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As of 2021, Brill Research Perspectives in Art and Law is no longer published as a journal by Brill, but will continue as a book series.
The interdisciplinary English language journal Art and Law aims to gather outstanding contributions to the fascinating debate at the intersection of art and law. The focus of the journal involves all the aspects (philosophical, juridical, sociological, technological and cultural) characterizing the relationship between art and law. Each issue will be intended as a monographic volume devoted to a specific topic.
As from 2018 the journal is published in 4 issues a year.
The interdisciplinary English language journal Art and Law aims to gather outstanding contributions to the fascinating debate at the intersection of art and law. The focus of the journal involves all the aspects (philosophical, juridical, sociological, technological and cultural) characterizing the relationship between art and law. Each issue will be intended as a monographic volume devoted to a specific topic.
As from 2018 the journal is published in 4 issues a year.
Editor-in-Chief:
As of 2021, Brill Research Perspectives in Religion and the Arts is no longer published as a journal by Brill, but will continue as a book series.
Brill Research Perspectives in Religion and the Arts presents extended reference articles on topics within the comprehensive field of world religions and the arts, from the traditional fine arts to newer fields of visual culture and material culture. References will be hyperlinked to original source materials when possible, offering both scholars and students the opportunity to stay current with the literature or to begin their research. Written as a single-author monograph with accompanying critical bibliography, each 50 to 100 page article provides an overview of the specific topic, its history within the larger discipline of religion and the arts, recent innovations in scholarship, critical commentary, and the unique analysis of the author's perspectives.
Brill Research Perspectives in Religion and the Arts presents extended reference articles on topics within the comprehensive field of world religions and the arts, from the traditional fine arts to newer fields of visual culture and material culture. References will be hyperlinked to original source materials when possible, offering both scholars and students the opportunity to stay current with the literature or to begin their research. Written as a single-author monograph with accompanying critical bibliography, each 50 to 100 page article provides an overview of the specific topic, its history within the larger discipline of religion and the arts, recent innovations in scholarship, critical commentary, and the unique analysis of the author's perspectives.
Editor-in-Chief:
The Journal of Japonisme is a multi-disciplinary, global publication and dedicated to all aspects of the Japonisme movement from the first appearance of the name in France in the 1870s until the 21st century. The journal is open to new ideas and findings from wherever they might be found. Submitted manuscripts coming from the most wide ranging disciplines of the humanities: history, visual culture including the history of art and design, the decorative arts, painting and the graphic arts, architecture, fashion, film, literature, aesthetics, art criticism, and music, will be considered if they show how Japanese art and culture influenced and permeated Western society and culture from the opening of Japan to the West in the 1850s until the 21st century. Additionally, articles addressing Japanese art and artistic cross-cultural relations within the Asian region may also be submitted. Articles on various collectors of Japanese art in the West, either specific museums or individuals, will be strongly considered, as it was through these collections that Western artists gained a broad familiarity with works that they could study.
While Japonisme has long been seen as a significant influence on Western culture, there has never been an international journal that would specifically examine all aspects of this cultural phenomenon from a variety of disciplines and angles, ánd in a global perspective. This is one of the principal reasons why the emergence of this publication is so essential. The increasing awareness of Japonisme among scholars, and now the general public, make it essential that a publication is initiated so that various viewpoints can be shared. This is now a field of scholarly consideration that must be examined in depth through a journal solely dedicated to this type of exchange of ideas.
The journal will be published annually in English; there will be ca. 4 to 5 essays and book or exhibition reviews. All articles will be submitted in English; they will be peer reviewed by a distinguished committee of advisors and/or other reviewers signifying the importance of the work before it can be included in the Journal. Each article will be illustrated with no more than ten images. These will be reproduced (mainly) in black and white in the paper version and in color in the electronic edition. Each essay will be no longer than 8,000-10,000 words, including notes.
While Japonisme has long been seen as a significant influence on Western culture, there has never been an international journal that would specifically examine all aspects of this cultural phenomenon from a variety of disciplines and angles, ánd in a global perspective. This is one of the principal reasons why the emergence of this publication is so essential. The increasing awareness of Japonisme among scholars, and now the general public, make it essential that a publication is initiated so that various viewpoints can be shared. This is now a field of scholarly consideration that must be examined in depth through a journal solely dedicated to this type of exchange of ideas.
The journal will be published annually in English; there will be ca. 4 to 5 essays and book or exhibition reviews. All articles will be submitted in English; they will be peer reviewed by a distinguished committee of advisors and/or other reviewers signifying the importance of the work before it can be included in the Journal. Each article will be illustrated with no more than ten images. These will be reproduced (mainly) in black and white in the paper version and in color in the electronic edition. Each essay will be no longer than 8,000-10,000 words, including notes.
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Explorations in Renaissance Culture, a multidisciplinary scholarly journal publishing two issues annually, explores all disciplines of study in the early-modern/Renaissance period: literature, history, art and iconography, music, cultural studies, etc. Articles are published in English and are fully refereed, using a double-blind review process. ERC is published in cooperation with the South-Central Renaissance Conference.
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Journal of the Material and Visual History of Science (Formerly: Annali dell'Istituto e Museo di storia della scienza di Firenze)
Editor-in-Chief:
2022 Impact Factor: 0,2
5 Year Impact Factor: 0,2
Nuncius is a peer-reviewed, international journal devoted to the historical role of material and visual culture in science. Nuncius publishes 3 issues per year.
