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Damascus under the Mamlūk sultans (1260–1516 CE)
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The goals and tactics of a state's ruling elite influence its artistic and architectural output, shaping the overall characteristics, orientation, and themes of its creations. Architecture reflects political ideology and historical events, showcasing the power and cultural values of the state, with implications for politics and authority.
This book presents a comprehensive and nuanced exploration of the intricate interplay between art, politics, and religion within the architectural legacy of Mamluk Damascus. It sheds light on how these dynamics enrich our comprehension of the past and contribute to contemporary dialogues concerning the preservation of cultural heritage.
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Since the advent of the reign of Mohammed VI in 1999, Morocco has deployed a new continental foreign policy. The Kingdom aspires to be recognized as an emerging African power in its identity as well as in its space of projection. In order to meet these ambitions, the diplomatic apparatus is developing and modernizing, while a singular role identity is emerging around the notion of the "golden mean". This study presents, on an empirical level, the conditions of the elaboration and conduct of this Africa policy, and analyzes, on a theoretical level, the evolution of the Moroccan role identity in the international system.