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Ein interkultureller Vergleich zwischen dem Philanthropinum in Dessau und dem Colegio de las Vizcaínas in Mexiko-Stadt
Author: Eva Rautenberg
Aufklärung und Schule, Männer und Frauen in Dessau und in Mexiko. Eine kulturhistorische Betrachtung und Darstellung einer facettenreichen und vielfältigen Wirklichkeit.
Thematisiert werden Szenen des Alltags und des Schullebens, die in zwei verschiedenen westlichen Kontexten zur Zeit der Aufklärung stattfanden: Dessau und Neuspanien bzw. das koloniale Mexiko. In dieser Ausführung zeigen sich die Macht- und Herrschaftsverhältnisse, die sowohl innerhalb der politischen Kontrolle als auch im Bereich des Akademischen ausgeübt wurden. Das Werk versteht sich als ein alternativer methodologischer Ansatz für die Vergleichende Pädagogik.
Zur Kritik materialistischer Bildungstheorie und -praxis
Author: Roger Behrens
Editor: Ralf Koerrenz
Die Debatten über Bildung und Erziehung sowie deren Sinn und Zweck haben Konjunktur. Obwohl unter einem allgemeinen Vorzeichen der Kritik stehend, spielt eine materialistische Bildungstheorie und -praxis in diesen Debatten keine Rolle mehr.
Noch in den 1970er Jahren gingen von der kritischen Theorie der Bildung, Erziehung und Pädagogik entscheidende Impulse aus; mit kritischen Konzepten wie »materialistische Bildungstheorie« oder »dialektische Pädagogik« konnte das humanistische Bildungsideal auch praktisch aktualisiert werden (antiautoritäre Erziehung, Kinderladenbewegung, freie Schulen etc.). Allerdings sind solche gesellschaftlichen Interventionen heute restlos integriert, die kritischen Motive weitgehend absorbiert, entschärft oder schlechterdings vergessen. Eingebettet in eine kritische Begriffs- und Gesellschaftsanalyse rekonstruiert die Studie historisch und systematisch dieses »Scheitern«, beleuchtet aber auch das »Machbare« einer materialistischen Bildungstheorie und -praxis.
Author: Ralf Koerrenz
Editor: Ralf Koerrenz
Es gibt eine spezifisch hebräische Kultur der Bildung – das ist der Leitgedanke dieser Grundlegung. In dieser Kultur der Bildung spielt neben Aspekten wie Freiheit und Individualität ein bestimmtes Verständnis der Verantwortung des Menschen gegenüber sich selbst, der Mitwelt und der Umwelt eine entscheidende Rolle.
Dabei wird der Mensch als ein Wesen verstanden, das von der unaufhebbaren Gleichzeitigkeit von Entfremdung (Sünde) und Freiheit (als Befreiung) geprägt ist. Mit »hebräisch« wird dabei ein kultureller Überlieferungskontext bezeichnet, der sich in den Schriften der hebräischen Bibel gebündelt hat. Schöpfung und Sündenfall, Befreiung und prophetische Kulturkritik werden mit Blick auf das Bildungsmotiv anthropologisch ausgedeutet. Insgesamt entfaltet der Hebräische Humanismus nicht nur ein Verständnis von Kultur und Bildung, sondern kann insgesamt als eine bestimmte Ausprägung einer Kultur der Bildung verstanden werden. Der Hebräische Humanismus bildet die gemeinsame Grundlage für entsprechende Strömungen im Judentum, Christentum und Islam.
How can African philosophy of education contribute to contemporary debates in the context of complexities, dilemmas and uncertainties in African higher education? The capacity for self-reflection, self-evaluation and self-criticism enables African philosophy of higher education to examine and re-examine itself in the context of current issues in African higher education. The reflective capacity is in line with the Socratic dictum ‘know thy self.’ African Higher Education in the 21st Century: Epistemological, Ontological and Ethical Perspectives responds to the demands for reflection and self-knowledge by drawing from ontology, epistemology and ethics in an attempt to address issues that affect African higher education as they connect with the past, present and future.
The chapters in Art as an Agent for Social Change, presented as snapshots, focus on exploring the power of drama, dance, visual arts, media, music, poetry and film as educative, artistic, imaginative, embodied and relational art forms that are agents of personal and societal change. A range of methods and ontological views are used by the authors in this unique contribution to scholarship, illustrating the comprehensive methodologies and theories that ground arts-based research in Canada, the US, Norway, India, Hong Kong and South Africa.

