation, intimate relationships, sex education, and gender empowerment. This collection of essays addresses subjects such as prehistoric art, Queer Theology, BDSM, Tantra, the Song of Songs, ‘la petite mort’, asceticism, feminist performative protests, and sexually charged landscapes, among others. Through varied methodologies and state-of-the-art interdisciplinary approaches, this volume becomes highly useful for readers engaged in the integration of scholarly and practical knowledge.
An Introduction to an Interdisciplinary Field
The wide spectrum of links and interrelations found amongst the diversity of human sexual expressions and spiritual practices around the world constitutes one of the most fruitful grounds of scholarly research today.
Exploring Sexuality and Spirituality introduces an emerging academic field of studies focused on the multiplicity of problematizations intersecting spirituality and sexuality, from eroticism and ecstasy embodiments to inner spiritual cultivation, intimate relationships, sex education, and gender empowerment. This collection of essays addresses subjects such as prehistoric art, Queer Theology, BDSM, Tantra, the Song of Songs, ‘la petite mort’, asceticism, feminist performative protests, and sexually charged landscapes, among others. Through varied methodologies and state-of-the-art interdisciplinary approaches, this volume becomes highly useful for readers engaged in the integration of scholarly and practical knowledge.
An Interdisciplinary Exploration of Visual Literacy
Volume Editor:
Julia Lane
Tracing Behind the Image: An Interdisciplinary Exploration of Visual Literacy, discusses how our relationship to images, collectively and individually, is constantly shifting, as we adapt to the evolving image economy of our increasingly screen-based world. This volume offers pedagogies, analyses and strategies for developing visual literacy across education and industry.
The language of images embodies highly complex and nuanced statements and readings, the ability to invent and reinvent, it is bursting with opportunities to be lyrical, satirical, rhetorical, to unravel meanings, and to pose as many questions as it answers. It is a language of investigation and experimentation, it both constructs and shatters cultural expectations, and is constantly and rapidly transforming as forced by current social and political climates.
The language of images embodies highly complex and nuanced statements and readings, the ability to invent and reinvent, it is bursting with opportunities to be lyrical, satirical, rhetorical, to unravel meanings, and to pose as many questions as it answers. It is a language of investigation and experimentation, it both constructs and shatters cultural expectations, and is constantly and rapidly transforming as forced by current social and political climates.
An Interdisciplinary Exploration of Visual Literacy
Volume Editor:
Julia Lane
Tracing Behind the Image: An Interdisciplinary Exploration of Visual Literacy, discusses how our relationship to images, collectively and individually, is constantly shifting, as we adapt to the evolving image economy of our increasingly screen-based world. This volume offers pedagogies, analyses and strategies for developing visual literacy across education and industry.
The language of images embodies highly complex and nuanced statements and readings, the ability to invent and reinvent, it is bursting with opportunities to be lyrical, satirical, rhetorical, to unravel meanings, and to pose as many questions as it answers. It is a language of investigation and experimentation, it both constructs and shatters cultural expectations, and is constantly and rapidly transforming as forced by current social and political climates.
The language of images embodies highly complex and nuanced statements and readings, the ability to invent and reinvent, it is bursting with opportunities to be lyrical, satirical, rhetorical, to unravel meanings, and to pose as many questions as it answers. It is a language of investigation and experimentation, it both constructs and shatters cultural expectations, and is constantly and rapidly transforming as forced by current social and political climates.
A Critique of Current and Past Norms
Volume Editors:
Lawrence Buttigieg, Sophia Kanaouti, Lily Martinez Evangelista, and Robert Scott Stewart
The current erotic landscape is contradictory: While the West sees greater sexual and erotic freedom than ever, there is also a movement to restrict the behaviour of various sexual minorities.
