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The Aureola Doctorum and Intellectual Self-Consciousness at the University (Thirteenth-Sixteenth centuries)
Author:
Academic pride, the desire for fame and success, the importance of titles over the teaching practice, the gap between real capabilities and official recognition, the pomp of ceremonies and rituals, scholarly nepotism, and institutional privileges. These issues plagued medieval universities from their very beginnings and were discussed by theologians through the notion of “doctoral halo.” Over the centuries, this concept became a means to praise, criticize, and reflect on the professional category of theology students and teachers (and other culture-related agents as well), providing interesting insights into their intellectual self-awareness. Based on unedited texts and new interpretations, this book offers unique perspectives on the intellectual history of the medieval and pre-modern world.
The Aureola Doctorum and Intellectual Self-Consciousness at the University (Thirteenth-Sixteenth centuries)
Author:
Academic pride, the desire for fame and success, the importance of titles over the teaching practice, the gap between real capabilities and official recognition, the pomp of ceremonies and rituals, scholarly nepotism, and institutional privileges. These issues plagued medieval universities from their very beginnings and were discussed by theologians through the notion of “doctoral halo.” Over the centuries, this concept became a means to praise, criticize, and reflect on the professional category of theology students and teachers (and other culture-related agents as well), providing interesting insights into their intellectual self-awareness. Based on unedited texts and new interpretations, this book offers unique perspectives on the intellectual history of the medieval and pre-modern world.
Author:
What lies behind an island? Is an island just a piece of land surrounded by water? Or is it from a cultural, symbolic and even geographical perspective much more than that?
Considering the symbolic nature of islands as a longue durée and through the analysis of maps, texts and historical accounts, this book explores how the depiction of insularity encodes specific meanings and analytical levels which shed light on medieval and modern worldviews.
Considering the symbolic nature of islands as a longue durée and through the analysis of maps, texts and historical accounts, this book explores how the depiction of insularity encodes specific meanings and analytical levels which shed light on medieval and modern worldviews.
Author:
What lies behind an island? Is an island just a piece of land surrounded by water? Or is it from a cultural, symbolic and even geographical perspective much more than that?
Considering the symbolic nature of islands as a longue durée and through the analysis of maps, texts and historical accounts, this book explores how the depiction of insularity encodes specific meanings and analytical levels which shed light on medieval and modern worldviews.
Considering the symbolic nature of islands as a longue durée and through the analysis of maps, texts and historical accounts, this book explores how the depiction of insularity encodes specific meanings and analytical levels which shed light on medieval and modern worldviews.
The Memorial and Aesthetic Rediscovery of Constantine’s Beautiful City, from Late Antiquity to the Renaissance
Author:
This book studies the research perspective in which the literary inhabitants of Late Antique and medieval Constantinople remembered its past and conceptualised its existence as a Greek city that was the political capital of a Christian Roman state. Initial reactions to Constantine’s foundation noted its novel Christian orientation, but the memorial mode of writing about the city that developed from the sixth century recollected the traditional civic cultural heritage that Constantinople claimed both as the New Rome, and as the continuation of ancient Byzantion. This research culture increasingly became the preserve of the imperial bureaucracy, and focused on the city’s sculptured monuments as bearers of eschatological meaning. Yet from the tenth century, writers progressively preferred to define the wonder and spectacle of Constantinople in the aesthetic mode of urban praise inherited from late antiquity, developing the notion of the city as a cosmic theatre of excellence.
The Memorial and Aesthetic Rediscovery of Constantine’s Beautiful City, from Late Antiquity to the Renaissance
Author:
This book studies the research perspective in which the literary inhabitants of Late Antique and medieval Constantinople remembered its past and conceptualised its existence as a Greek city that was the political capital of a Christian Roman state. Initial reactions to Constantine’s foundation noted its novel Christian orientation, but the memorial mode of writing about the city that developed from the sixth century recollected the traditional civic cultural heritage that Constantinople claimed both as the New Rome, and as the continuation of ancient Byzantion. This research culture increasingly became the preserve of the imperial bureaucracy, and focused on the city’s sculptured monuments as bearers of eschatological meaning. Yet from the tenth century, writers progressively preferred to define the wonder and spectacle of Constantinople in the aesthetic mode of urban praise inherited from late antiquity, developing the notion of the city as a cosmic theatre of excellence.
English Translation with Introduction and Glossary
Author:
The thirteenth-century cookbook Fiḍālat al-khiwān fī ṭayyibāt al-ṭaʿām wa-l-alwān by the Andalusi scholar Ibn Razīn al-Tujībī showcases the sophisticated cuisine that developed in the Iberian Peninsula under Muslim rule through its 475 exquisite recipes. Now available for the first time in English, this edition contains al-Tujībī’s complete text, based on a newly discovered manuscript now available for the first time in any language. To introduce readers to the wonders of cooking and foodways in al-Andalus and the Maghreb, the translated text is supplemented with an extensive introduction and glossary, illustrated throughout with 218 color miniatures and artifacts, with 24 modernized recipes to give readers a taste of the cuisine. This is a key resource on medieval material culture and the Arab culinary heritage in Iberia, and a delight to all lovers of food and cookbooks.
