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The proposed book series will publish cutting-edge research on the Anthropocene with a dual focus on both Africa and Asia, as well as the complex relations connecting these two continents, and the oceans between them. It will showcase fresh and original studies of the Anthropocene – theories, methods and practices – across the environmental humanities and social sciences. This will include anthropology, art, cinema and theater, comparative literature, cultural studies, ecology, geology, history, law, linguistics, media studies, political science, religion and sociology under the broad heading of ‘environmental humanities’. Possible topics include, but are not limited to, the Chinese Belt and Road initiative, bio-politics, climate change, the COVID-19 pandemic, ecofeminism, eco-criticism, ecological problems and policies, energy issues, environmental transformation, oceanic and maritime studies, anthro-zoology and multi-species entanglements, neo-colonialism and post-coloniality, development issues and ‘wicked problems’ in and from the Global South. This English-language book series is directed at scholars, graduate and undergraduate students of Anthropocene studies related to Africa and Asia.
Authors are cordially invited to submit proposals to the publisher at BRILL, Stephanie Carta and Masja Horn.
Please see our Guidelines for a Book Proposal. All submissions are subject to a double-anonymous peer review process prior to publication.
Authors are cordially invited to submit proposals to the publisher at BRILL, Stephanie Carta and Masja Horn.
Please see our Guidelines for a Book Proposal. All submissions are subject to a double-anonymous peer review process prior to publication.
مصادر إسلامية
Islamic Sources/Maṣādir Islāmiyya (ISMI) is a double-blind peer-reviewed book series publishing text editions of primary sources of the Arab-Islamic heritage, covering all periods and regions of the Islamic world. The series is open to works on theology, philosophy, law, history, religious sciences, natural sciences, and literature, reflecting the broad contributions of Islamic civilization to various fields of knowledge. Authors are encouraged to submit editions of previously unpublished manuscripts, or new critical editions, annotations, and commentaries that provide significant new scholarly insights. All works will be preceded by a solid scholarly introduction in Arabic, English, French, German or Spanish.
مصادر إسلامية سلسلة كتب تخضع لمراجعة مزدوجة تعنى بنشر تحقيقات نصوص التراث العربي والإسلامي مع تغطية واسعة تشمل جميع العصور وجهات العالم الإسلامي. تنفتح السلسلة على الأعمال في شتى المجالات من عقيدة وفلسفة وفقه وتاريخ وعلوم طبيعية أو دينية ودراسات أدبية وغيرها مما يعكس إسهام الحضارة الإسلامية الواسع في شتى حقول المعرفة. يشجع المؤلفون على اقتراح تحقيق نصوص لم يسبق تحقيقها أو تحقيق فريد أو تعليق أو شرح أو غير ذلك مما يوفر رؤى جديدة. على أن تقدم كل الكتب بمقدمة تفصيلية بالعربية أو الإنجليزية أو الفرنسية أو الألمانيا أو الإسبانية.
ومن خلال تقديم مصادر غير معروفة أو كانت تُعبر مفقودة لمدة طويلة سيتم تعزيز فهم أفضل للمجال. وهذا سيُظهر للباحثين جملة من تداخلات جديدة، ليس من حيث التناص والترابط بين المؤلفين فحسب بل أيضًا بين المجالات المختلفة التي يمكن أن نصنفها كتخصصات منفصلة من منظور معاصر.
ومن خلال تقديم مصادر غير معروفة أو كانت تُعبر مفقودة لمدة طويلة سيتم تعزيز فهم أفضل للمجال. وهذا سيُظهر للباحثين جملة من تداخلات جديدة، ليس من حيث التناص والترابط بين المؤلفين فحسب بل أيضًا بين المجالات المختلفة التي يمكن أن نصنفها كتخصصات منفصلة من منظور معاصر.
Narratives and Mental Health offers a forum for dialogue between the arts, humanities and other disciplines interested in mental health and well-being.
Narrative is a central tool for meaning-making. Yet, its relevance has long been sidelined in the mental health sector including psychiatry, clinical psychology, medicine and social work.
To explore the intersection of narratives and mental health, the peer-reviewed book series takes an interdisciplinary approach and accommodates studies which investigate, for one, the uses and usefulness, but also the possible limitations of narrative in mental health care settings. The series is also very interested in studies that examine mental health issues in the representation, conceptualization, medialization and dissemination of mental health-narratives in areas as varied as literature and life-writing, the arts and film, journalism and (oral) history, digital and graphic storytelling, and many more.
Monographs and themed volumes are invited that include perspectives from comparative literary studies, history, narratology, psychology and philosophy, amongst others.
Authors are cordially invited to submit proposals for manuscripts to the publisher at BRILL, Masja Horn.
Please advise our Guidelines for a Book Proposal.
Narrative is a central tool for meaning-making. Yet, its relevance has long been sidelined in the mental health sector including psychiatry, clinical psychology, medicine and social work.
