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Founded in 1972, this series welcomes publications that further develop the field of German-language literature(s) and cultural studies from 1700 onwards. This includes themed-anthologies and monographs offering state-of-the-art research, as well as critical editions, primary sources or collections.
Our mission remains to publish high quality research including new discussions of established authors, research on heretofore neglected masterpieces, as well as the consideration of German literary studies as a discipline both within and beyond the academy. Consequently, the series offers a venue for a variety of genres rediscovered in literature and cultural studies, including the study of the essay, literary biographies and periodicals. We also welcome studies in which German literature is treated in connection with other disciplines such as media studies, the fine arts, as well as the natural sciences.
All submissions are subject to a double blind peer review process prior to publication.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
Our mission remains to publish high quality research including new discussions of established authors, research on heretofore neglected masterpieces, as well as the consideration of German literary studies as a discipline both within and beyond the academy. Consequently, the series offers a venue for a variety of genres rediscovered in literature and cultural studies, including the study of the essay, literary biographies and periodicals. We also welcome studies in which German literature is treated in connection with other disciplines such as media studies, the fine arts, as well as the natural sciences.
All submissions are subject to a double blind peer review process prior to publication.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
Studies in German Literature and Cultural Studies
Founded in 1972, this series welcomes publications that further develop the field of German-language literature(s) and cultural studies from 1700 onwards. This includes themed-anthologies and monographs offering state-of-the-art research, as well as critical editions, primary sources or collections.
Our mission remains to publish high quality research including new discussions of established authors, research on heretofore neglected masterpieces, as well as the consideration of German literary studies as a discipline both within and beyond the academy. Consequently, the series offers a venue for a variety of genres rediscovered in literature and cultural studies, including the study of the essay, literary biographies and periodicals. We also welcome studies in which German literature is treated in connection with other disciplines such as media studies, the fine arts, as well as the natural sciences.
All submissions are subject to a double blind peer review process prior to publication.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
Our mission remains to publish high quality research including new discussions of established authors, research on heretofore neglected masterpieces, as well as the consideration of German literary studies as a discipline both within and beyond the academy. Consequently, the series offers a venue for a variety of genres rediscovered in literature and cultural studies, including the study of the essay, literary biographies and periodicals. We also welcome studies in which German literature is treated in connection with other disciplines such as media studies, the fine arts, as well as the natural sciences.
All submissions are subject to a double blind peer review process prior to publication.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
Approaches to Translation Studies is an international series promoting the scholarly study of translation. The notion of plural ‘approaches’ to translation and its study calls up images of scholarly explorers following untrodden paths to translation, or more cautiously (re)tracing the familiar routes. Either way, it indicates a refusal to be tied to dogma or prejudice, a curiosity about possible new vistas, and an awareness that the observer’s view depends on where s/he comes from. But a recognition of the plurality of possible approaches does not necessarily mean passive acquiescence to relativism and scepticism. The idea of ‘approaching’ translation also implies a sense of purpose and direction.
In the context of today’s globalised and pluralised world, this metaphorically suggested perspective is perhaps more relevant than ever before. The series therefore remains fully committed to it, while trying to respond to the rapid changes of our digital age. Ready to travel between genres, media and technologies, willing to span centuries and continents, and always keeping an open mind about the various oppositions that have too often needlessly divided researchers (e.g. high culture versus popular culture, linguistics versus literary studies versus cultural studies, translation ‘proper’ versus ‘adaptation’), the series Approaches to Translation Studies will continue to accommodate all translation-oriented books that match high-quality scholarship with an equal concern for reader-friendly communication.
Approaches to Translation Studies is open to a wide range of scholarly publications in the field of Translation Studies (monographs, collective volumes…). Dissertations are welcome but will obviously need to be thoroughly adapted to their new function and readership. Conference proceedings and collections of articles will only be considered if they show strong thematic unity and tight editorial control. For practical reasons, the series intends to continue its tradition of publishing English-language research. While students, teachers and scholars in the various schools and branches of Translation Studies make up its primary readership, the series also aims to promote a dialogue with readers and authors from various neighbouring disciplines.
