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Memory, Movement, and Modernities across Hemispheres
Series Editors:
Richard T. Chu, University of Massachusetts
Augusto F. Espiritu, University of Illinois at Urbana-Champaign
Mariam Lam, University of California, Riverside

For some time now, studies on Southeast Asians have often situated the experiences of these peoples within the territorial boundaries of their countries and within the regional framework of Southeast Asia. Geographically fixed to the Philippines, Thailand, Burma, Cambodia, Laos, Vietnam, Indonesia, Brunei, East Timor, and Singapore, Southeast Asia emerges, as critical area studies underscore, as a site marked by multivalent politics, histories, and cultures. The processes of globalization, neoliberalism, and war have unmoored such fixities in the Eastern as much as in the Western Hemispheres, causing tectonic shifts in the constructions of memory, massive population movements and migrations, and ever new projects and worldings responding to various regimes of the “modern.” Whereas Southeast Asian studies may remain regionally focused, Southeast Asian American studies must increase its focus on the understudied complex, transnational flows and manifold expressions of the Southeast Asian diasporic experience.

Attendant to the rise of the Southeast Asian diasporas, Global Southeast Asian Diasporas (SEAD) provides a peer-reviewed forum for studies that specifically investigate the histories and experiences of Southeast Asian diasporic subjects across hemispheres. We especially invite studies that critically focus on the Southeast Asian experience from a transnational, comparative, and international perspective. SEAD welcomes submissions from a wide array of disciplinary fields (including history, sociology, political science, cultural studies, literary studies, and anthropology, among others) that innovatively interrogate themes such as refugees, political asylum, gender/sexuality, colonialism, globalization, empire, nation/nationalism, ethnicity, and transnationalism.

Manuscripts should be at least 90,000 words in length (including footnotes and bibliography). Manuscripts may also include illustrations, tables, and other visual material. The editors will consider proposals for original monographs, edited collections, translations, and critical primary source editions.

Authors are cordially invited to submit proposals and/or full manuscripts by email to the publisher Chunyan Shu.
Chronicles of Contemporary Chinese Social Life includes part of the data collected at the Fudan Data Center for Contemporary Chinese Social Life by Professor Zhang Letian and his team from grassroots society in China, either directly from the owner/author or from collectors who work with the original owner/author. The data is systematic and comprehensive in a self-standing way. All the data that were selected for publication are from a particular rural collective, an urban work-unit, or a residential community and thus reflect the wholeness of the given unit of social life. These data all stretch for a time span of ten years or more, providing enough temporal depth for research and better understanding. These non-aggregated data at the grassroots level systematically reflect the real social life of a particular community over a long time period; they are rich in details for both in-depth case studies and comparative studies. As these kinds of data have never been published before, this publication is truly unique and original.



The targeted readers include China scholars around the world, particularly those whose research focus on contemporary or post-1949 China and/or teaching courses for the same period, graduate students in the same fields for both learning and their own research, and some individuals from the concerned public who want to learn more about Chinese social life by engaging in original and untouched empirical data.
Die Reihe ist abgeschlossen.
The Social Fictions series — winner of the prestigious Special Achievement Award from the American Creativity Association — emerges out of the arts-based research movement. The series includes full-length fiction books that are informed by social research but written in a literary/artistic form (novels, plays, and short story collections). Believing there is much to learn through fiction, the series only includes works written entirely in the literary medium adapted. Each book includes an academic introduction that explains the research and teaching that informs the book as well as how the book can be used in college courses. The books are underscored with social science or other scholarly perspectives and intended to be relevant to the lives of college students—to tap into important issues in the unique ways that artistic or literary forms can.