English Translation with Introduction and Glossary
Author:
The thirteenth-century cookbook Fiḍālat al-khiwān fī ṭayyibāt al-ṭaʿām wa-l-alwān by the Andalusi scholar Ibn Razīn al-Tujībī showcases the sophisticated cuisine that developed in the Iberian Peninsula under Muslim rule through its 475 exquisite recipes. Now available for the first time in English, this edition contains al-Tujībī’s complete text, based on a newly discovered manuscript now available for the first time in any language. To introduce readers to the wonders of cooking and foodways in al-Andalus and the Maghreb, the translated text is supplemented with an extensive introduction and glossary, illustrated throughout with 218 color miniatures and artifacts, with 24 modernized recipes to give readers a taste of the cuisine. This is a key resource on medieval material culture and the Arab culinary heritage in Iberia, and a delight to all lovers of food and cookbooks.
Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. All chronicles raise such questions as by whom, for whom, or for what purpose they were written, how they reconstruct the past, or which literary influences are discernible in them. Their significance as sources for the study of history, literature, linguistics, and art is widely appreciated.
The series The Medieval Chronicle, published in cooperation with the Medieval Chronicle Society (medievalchronicle.org), provides a representative survey of on-going research in the field of chronicle studies, illustrated by examples from a wide variety of countries, periods, and cultural backgrounds.
The series The Medieval Chronicle, published in cooperation with the Medieval Chronicle Society (medievalchronicle.org), provides a representative survey of on-going research in the field of chronicle studies, illustrated by examples from a wide variety of countries, periods, and cultural backgrounds.
Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. All chronicles raise such questions as by whom, for whom, or for what purpose they were written, how they reconstruct the past, or which literary influences are discernible in them. Their significance as sources for the study of history, literature, linguistics, and art is widely appreciated.
The series The Medieval Chronicle, published in cooperation with the Medieval Chronicle Society (medievalchronicle.org), provides a representative survey of on-going research in the field of chronicle studies, illustrated by examples from a wide variety of countries, periods, and cultural backgrounds.
The series The Medieval Chronicle, published in cooperation with the Medieval Chronicle Society (medievalchronicle.org), provides a representative survey of on-going research in the field of chronicle studies, illustrated by examples from a wide variety of countries, periods, and cultural backgrounds.
Author:
Rafał Quirini-Popławski offers here the first panorama of the artistic phenomena of the Genoese outposts scattered around the Black Sea, an area whose cultural history is little known. The artistic creativity of the region emerges as extraordinarily rich and colorful, with a variety of heterogeneous, hybrid and intermingled characteristics.
The book questions the extent to which the descriptor "Genoese" can be applied to the settlements’ artistic production; Quirini-Popławski demonstrates that, despite entrenched views of these colonies as centres of Italian and Latin culture, it was in fact Greek and Armenian art that was of greater importance.
The book questions the extent to which the descriptor "Genoese" can be applied to the settlements’ artistic production; Quirini-Popławski demonstrates that, despite entrenched views of these colonies as centres of Italian and Latin culture, it was in fact Greek and Armenian art that was of greater importance.
Author:
Rafał Quirini-Popławski offers here the first panorama of the artistic phenomena of the Genoese outposts scattered around the Black Sea, an area whose cultural history is little known. The artistic creativity of the region emerges as extraordinarily rich and colorful, with a variety of heterogeneous, hybrid and intermingled characteristics.
The book questions the extent to which the descriptor "Genoese" can be applied to the settlements’ artistic production; Quirini-Popławski demonstrates that, despite entrenched views of these colonies as centres of Italian and Latin culture, it was in fact Greek and Armenian art that was of greater importance.
The book questions the extent to which the descriptor "Genoese" can be applied to the settlements’ artistic production; Quirini-Popławski demonstrates that, despite entrenched views of these colonies as centres of Italian and Latin culture, it was in fact Greek and Armenian art that was of greater importance.
Essays in Honour of Erik Kooper
The study of medieval chronicles is firmly established as a focus of research in the whole range of disciplines comprising Medieval Studies: literature, history, art history, linguistics, book history, digital humanities, and so forth. Each article in this volume dedicated to Erik Kooper presents a case study, balancing the particulars of the chosen materials with more generalized conclusions about their significance. The resulting collection is an anthology of different approaches in Medieval Chronicle Studies, presenting a rich overview of the geographical, linguistic, chronological and methodological diversity of chronicle research as it has developed in no small part thanks to Erik’s rallying.