Expanding and Restricting the Erotic addresses the way in which the erotic has been constrained and freed, both historically and at present. Topics range from the troubling way in which the mainstream media represents the erotic, to the concept of friends with benefits. Other chapters explore female eroticism, from contemporary female hip hop artists to Latin American women seeking to express their eroticism in the midst of sexual repression. Medieval and Early Modern medical conceptions of the female body are explored, as are ancient Greek erotic practices. Finally, the controversial area of teenage girls’ erotic representation is analysed.
A Critique of Current and Past Norms
Volume Editors:
Lawrence Buttigieg, Sophia Kanaouti, Lily Martinez Evangelista, and Robert Scott Stewart
The current erotic landscape is contradictory: While the West sees greater sexual and erotic freedom than ever, there is also a movement to restrict the behaviour of various sexual minorities.
Expanding and Restricting the Erotic addresses the way in which the erotic has been constrained and freed, both historically and at present. Topics range from the troubling way in which the mainstream media represents the erotic, to the concept of friends with benefits. Other chapters explore female eroticism, from contemporary female hip hop artists to Latin American women seeking to express their eroticism in the midst of sexual repression. Medieval and Early Modern medical conceptions of the female body are explored, as are ancient Greek erotic practices. Finally, the controversial area of teenage girls’ erotic representation is analysed.
Sketching the Borders of Sexual Citizenship
Editor:
Serena Petrella
This book examines the intricacies of emergent sexual citizenship. Designed for academics and broader audiences alike, the collection covers the theorization of sexual citizenship, the exploration of case studies in law, the relationship between sexual citizenship and bio-politics, and finally the erotic dissidence of sexual outlaws. The borders of sexual citizenship are traced, as authors investigate what it means to be ‘inside,’ as erotic subjects, or outside, as ‘sexual outlaws.’ The issues of inclusion and exclusion are approached through diverse methodological and analytical lenses: some articles are theoretical and philosophical, others are empirically based, presenting the findings of sociological and ethnographic research projects; some are textual analyses, of religious texts, film texts, and of legal discourse. Contributors are Abidemi Fasanmi, René Hirsch, Elene Lam, Jaclyn Lanthier, Todd G. Morrison, Nick J. Mulé, Elly-Jean Nielsen, Serena Petrella, Olivia Schuman and Deww Zhang.
Sketching the Borders of Sexual Citizenship
Editor:
Serena Petrella
This book examines the intricacies of emergent sexual citizenship. Designed for academics and broader audiences alike, the collection covers the theorization of sexual citizenship, the exploration of case studies in law, the relationship between sexual citizenship and bio-politics, and finally the erotic dissidence of sexual outlaws. The borders of sexual citizenship are traced, as authors investigate what it means to be ‘inside,’ as erotic subjects, or outside, as ‘sexual outlaws.’ The issues of inclusion and exclusion are approached through diverse methodological and analytical lenses: some articles are theoretical and philosophical, others are empirically based, presenting the findings of sociological and ethnographic research projects; some are textual analyses, of religious texts, film texts, and of legal discourse. Contributors are Abidemi Fasanmi, René Hirsch, Elene Lam, Jaclyn Lanthier, Todd G. Morrison, Nick J. Mulé, Elly-Jean Nielsen, Serena Petrella, Olivia Schuman and Deww Zhang.
Engaging Common Ground
This book offers a collection of reflective essays on current testimonial production by researchers and practitioners working in multifaceted fields such as art and film performance, public memorialization, scriptotherapy, and fictional and non-fictional testimony.
The inter-disciplinary approach to the question of testimony offers a current account of testimony’s diversity in the twenty-first century as well as its relevance within the fields of art, storytelling, trauma, and activism. The range of topics engage with questions of genre and modes of representation, ethical and political concerns of testimony, and the flaws and limitations of testimonial production giving testament to some of the ethical concerns of our present age.
Contributors are Alison Atkinson-Phillips, Olga Bezhanova, Melissa Burchard, Mateusz Chaberski, Candace Couse, Tracy Crowe Morey, Marwa Sayed Hanafy, Rachel Joy, Emma Kelly, Timothy Long, Elizabeth Matheson, Antonio Prado del Santo, Christine Ramsay, Cristina Santos and Adriana Spahr.