Approaches to Translation Studies was launched in 1970 by James S Holmes (1924-1986), who was also one of the ‘founding fathers’ of Translation Studies as an academic discipline. At later stages the series’ editorship passed into the hands of Raymond van den Broeck, Kitty M. van Leuven-Zwart and Ton Naaijkens. Being the very first international series specifically catering for the needs of the fledgling discipline in the 1970s, Approaches to Translation Studies has played a significant historical role in providing it with a much needed platform as well as giving it greater visibility in the academic marketplace.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
Volumes 2, 4, and 5 were published by Van Gorcum (Assen, The Netherlands), but orders should be directed to Brill | Rodopi.
The series published an average of two volumes per year over the last 5 years.
In the context of today’s globalised and pluralised world, this metaphorically suggested perspective is perhaps more relevant than ever before. The series therefore remains fully committed to it, while trying to respond to the rapid changes of our digital age. Ready to travel between genres, media and technologies, willing to span centuries and continents, and always keeping an open mind about the various oppositions that have too often needlessly divided researchers (e.g. high culture versus popular culture, linguistics versus literary studies versus cultural studies, translation ‘proper’ versus ‘adaptation’), the series Approaches to Translation Studies will continue to accommodate all translation-oriented books that match high-quality scholarship with an equal concern for reader-friendly communication.
Approaches to Translation Studies is open to a wide range of scholarly publications in the field of Translation Studies (monographs, collective volumes…). Dissertations are welcome but will obviously need to be thoroughly adapted to their new function and readership. Conference proceedings and collections of articles will only be considered if they show strong thematic unity and tight editorial control. For practical reasons, the series intends to continue its tradition of publishing English-language research. While students, teachers and scholars in the various schools and branches of Translation Studies make up its primary readership, the series also aims to promote a dialogue with readers and authors from various neighbouring disciplines.
Approaches to Translation Studies was launched in 1970 by James S Holmes (1924-1986), who was also one of the ‘founding fathers’ of Translation Studies as an academic discipline. At later stages the series’ editorship passed into the hands of Raymond van den Broeck, Kitty M. van Leuven-Zwart and Ton Naaijkens. Being the very first international series specifically catering for the needs of the fledgling discipline in the 1970s, Approaches to Translation Studies has played a significant historical role in providing it with a much needed platform as well as giving it greater visibility in the academic marketplace.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
Volumes 2, 4, and 5 were published by Van Gorcum (Assen, The Netherlands), but orders should be directed to Brill | Rodopi.
The series published an average of two volumes per year over the last 5 years.
Avant-Garde Critical Studies (founded in 1987) is a series for themed-anthologies and monographs on all aspects of avant-garde and avant-gardism in modern literature, theatre, music, visual and applied arts, architecture and design from the late nineteenth century to the present.
We publish high quality research on specific trends in single arts, countries and regions, as well as comparative and interdisciplinary studies in the interrelation between the different arts as well as between the arts, social and political contexts and cultural life in the broadest sense and all its diversity.
All manuscripts will be subjected to a double peer review which is part of the acceptation process.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
The series also contains as a subseries the reference work A Cultural History of the Avant-Garde in the Nordic Countries, which provides a comprehensive overview and in-depth analysis of the cultural manifestations of the avant-garde in the Nordic countries from 1900-2010s.
Due to its success and the continued need to decenter the avant-garde we are continuing this format in a Companion Series, poignantly called: A Cultural History of the Avant-Garde: A Companion Series. Here you can soon explore more regions covered.
We publish high quality research on specific trends in single arts, countries and regions, as well as comparative and interdisciplinary studies in the interrelation between the different arts as well as between the arts, social and political contexts and cultural life in the broadest sense and all its diversity.
All manuscripts will be subjected to a double peer review which is part of the acceptation process.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
The series also contains as a subseries the reference work A Cultural History of the Avant-Garde in the Nordic Countries, which provides a comprehensive overview and in-depth analysis of the cultural manifestations of the avant-garde in the Nordic countries from 1900-2010s.
Due to its success and the continued need to decenter the avant-garde we are continuing this format in a Companion Series, poignantly called: A Cultural History of the Avant-Garde: A Companion Series. Here you can soon explore more regions covered.