To explore the intersection of narratives and mental health, the peer-reviewed book series takes an interdisciplinary approach and accommodates studies which investigate, for one, the uses and usefulness, but also the possible limitations of narrative in mental health care settings. The series is also very interested in studies that examine mental health issues in the representation, conceptualization, medialization and dissemination of mental health-narratives in areas as varied as literature and life-writing, the arts and film, journalism and (oral) history, digital and graphic storytelling, and many more.
Monographs and themed volumes are invited that include perspectives from comparative literary studies, history, narratology, psychology and philosophy, amongst others.
Authors are cordially invited to submit proposals for manuscripts to the publisher at BRILL, Masja Horn.
Please advise our Guidelines for a Book Proposal.
The electronic version of the European Joyce Studies series.
No other modernist writer in English has attracted more or broader international attention than James Joyce. Translations, adaptations, and imitations as well as works of criticism are being published in increasing numbers and frequency, and show a proliferating diversity of approaches and perspectives on the work, life, and influence of Joyce.
In view of the internationalism of Joyce studies, and the current dissemination of literary-critical pluralism, this peer-reviewed series hopes to offer a platform for specifically "European" perspectives on Joyce's works, their adaptations, annotation, and translation, studies in biography, the history of and current debates in Joyce criticism, Joyce's place in literary history, matters of influence and the transmission of ideas etc.
In calling this series "European" in the broadest sense, we aim at soliciting not only the submission of articles by European contributors, but more generally all essays and research focusing on issues of European concern such as language, nationality and culture, literary-historical movements, ideology, politics, and distribution, as well as literary-critical perspectives with European roots.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
The series published an average of one volume per year over the last 5 years.
No other modernist writer in English has attracted more or broader international attention than James Joyce. Translations, adaptations, and imitations as well as works of criticism are being published in increasing numbers and frequency, and show a proliferating diversity of approaches and perspectives on the work, life, and influence of Joyce.
In view of the internationalism of Joyce studies, and the current dissemination of literary-critical pluralism, this peer-reviewed series hopes to offer a platform for specifically "European" perspectives on Joyce's works, their adaptations, annotation, and translation, studies in biography, the history of and current debates in Joyce criticism, Joyce's place in literary history, matters of influence and the transmission of ideas etc.
In calling this series "European" in the broadest sense, we aim at soliciting not only the submission of articles by European contributors, but more generally all essays and research focusing on issues of European concern such as language, nationality and culture, literary-historical movements, ideology, politics, and distribution, as well as literary-critical perspectives with European roots.
Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Masja Horn.
The series published an average of one volume per year over the last 5 years.
Editor:
Since 1974, the French Literature Series publishes essays in conjunction with the theme of the bi-annual French Literature Conference, sponsored by the Department of Languages, Literatures, and Cultures of the University of South Carolina, Columbia, South Carolina, USA. In addition to the scholarly papers selected for publication by the Editorial Board, it also accepts notes on the conference topic. Contributors should note that FLS does not publish conference proceedings. Rather, submissions must be revised for publication and undergo blind peer review.
All communications concerning the French Literature Series should be addressed to the Editor, Jeanne Garane, garanej@mailbox.sc.edu
The French Literature Series is published by BRILL | Rodopi. For communications concerning standing orders or back volumes, please check the series’ website at www.brill.com/fls
All communications concerning the French Literature Series should be addressed to the Editor, Jeanne Garane, garanej@mailbox.sc.edu
The French Literature Series is published by BRILL | Rodopi. For communications concerning standing orders or back volumes, please check the series’ website at www.brill.com/fls
Editor:
Semiotics: Signs of the Times is Brill’s new series devoted to the study of semiotics across disciplines. This book series starts from the general idea of semiotic signs, divided into icons, indexes, and symbols. Semiotics gives meaning to signs, sign functions, and sign processes. It is also concerned with sign-users (senders and receivers) and how signs are transmitted from one organism to another. To give meaning happens in everyday experience as well as experimentation. Semiotics seeks to discover how the signs of language, gestures, visual images, music, dance, theater, as well as medical and psychological symptoms, architecture, and political theory embark with a theory of signs to give belief, values, and techniques which serve for theoretical foundations and interdisciplinary method in sciences and humanities.
Semiotics: Signs of the Times invites contributions on the newest trend of cultural research in linguistics, literature, fine arts, philosophy, biology, anthropology, folklore, technology, and other fields. The series is open to new synthesis of techniques of research, experiences, memories, and myth with new meanings.
Proposals for single-authored monographs and edited volumes are equally welcome.
All submissions are subject to a double anonymous peer-review process prior to publication.
Authors are equally invited to submit proposals and/or full manuscripts to the publisher at BRILL, Christa Stevens.
Please advise our Guidelines for a Book Proposal.
BRILL strongly recommends the use of the MLA Handbook of Style or the Chicago Manual of Style for this series.