Weaving together a series of chapters (snapshots) under the themes of community building, collaboration and teaching and pedagogy, this book offers examples of how Art as an Agent for Social Change is of particular relevance for many different and often overlapping groups including community artists, K-university instructors, teachers, students, and arts-based educational researchers interested in using the arts to explore social justice in educative ways. This book provokes us to think critically and creatively about what really matters!
Theory, Development, Instruction, and Assessment
The Partnership for 21st Century Skills states that critical thinking encompasses skills that students and professionals will need to succeed in their careers, school, and life. The demand for critical thinkers will increase in the future to meet the demands of world-wide problems. Educators need to show students how to eliminate errors, such as biases in their reasoning, and to be effective decision makers. To do this, teachers and leaders in schools and businesses need to provide an atmosphere conducive to developing critical thinking skills and dispositions.

Meeting this challenge is the goal of the chapters collected in Critical Thinking and Reasoning. This book begins with experts laying out their best current understanding of the skills and attitudes critical thinking requires. Next, the relationship between critical thinking and the psychology of development and learning is explored to understand better how to develop critical thinkers from childhood to adulthood.

But how can we best teach for critical thinking? How can we incorporate into the classroom the challenges presented in the workplace? This book provides several extensive examples of current practices from the elementary level through the secondary level to the university level of how to stimulate critical thinking skills and dispositions.
International Educationalist Perspectives
Editor: Brent Bradford
The Doctoral Journey: International Educationalist Perspectives assembles a collective narrative related to the doctoral journey of recent graduates in the field of education. Clearly, the doctoral journey is not a linear process but rather a lattice of ever-evolving professional and personal relationships, experiences, perspectives, and insights.

From early on when considering whether or not to apply to a programme, to deciding on an institution and supervisor, to delving into the related literature, to data collection and analyses, to closing in on the defence, to results dissemination, and everything in between and beyond, the doctoral journey presents incalculable obstacles that can be, and have been, overcome by doctoral graduates—including the contributors in this inspirationally-sparked collective narrative.

Contributors are: Trudy Cardinal, Philip Wing Keung Chan, José da Costa, Alison Egan, Janet McConaghy, June McConaghy, Kelsey McEntyre, Sammy M. Mutisya, Christina A. Parker, Carla L. Peck, Colin G. Pennington, Kathleen Pithouse-Morgan, Edgar Schmidt, and Pearl Subban.
Artful Works and Dialogue about Art as Experience
Imagining Dewey features productive (re)interpretations of 21st century experience using the lens of John Dewey’s Art as Experience, through the doubled task of putting an array of international philosophers, educators, and artists-researchers in transactional dialogue and on equal footing in an academic text. This book is a pragmatic attempt to encourage application of aesthetic learning and living, ekphrasic interpretation, critical art and agonist pluralism.

There are two foci: (a) Deweyan philosophy and educational themes with (b) analysis and examples of how educators, artists, and researchers envision and enact artful meaning making. This structure meets the needs of university and high school audiences, who are accustomed to learning about challenging ideas through multimedia and aesthetic experience.

Contributors are: James M. Albrecht, Adam I. Attwood, John Baldacchino, Carolyn L. Berenato, M. Cristina Di Gregori, Holly Fairbank, Jim Garrison, Amanda Gulla, Bethany Henning, Jessica Heybach, David L. Hildebrand, Ellyn Lyle, Livio Mattarollo, Christy McConnell Moroye, María-Isabel Moreno-Montoro, María Martínez Morales, Stephen M. Noonan, Louise G. Phillips, Scott L. Pratt, Joaquin Roldan, Leopoldo Rueda, Tadd Ruetenik, Leísa Sasso, Bruce Uhrmacher, David Vessey, Ricardo Marín Viadel, Sean Wiebe, Li Xu and Martha Patricia Espíritu Zavalza.
The educational world is experiencing exciting yet tension-filled times. We all wish to strengthen and support creativity and creative teaching in schools. Yet recent debates about what “creativity” means, and how it should be implemented, raise the need for more specific approaches. Write a Science Opera (WASO) is one such approach. WASO is a transdisciplinary, inquiry-based approach to teaching at the intersection of art and science in schools. It is all about creative teaching and teaching for creativity.

Inquiry-Based Learning: A Guidebook to Writing a Science Opera provides teachers with the reasons for, and advantages of, introducing pupils of all ages to WASO. It provides step-by-step instructions for how to implement WASO in classrooms. WASO is challenging, but the rewards are powerful: In WASO, it is the pupils’ curiosity and creative imagination which develop their science and art curriculum.

Get ready for an exciting, creative journey …
Author: Ligia Pelosi
The Joy Principle is a fictionalised novel about teachers and teaching in the current climate of neoliberalism. It addresses the themes of teacher agency, within a context of critical and creative praxis. The story centres on Alex, a graduate teacher who decides to disrupt the mandated pedagogical practices of literacy education. As an agent of transformative change, Alex provides an examination of how children learn best and how teachers can re-author themselves in their work within the constraints of contemporary practice. The novel is accompanied by a commentary on arts-based, narrative fiction as research.