Please email queries to pleavy7@aol.com

Winner!
Patricia Leavy and the Social Fictions Series have received the Special Achievement Award 2014 from the American Creativity Association, announced in May 2014.
Das Internationale Kolleg Morphomata: Genese, Dynamik und Medialität kultureller Figurationen wird vom Bundesministerium für Bildung und Forschung im Rahmen der Initiative "Freiraum für Geisteswissenschaften" als eines der neuen Käte Hamburger Kollegs gefördert. Jährlich bis zu 10 Fellows aus aller Welt forschen gemeinsam mit Kölner Wissenschaftlern zu Fragen kulturellen Wandels. Im Dialog mit internationalen Wissenschaftlern gibt das Kolleg geisteswissenschaftlicher Forschung einen neuen Ort - ein Denklabor, in dem unterschiedliche disziplinäre und kulturelle Perspektiven verhandelt werden.
For a long time, historiography was the sum of national efforts. Historians automatically thought and wrote within the framework of nation states – even when discussing “foreign policy” and “inter-national” topics. “Globalization” is beginning to change their approach. Now that borders have become more fluid in contemporary society, and interest in transnational processes is increasing, the principles of the methodological nationalism of the past are undergoing a critical review. A different view of global cohesion parallels this trend. Until recently, the North Atlantic perspective dominated the mental world order: the “modern” period was believed to have started in Europe and North America and to have spread gradually throughout the rest of the world; the temporality of the core area was considered to have defined developmental periods elsewhere as well. This Eurocentrism is now under fire, and many attempts to circumvent it are in progress. The peer-reviewed book series Studies in Global Social History figures within these new trends. Each volume in this series addresses (the connections between) macro-regions and aims to visualize contrasts and similarities, to demonstrate how our present global society has materialized from uneven and combined developments and from interaction between acts “from above” and “from below”: from rulers, entrepreneurs, politicians, and administrators on the one hand and from slaves, peasants, indentured labourers, wage-earners, and housewives on the other hand.

Authors are cordially invited to submit proposals and/or full manuscripts to either the series editor Marcel van der Linden or the publisher at BRILL, Wendel Scholma.

The series includes the subseries Studies in Global Migration History and Studies in the Social History of the Global South.

Brill Open offers you the choice to make your research freely accessible online in exchange for a Publication Charge. This can be by choice or to comply with funding mandates or university requirements. Brill offers various options of Open Access; for more information please go to the Brill Open webpage.

The series published an average of 3,5 volumes per year over the last 5 years.
Editor: Michiel Baud
The objective of the CEDLA Latin America Studies series (CLAS) is to publish the results of original research on Latin America in the field of the Social Sciences, understood in a broad sense to include History, Economics and Geography. CEDLA is an inter-university centre for research and documentation on Latin America located in Amsterdam.

For titles up to volume 93 please visit the CEDLA website.
Lusotopie is an international comparatist specialized journal devoted to political analysis of present-day spaces stemming from Portuguese history and colonization. It deals with general issues in political analysis (nationalism, ethnicity, neo-liberalism, State reform, federalism, gender, civil war, media, civil society, election; etc.): it provides an original approach within this heterogeneous postcolonial space on the four continents and in numerous diasporas. Founded in 1994, Lusotopie has published a diverse range of contributions from researchers of over 30 different nationalities, often from Southern countries. It has brought up an galitarian dialogue space due to systematic use of three international languages (French, Portuguese and English).

Lusotopie est une revue comparatiste internationale, dont le but est le développement de la recherche politique sur les espaces contemporains issus de l’histoire et de la colonisation, portugaises. Elle entend poser tous les problèmes généraux de l’analyse politique (nationalisme, ethnicité, néolibéralisme, réforme de l’État, fédéralisme, relations de genre, guerres civiles, médias, société civile, élections, etc.): son originalité est de les “traiter” au sein de cet espace postcolonial et composite, présent sur quatre continent s et dans de nombreuses diasporas. Paraissant depuis 1994, Lusotopie a publié des travaux d’auteurs de plus de trente nationalités, souvent originaires de pays du Sud et institué un espace de dialogue égalitaire grâce à son usage systématique de trois langues internationales (français, portugais et anglais).

Lusotopie é uma revista comparatista internacional cujo objectivo é o desenvolvimento da inves t igação polít ica sobre os espaços contemporâneos provenientes da história e da colonização, portuguesas. Propõe-se abordar os problemas gerais da análise política (nacionalismo, etnicidade, neoliberalismo, reforma do Estado, federalismo, relações de género, guerras civis, media, eleições, etc.): a originalidade da revista é a de tratar aqueles problemas no seio do espaço post-colonial e plural, presente em quatro continentes e em numerosas diásporas. Saindo desde 1994 Lusotopie publicou trabalhos de autores de mais de trinta nacionalidades, muitos dos quais naturais de países do Sul, e instituiu um espaço de diálogo egalitário graças ao uso sistemático de três línguas internacionais (francês, inglês e português).
Das Jahrbuch für Europäische Ethnologie (vormals Jahrbuch für Volkskunde) sieht sich einer Fachidentität verpflichtet, die Volkskunde als europäische Ethnologie vornehmlich im Sinne einer historischen Kulturwissenschaft versteht und darum auch Gegenwartsfragen im Kontinuum der Geschichte diskutiert. Schwerpunkte bilden u. a. religionsethnologische und frömmigkeitsgeschichtliche Untersuchungen, Studien zur Ritual- und Brauchforschung, zur materiellen Kultur und Dinggebrauch, zur Alltagskulturforschung und den dazugehörigen Theoriediskursen.