The inter-disciplinary approach to the question of testimony offers a current account of testimony’s diversity in the twenty-first century as well as its relevance within the fields of art, storytelling, trauma, and activism. The range of topics engage with questions of genre and modes of representation, ethical and political concerns of testimony, and the flaws and limitations of testimonial production giving testament to some of the ethical concerns of our present age.
Contributors are Alison Atkinson-Phillips, Olga Bezhanova, Melissa Burchard, Mateusz Chaberski, Candace Couse, Tracy Crowe Morey, Marwa Sayed Hanafy, Rachel Joy, Emma Kelly, Timothy Long, Elizabeth Matheson, Antonio Prado del Santo, Christine Ramsay, Cristina Santos and Adriana Spahr.
Engaging Common Ground
This book offers a collection of reflective essays on current testimonial production by researchers and practitioners working in multifaceted fields such as art and film performance, public memorialization, scriptotherapy, and fictional and non-fictional testimony.
The inter-disciplinary approach to the question of testimony offers a current account of testimony’s diversity in the twenty-first century as well as its relevance within the fields of art, storytelling, trauma, and activism. The range of topics engage with questions of genre and modes of representation, ethical and political concerns of testimony, and the flaws and limitations of testimonial production giving testament to some of the ethical concerns of our present age.
Contributors are Alison Atkinson-Phillips, Olga Bezhanova, Melissa Burchard, Mateusz Chaberski, Candace Couse, Tracy Crowe Morey, Marwa Sayed Hanafy, Rachel Joy, Emma Kelly, Timothy Long, Elizabeth Matheson, Antonio Prado del Santo, Christine Ramsay, Cristina Santos and Adriana Spahr.
The inter-disciplinary approach to the question of testimony offers a current account of testimony’s diversity in the twenty-first century as well as its relevance within the fields of art, storytelling, trauma, and activism. The range of topics engage with questions of genre and modes of representation, ethical and political concerns of testimony, and the flaws and limitations of testimonial production giving testament to some of the ethical concerns of our present age.
Contributors are Alison Atkinson-Phillips, Olga Bezhanova, Melissa Burchard, Mateusz Chaberski, Candace Couse, Tracy Crowe Morey, Marwa Sayed Hanafy, Rachel Joy, Emma Kelly, Timothy Long, Elizabeth Matheson, Antonio Prado del Santo, Christine Ramsay, Cristina Santos and Adriana Spahr.
Realms of the Visible
Editor:
Laura Petican
This book represents the voices of scholars, fashion designers, bloggers and artists, who speak to the pervasive nature of fashion in matters of politics, history, economics, sociology, religion, culture, art and identity. Dialogically open, the volume offers a broad apprehension of visual matter in the global contemporary context with fashion at its core, exploring its metamorphosing, media-oriented and ‘disordered’ modes of being in the early twenty-first century. The book’s contributors consider topics of universal import stemming from the realm of fashion, its dissemination and impact, from institutional, corporate, collective and individual perspectives, reflecting on the morphing, interchanging and revolutionary quality of the visual realm as the basis for continued research in fashion studies. Contributors are Shari Tamar Akal, Jess Berry, Naomi Braithwaite, Claire Eldred, Sarah Heaton, Hilde Heim, Demetra Kolakis, Sarah Mole, Lynn S. Neal, Laura Petican, Cecilia Winterhalter, Manrutt Wongkaew.