Contributors are Marie Bláhová, Cristian Bratu, Beth Bryan, Godfried Croenen, Peter Damian-Grint, Kelly DeVries, Isabel Barros Dias, Graeme Dunphy, Márta Font, Chris Given-Wilson, Ryszard Grzesik, Isabelle Guyot-Bachy, Letty Ten Harkel, Michael Hicks, David Hook, Sjoerd Levelt, Julia Marvin, Charles Melville, Firuza Abdullaeva, Martine Meuwese, Sarah Peverley, Jaclyn Rajsic, Lisa Ruch, Françoise Le Saux, Carol Sweetenham, Grischa Vercamer, Alison Williams Lewin, and Jürgen Wolf.
Contributors are Marie Bláhová, Cristian Bratu, Beth Bryan, Godfried Croenen, Peter Damian-Grint, Kelly DeVries, Isabel Barros Dias, Graeme Dunphy, Márta Font, Chris Given-Wilson, Ryszard Grzesik, Isabelle Guyot-Bachy, Letty Ten Harkel, Michael Hicks, David Hook, Sjoerd Levelt, Julia Marvin, Charles Melville, Firuza Abdullaeva, Martine Meuwese, Sarah Peverley, Jaclyn Rajsic, Lisa Ruch, Françoise Le Saux, Carol Sweetenham, Grischa Vercamer, Alison Williams Lewin, and Jürgen Wolf.
Essays in Honour of Erik Kooper
The study of medieval chronicles is firmly established as a focus of research in the whole range of disciplines comprising Medieval Studies: literature, history, art history, linguistics, book history, digital humanities, and so forth. Each article in this volume dedicated to Erik Kooper presents a case study, balancing the particulars of the chosen materials with more generalized conclusions about their significance. The resulting collection is an anthology of different approaches in Medieval Chronicle Studies, presenting a rich overview of the geographical, linguistic, chronological and methodological diversity of chronicle research as it has developed in no small part thanks to Erik’s rallying.
Contributors are Marie Bláhová, Cristian Bratu, Beth Bryan, Godfried Croenen, Peter Damian-Grint, Kelly DeVries, Isabel Barros Dias, Graeme Dunphy, Márta Font, Chris Given-Wilson, Ryszard Grzesik, Isabelle Guyot-Bachy, Letty Ten Harkel, Michael Hicks, David Hook, Sjoerd Levelt, Julia Marvin, Charles Melville, Firuza Abdullaeva, Martine Meuwese, Sarah Peverley, Jaclyn Rajsic, Lisa Ruch, Françoise Le Saux, Carol Sweetenham, Grischa Vercamer, Alison Williams Lewin, and Jürgen Wolf.
Contributors are Marie Bláhová, Cristian Bratu, Beth Bryan, Godfried Croenen, Peter Damian-Grint, Kelly DeVries, Isabel Barros Dias, Graeme Dunphy, Márta Font, Chris Given-Wilson, Ryszard Grzesik, Isabelle Guyot-Bachy, Letty Ten Harkel, Michael Hicks, David Hook, Sjoerd Levelt, Julia Marvin, Charles Melville, Firuza Abdullaeva, Martine Meuwese, Sarah Peverley, Jaclyn Rajsic, Lisa Ruch, Françoise Le Saux, Carol Sweetenham, Grischa Vercamer, Alison Williams Lewin, and Jürgen Wolf.
Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. Their significance as sources for the study of medieval history and culture is today widely recognised by historians, by students of literature and linguistics, and by art historians.
All chronicles raise such questions as by whom, for whom, or for what purpose they were written, how they reconstruct the past, or what kind of literary influences are discernible in them. With illuminated chronicles, the relation between text and image leads to a wholly different set of questions.
The series The Medieval Chronicle, published in cooperation with the Medieval Chronicle Society (medievalchronicle.org), provides a representative survey of on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods, and cultural backgrounds.
All chronicles raise such questions as by whom, for whom, or for what purpose they were written, how they reconstruct the past, or what kind of literary influences are discernible in them. With illuminated chronicles, the relation between text and image leads to a wholly different set of questions.
The series The Medieval Chronicle, published in cooperation with the Medieval Chronicle Society (medievalchronicle.org), provides a representative survey of on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods, and cultural backgrounds.
Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. Their significance as sources for the study of medieval history and culture is today widely recognised by historians, by students of literature and linguistics, and by art historians.
All chronicles raise such questions as by whom, for whom, or for what purpose they were written, how they reconstruct the past, or what kind of literary influences are discernible in them. With illuminated chronicles, the relation between text and image leads to a wholly different set of questions.
The series The Medieval Chronicle, published in cooperation with the Medieval Chronicle Society (medievalchronicle.org), provides a representative survey of on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods, and cultural backgrounds.
All chronicles raise such questions as by whom, for whom, or for what purpose they were written, how they reconstruct the past, or what kind of literary influences are discernible in them. With illuminated chronicles, the relation between text and image leads to a wholly different set of questions.
The series The Medieval Chronicle, published in cooperation with the Medieval Chronicle Society (medievalchronicle.org), provides a representative survey of on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods, and cultural backgrounds.