Nuncius explores the material sources of scientific endeavor, such as scientific instruments and collections, the specific settings of experimental practice, and the interactions between sciences and arts. The materiality of science is a fundamental source for the understanding of its history, and the visual representation of its concepts and objects is equally crucial. Founded in 1976, Nuncius was originally published as Annali dell'Istituto e Museo di Storia della Scienza.
Nuncius publishes original articles, unpublished primary sources (Documenta inedita), and occasionally special focus sections to emerging historiographic fields and new methods of research. A rich book and review article section covers the main contributions to the field.
The main language of the journal is English, although submissions in other languages can also be considered. Nuncius is published under the auspices of the Museo Galileo in Florence (www.museogalileo.it).
For Author Guidelines click here.
For the invitation for submissions for the 2nd Nuncius Essay Award (2024) click here.
5 Year Impact Factor: 0,2
Nuncius is a peer-reviewed, international journal devoted to the historical role of material and visual culture in science. Nuncius publishes 3 issues per year.
Nuncius explores the material sources of scientific endeavor, such as scientific instruments and collections, the specific settings of experimental practice, and the interactions between sciences and arts. The materiality of science is a fundamental source for the understanding of its history, and the visual representation of its concepts and objects is equally crucial. Founded in 1976, Nuncius was originally published as Annali dell'Istituto e Museo di Storia della Scienza.
Nuncius publishes original articles, unpublished primary sources (Documenta inedita), and occasionally special focus sections to emerging historiographic fields and new methods of research. A rich book and review article section covers the main contributions to the field.
The main language of the journal is English, although submissions in other languages can also be considered. Nuncius is published under the auspices of the Museo Galileo in Florence (www.museogalileo.it).
For Author Guidelines click here.
For the invitation for submissions for the 2nd Nuncius Essay Award (2024) click here.
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Journal of German Literature and Culture of the Early Modern Period (1400-1750) / Zeitschrift für deutsche Literatur und Kultur der Frühen Neuzeit
From its foundation in 1972, Daphnis was conceived as a platform for the publication of research into German literature and culture of the early modern period (14th-18th century). Since then it has developed to take on board interdisciplinary and intercultural perspectives. It is considered today an outstanding international scholarly forum for research into the early modern period. From a comparative point of view it examines the relationship between German literatures and cultural history and the culture of other European (and non-European) countries in the period, as well as such phenomena as cultural transfer. It addresses problems pertaining to the early new high German language and to Neo-Latin literature, as well as to new research fields such as intermediality, performance theories or gender studies. Within its four issues a year Daphnis offers the possibility of thematic volumes. With its double blind peer-review procedures, Daphnis is a platform which welcomes previously unpublished contributions (in German or English) under the headings: Research Articles, Miscellaneous Contributions, Bibliography and Book Reviews.
Die Zeitschrift Daphnis ist seit 1972 als Organ zur Erforschung der deutschen Literatur(en) und Kultur(en) der Frühen Neuzeit (14.-18.Jh) konzipiert worden. Seit ihrer Gründung hat sie sich im Sinne einer breiteren Interdisziplinarität und interkulturellen Perspektive entwickelt und ausdifferenziert. Heute gilt sie als ein international anerkanntes wissenschaftliches Forum für Frühneuzeitforschung. Sie berücksichtigt unter komparatistischem Aspekt die Beziehungen der deutschen Literatur und Kultur zu den europäischen (auch außereuropäischen) Kulturen dieses Zeitraums und Phänomene des Kulturtransfers. Hinzu kommen aktuelle Fragestellungen der frühneuhochdeutschen Sprache, der neulateinischen Literatur wie auch neuere Forschungsfelder der Intermedialität, Performanz, Gender Studies u.a. Im Rahmen der jährlich vorgesehenen vier Hefte sind inhaltlich geschlossene Themenhefte möglich und werden von Gastherausgebern verantwortet. Im Daphnis werden noch unveröffentlichte Beiträge (in deutscher und englischer Sprache) zu den Rubriken „Abhandlungen“, „Miszellen“, „Berichte“, „Bibliographien“ im Peer-Review-Verfahren aufgenommen. Darüber hinaus erscheinen Rezensionen zu aktuellen Publikationen der Epoche.
Die Zeitschrift Daphnis ist seit 1972 als Organ zur Erforschung der deutschen Literatur(en) und Kultur(en) der Frühen Neuzeit (14.-18.Jh) konzipiert worden. Seit ihrer Gründung hat sie sich im Sinne einer breiteren Interdisziplinarität und interkulturellen Perspektive entwickelt und ausdifferenziert. Heute gilt sie als ein international anerkanntes wissenschaftliches Forum für Frühneuzeitforschung. Sie berücksichtigt unter komparatistischem Aspekt die Beziehungen der deutschen Literatur und Kultur zu den europäischen (auch außereuropäischen) Kulturen dieses Zeitraums und Phänomene des Kulturtransfers. Hinzu kommen aktuelle Fragestellungen der frühneuhochdeutschen Sprache, der neulateinischen Literatur wie auch neuere Forschungsfelder der Intermedialität, Performanz, Gender Studies u.a. Im Rahmen der jährlich vorgesehenen vier Hefte sind inhaltlich geschlossene Themenhefte möglich und werden von Gastherausgebern verantwortet. Im Daphnis werden noch unveröffentlichte Beiträge (in deutscher und englischer Sprache) zu den Rubriken „Abhandlungen“, „Miszellen“, „Berichte“, „Bibliographien“ im Peer-Review-Verfahren aufgenommen. Darüber hinaus erscheinen Rezensionen zu aktuellen Publikationen der Epoche.
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