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Die von Federico Celestini, Simon Obert, Matteo Nanni und Nikolaus Urbanek herausgegebene Reihe erörtert grundlegende Dimensionen musikalischer Notationen und stellt hierbei die Aspekte der Ikonizität, Materialität, Performativität und Operativität in das Zentrum. Die Überlegungen kreisen um die Formulierung einer Theorie der musikalischen Schrift.
Brill’s Studies in Art & Materiality is a peer-reviewed book series dedicated to innovative scholarship about the relation between art, materials, and making.

Artists possess knowledge about materials, their affordances and interactions, and skillfully transform materials into art objects. The resulting specific materiality of a work of art is not only an index of its making, but is also fundamentally connected to meaning, aesthetic perception, mimetic potential, economic value, cultural and social impact, as well as its endurance and preservation. Understanding these connections enhances the field of art history and opens new avenues of investigation, ranging from the focused situated study of individual materials and art objects to comparative inquiries that cross traditional boundaries between genre, time, and space. The development of salient theoretical and methodological frameworks to study the materiality of art connects art history and its sub-disciplines (technical art history, museum studies) to anthropology, history of science, archaeology, material culture studies, as well as the cognitive sciences.

The series accommodates scholarly monographs, collections of essays, conference proceedings, and reference works that engage with the rich meanings of art works’ materiality.

The series is not restricted to a particular chronological period or geographical region, thereby allowing for a broad range of topics. In addition, the series has an interdisciplinary component, while keeping a distinct profile. As such, the series promises rich, innovative content for a wide academic readership.

The EAAA Monograph Series, entitled European Studies in Asian Art and Archaeology aims to publish in-depth, peer-reviewed scholarly contributions on topics relevant to Asian Art and Archaeology that treat these in a wider Asian context. The series endeavors to analyze and interpret the artistic and cultural heritage of ancient, modern and contemporary social realities in Asian societies, and to contribute in this way to a deeper understanding of the cultural, philosophical, political, sociological, religious and ideological values of Asia as a whole. The EAAA Series' goal is to publish innovative research that will have a lasting impact by opening new research questions, which will help trace new theoretical and methodological pathways in the field of art history.
The series Documenta Coranica is dedicated to the study of history of the Qurʾānic text as manifested in manuscripts and other sources. Documenta Coranica publishes witnesses of the Qurʾān from the early period in the shape of facsimile, accompanied by transcription and a commentary. The series makes codices on parchment, papyri, inscriptions, variant readings and other relevant sources for the history of the Qurʾān, accessible to the academic public. The first volumes contain manuscript fragments from Sanaa (DAM 01-25.1, DAM 01-27.1, DAM 01-29.1), the manuscript Ma VI 165 (Tübingen), and the codex Or. 2165 of the British Library.


The series comprises two sections: Manuscripta contains facsimile editions of Qurʾānic manuscripts with a line-by-line transcript in Modern Arabic script on the opposite page and a commentary about codicology, paleography, variant readings and verse numbering explaining content and characteristics of each manuscript. Testimonia et Studia contains studies about material evidence for the history of the Qurʾān, as manifested on papyrus, stone and rock inscriptions etc., as well in exegetical, narrative and philological sources.


Documenta Coranica inscribes itself into a German-French cooperation: in the framework of the research project Coranica, 2011-2014, and Paleocoran 2015-2018, both funded by the Deutsche Forschungsgemeinschaft and the Agence Nationale de la Recherche.

Editor: Thomas Mical
This new book series investigates innovative ways to think about and design our built environment. The premise of Architectural Intelligences is that theories of design can generate innovative design methods and novel design projects. Architectural Intelligences seeks synthesis, hybridity, or tensions between architectural theory with other knowledge disciplines, to produce new insights, new speculations, and new design protocols. Architectural thought and production becomes thereby active and uniquely transformative. Books in this series will unfold new forms of order, organization, innovation, and experimentation that can shape and redirect current architectural thought, in dialogue with other disciplines, as game-changers.

Prospective authors in the disciplines of architecture, interiors, and urban spaces are encouraged to submit truly trans-disciplinary proposals (for single authored, co-authored, or edited volumes). Brill welcomes scholarly works that examine the area of applied architectural theory, drawing expertise in another knowledge discipline, such as:
• Architecture + Game Theory
• Architecture + Hypermodernity
• Architecture + New Ecologies
• Architecture + New Materiality
• Architecture + New Forms of Pleasure
• Architecture + Media-Philosophy
• Architecture + New Subjectivities
• Architecture + New Networks
• Architecture + Posthumanism

Authors are cordially invited to submit proposals and/or full manuscripts to the publisher at BRILL, Christa Stevens.

The Journal of African Archaeology Monograph Series is a supplement to the Journal of African Archaeology. It offers a platform for more extensive contributions such as research monographs, refereed conference proceedings and other collections that do not fit the Journal’s scope.

Previous volumes (1-11) in the series can be ordered through:
Africa Magna Verlag
Altkönigblick 83
60437 Frankfurt/M
Germany
Tel.: +49 6101 9958120
Email info@africamagna.de
Over the last several decades an increasing number of people have studied film with a general interest in philosophy. Philos-sophia, the love of wisdom, is an attempt at interpreting or questioning human existence and the world in its entirety. Naturally film can be one of its subjects. In this series, philosophical writers account for their experience of specific films, directors, certain themes, or the phenomenon of film in general. Philosophy of film exceeds the schedule of mere interpretation and puts film in relationship with classical philosophical questions such as (its own) essence, truth, or beauty. Those reflections can also take the form of film aesthetics and film theory, which are philosophical inasmuch as their approaches are methodologically sophisticated and they transgress empiricism. Benefiting from the intellectual wealth of the entire history of the humanities, this series is an ideal source for anyone interested in the philosophical dimensions of cinema.

Book Proposals
Minimum length is 80 000 words main text. Please send a book proposal (ca. 1000 words) and a CV to thorstenbotz@hotmail.com. We will then say whether the project can be taken further. Monographs, edited volumes as well as "companions to" are welcome. Complete manuscripts will be double-blind peer reviewed.
Your MS should not be simultaneously submitted to another press.
New Perspectives in Edward Albee Studies is an annual peer-reviewed book series meant to provide an outlet for scholarship and criticism on, or related to, Edward Albee and his works. Volumes feature original, academic essays and review-essays centered around a special topic. Each volume is edited by a Guest Editor. The series welcomes and encourages different critical and theoretical scholarly approaches to Albee studies. In keeping with Albee’s own view that drama is literature, New Perspectives in Edward Albee Studies is also very interested in essays that examine Albee’s plays as dramatic literature.
Studies and Sources in the Material and Visual History of Science
Editors: Marco Beretta and Sven Dupré
Nuncius Series explores the material sources of scientific endeavor, such as scientific instruments and collections, the specific settings of experimental practice, and the interactions between sciences and arts. The materiality of science is a fundamental source for the understanding of its history, and the visual representation of its concepts and objects is equally crucial. Nuncius Series focuses on the exploration of increasingly-varied modes of visual description of observed reality.

The series also invites to explore the role of iconography and portraiture in the self-representation of the scientist. Interpretative studies and documentary surveys are both welcome.

Authors are cordially invited to submit proposals and/or full manuscripts by email to the publisher Stefan Einarson or to one of the series editors: Marco Beretta (University of Bologna) or Sven Dupré (Utrecht University / University of Amsterdam). For information on how to submit a book proposal, please consult the Brill Author Guide.