Semiotics: Signs of the Times invites contributions on the newest trend of cultural research in linguistics, literature, fine arts, philosophy, biology, anthropology, folklore, technology, and other fields. The series is open to new synthesis of techniques of research, experiences, memories, and myth with new meanings.
Proposals for single-authored monographs and edited volumes are equally welcome.
All submissions are subject to a double anonymous peer-review process prior to publication.
Authors are equally invited to submit proposals and/or full manuscripts to the publisher at BRILL, Christa Stevens.
Please advise our Guidelines for a Book Proposal.
BRILL strongly recommends the use of the MLA Handbook of Style or the Chicago Manual of Style for this series.
We publish high quality research on specific trends in single arts, countries and regions, as well as comparative and interdisciplinary studies in the interrelation between the different arts as well as between the arts, social and political contexts and cultural life in the broadest sense and all its diversity.
The electronic version of the Critical Studies series.
Critical Studies seeks to foster cross-disciplinarity and thus to participate in the ongoing reconfiguration of the Humanities and Social Sciences, while challenging received conceptual frames and perspectives, be they entrenched or 'current'.
To this aim, it publishes guest-edited, multi-authored collections of essays by scholars and intellectuals coming from various disciplinary and cultural backgrounds.
The series welcomes volumes dealing with a vast range of topics, from the most enduring to the most contemporary, such as future and emerging technologies.
Whether topics initially pertain to the fields of gender studies, media studies, postcolonial studies or studies in post-humanism, to name just a few, special consideration is given to collections that:
1. seriously attempt to produce innovative cross-disciplinary analyses by involving multiple theoretical languages and/or cultural areas;
2. do not content themselves with applying methodologies or theories but submit their own gestures and presuppositions to critical scrutiny;
3. endeavor to open new questions and to posit new objects for investigation on the basis of their methodological and theoretical innovation.
The series published two volumes over the last 5 years.
Critical Studies seeks to foster cross-disciplinarity and thus to participate in the ongoing reconfiguration of the Humanities and Social Sciences, while challenging received conceptual frames and perspectives, be they entrenched or 'current'.
To this aim, it publishes guest-edited, multi-authored collections of essays by scholars and intellectuals coming from various disciplinary and cultural backgrounds.
The series welcomes volumes dealing with a vast range of topics, from the most enduring to the most contemporary, such as future and emerging technologies.
Whether topics initially pertain to the fields of gender studies, media studies, postcolonial studies or studies in post-humanism, to name just a few, special consideration is given to collections that:
1. seriously attempt to produce innovative cross-disciplinary analyses by involving multiple theoretical languages and/or cultural areas;
2. do not content themselves with applying methodologies or theories but submit their own gestures and presuppositions to critical scrutiny;
3. endeavor to open new questions and to posit new objects for investigation on the basis of their methodological and theoretical innovation.
The series published two volumes over the last 5 years.
A Cultural History of the Avant-Garde in the Nordic Countries is a subseries of Avant-Garde Critical Studies providing a comprehensive overview and in-depth analysis of the cultural manifestations of the avant-garde in the Nordic countries from 1900-2010s.
Due to its success and the continued need to decenter the avant-garde we are continuing the format of the Cultural History of the Avant-Garde in a Companion Series, poignantly called: A Cultural History of the Avant-Garde: A Companion Series. Here you can explore more regions covered.
Due to its success and the continued need to decenter the avant-garde we are continuing the format of the Cultural History of the Avant-Garde in a Companion Series, poignantly called: A Cultural History of the Avant-Garde: A Companion Series. Here you can explore more regions covered.
Editor:
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature.
He is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’; and Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’.
The book series, International Ford Madox Ford Studies, has been founded to reflect the recent resurgence of interest in Ford’s life and work. Each volume will normally be based upon a particular theme or issue. Each will relate aspects of Ford’s work, life, and contacts, to broader concerns of his time.
The series is published in association with the Ford Madox Ford Society.
For information about the Ford Madox Ford Society, please see the website at: www.open.ac.uk/Arts/fordmadoxford-society
or contact: max.saunders@kcl.ac.uk or Dr Sara Haslam, Department of Literature, Open University, Walton Hall, Milton Keynes, MK7 6AA, UK
Guidelines for contributors to IFMFS, including a full list of abbreviations of Ford's titles and related works, can be found on the website.
He is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’; and Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’.
The book series, International Ford Madox Ford Studies, has been founded to reflect the recent resurgence of interest in Ford’s life and work. Each volume will normally be based upon a particular theme or issue. Each will relate aspects of Ford’s work, life, and contacts, to broader concerns of his time.
The series is published in association with the Ford Madox Ford Society.
For information about the Ford Madox Ford Society, please see the website at: www.open.ac.uk/Arts/fordmadoxford-society
or contact: max.saunders@kcl.ac.uk or Dr Sara Haslam, Department of Literature, Open University, Walton Hall, Milton Keynes, MK7 6AA, UK
Guidelines for contributors to IFMFS, including a full list of abbreviations of Ford's titles and related works, can be found on the website.