Avant-Garde Critical Studies (founded in 1987) is a series for themed-anthologies and monographs on all aspects of avant-garde and avant-gardism in modern literature, theatre, music, visual and applied arts, architecture and design from the late nineteenth century to the present.
We publish high quality research on specific trends in single arts, countries and regions, as well as comparative and interdisciplinary studies in the interrelation between the different arts as well as between the arts, social and political contexts and cultural life in the broadest sense and all its diversity.
All manuscripts will be subjected to a double peer review which is part of the acceptation process.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
The series also contains as a subseries the reference work A Cultural History of the Avant-Garde in the Nordic Countries, which provides a comprehensive overview and in-depth analysis of the cultural manifestations of the avant-garde in the Nordic countries from 1900-2010s.
Due to its success and the continued need to decenter the avant-garde we are continuing this format in a Companion Series, poignantly called: A Cultural History of the Avant-Garde: A Companion Series. Here you can soon explore more regions covered.
We publish high quality research on specific trends in single arts, countries and regions, as well as comparative and interdisciplinary studies in the interrelation between the different arts as well as between the arts, social and political contexts and cultural life in the broadest sense and all its diversity.
All manuscripts will be subjected to a double peer review which is part of the acceptation process.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
The series also contains as a subseries the reference work A Cultural History of the Avant-Garde in the Nordic Countries, which provides a comprehensive overview and in-depth analysis of the cultural manifestations of the avant-garde in the Nordic countries from 1900-2010s.
Due to its success and the continued need to decenter the avant-garde we are continuing this format in a Companion Series, poignantly called: A Cultural History of the Avant-Garde: A Companion Series. Here you can soon explore more regions covered.
Les C.R.I.N. (
Cahiers de recherche des instituts néerlandais de langue et de littérature française) réunissent, sans périodicité fixe, des travaux d’analyse littéraire.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Christa Stevens.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Christa Stevens.
Editor:
Vasil Gluchman
Central European Value Studies is a pluralistic project that makes available to the English-speaking world books in all areas of value inquiry that originate in Central Europe or that deal with its major philosophical traditions.
Central European Value Studies is co-sponsored by:
• the Philosophy Seminar of the University of Mainz;
• the Centre for Cultural Research, Aarhus University; and
• the International Academy of Philosophy of the Principality of Liechtenstein
Central European Value Studies is co-sponsored by:
• the Philosophy Seminar of the University of Mainz;
• the Centre for Cultural Research, Aarhus University; and
• the International Academy of Philosophy of the Principality of Liechtenstein
Editor:
Francesc Forn i Argimon
Cognitive Science provides an original corpus of scholarly work that makes explicit the import of cognitive-science research for philosophical analysis. Topics include the nature, structure, and justification of knowledge, cognitive architectures and development, brain-mind theories, and consciousness.
Cognitive Science is a special series in the Value Inquiry Book Series.
Cognitive Science is a special series in the Value Inquiry Book Series.
Editor:
Alyssa DeBlasio
Contemporary Russian Philosophy explores a variety of perspectives in and on philosophy as it is currently being practiced in Russia. Co-sponsored by the Center for Professional and Applied Ethics at the University of North Carolina, Charlotte, and by the Russian Philosophical Society, this special series features collaborative works between Russian and Western scholars on topics of philosophical importance. The series also publishes monographs and collections of essays by Russian philosophers, as well as studies by all scholars on topics related to contemporary Russian philosophy. All volumes are published in English.
Costerus is a longstanding book series for state-of-the-art research in the field of English-language literature(s). Besides the more classical research in English, American and Irish literature, do we offer a platform for new directions in literary studies in relation to translation studies, minority literatures, ecology, medical humanities, hemispheric studies, transatlantic studies, network studies and social sciences, as well as reflections on studies in English literature as a discipline.
All submissions are subject to a double blind peer review process prior to publication.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
The series published an average of five volumes per year over the last 5 years. See Less
All submissions are subject to a double blind peer review process prior to publication.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
The series published an average of five volumes per year over the last 5 years. See Less