Realms of the Visible
Editor:
Laura Petican
This book represents the voices of scholars, fashion designers, bloggers and artists, who speak to the pervasive nature of fashion in matters of politics, history, economics, sociology, religion, culture, art and identity. Dialogically open, the volume offers a broad apprehension of visual matter in the global contemporary context with fashion at its core, exploring its metamorphosing, media-oriented and ‘disordered’ modes of being in the early twenty-first century. The book’s contributors consider topics of universal import stemming from the realm of fashion, its dissemination and impact, from institutional, corporate, collective and individual perspectives, reflecting on the morphing, interchanging and revolutionary quality of the visual realm as the basis for continued research in fashion studies. Contributors are Shari Tamar Akal, Jess Berry, Naomi Braithwaite, Claire Eldred, Sarah Heaton, Hilde Heim, Demetra Kolakis, Sarah Mole, Lynn S. Neal, Laura Petican, Cecilia Winterhalter, Manrutt Wongkaew.
Gender and love are so intimately interconnected that it sometimes seems as though they bring each other into being. But their relationship is shifting as human society develops new understandings of identity, gender and the self. The chapters in this volume explore the convoluted and ever-changing nature of love, gender and identity from a variety of disciplines and perspectives, bearing testimony to the perennial appeal of this field of inquiry. There are chapters on the historical constructions of love and gender; the philosophical aspects; the faultlines in twenty-first-century heteronormativity; and the challenges of love from and within the margins. Gender and love are interdisciplinary and this volume will appeal to scholars from all disciplinary protocols.
Gender and love are so intimately interconnected that it sometimes seems as though they bring each other into being. But their relationship is shifting as human society develops new understandings of identity, gender and the self. The chapters in this volume explore the convoluted and ever-changing nature of love, gender and identity from a variety of disciplines and perspectives, bearing testimony to the perennial appeal of this field of inquiry. There are chapters on the historical constructions of love and gender; the philosophical aspects; the faultlines in twenty-first-century heteronormativity; and the challenges of love from and within the margins. Gender and love are interdisciplinary and this volume will appeal to scholars from all disciplinary protocols.
The Inescapable Entanglement of Tradition, Transcendence and Transgression
Erotic encounters have assumed a myriad of shapes and forms throughout the histories of the world and, at many stages of those histories, have been understood as possessing the potential to take us closer to some ultimate mode of being that the everyday, in all of its artless modesty, seems unable to do. In this volume, discussions of the erotic as an extraordinary part of the human condition, manifest in examples such as: exoticised voyages to faraway lands; the thrills of ancient combat; the escape and enchantment of eroticized performance; transgressive notions of the female
jouissance; the delights of the sexual pursuits in the virtual domain; the political possibilities of stigmatized, queer pleasure; and perceptions of ‘fetishes’ which include relationships with inanimate beings. It would appear that what is required for these out-of-the-ordinary quests, are pointed actions – movements away from the monotony of life’s rhythms and outside the shelter of an otherwise predictable materiality. Contributors are Jon Braddy, John Dayton, Rita Dirks, John T. Grider, Billy Huff, Maciej Musiał, Naomi Stekelenburg, Dionne van Reenen and Tianyang Zhou.
The Inescapable Entanglement of Tradition, Transcendence and Transgression
Erotic encounters have assumed a myriad of shapes and forms throughout the histories of the world and, at many stages of those histories, have been understood as possessing the potential to take us closer to some ultimate mode of being that the everyday, in all of its artless modesty, seems unable to do. In this volume, discussions of the erotic as an extraordinary part of the human condition, manifest in examples such as: exoticised voyages to faraway lands; the thrills of ancient combat; the escape and enchantment of eroticized performance; transgressive notions of the female
jouissance; the delights of the sexual pursuits in the virtual domain; the political possibilities of stigmatized, queer pleasure; and perceptions of ‘fetishes’ which include relationships with inanimate beings. It would appear that what is required for these out-of-the-ordinary quests, are pointed actions – movements away from the monotony of life’s rhythms and outside the shelter of an otherwise predictable materiality. Contributors are Jon Braddy, John Dayton, Rita Dirks, John T. Grider, Billy Huff, Maciej Musiał, Naomi Stekelenburg, Dionne van Reenen and Tianyang Zhou.
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