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Diplomatica

A Journal of Diplomacy and Society

Editor-in-Chief Giles Scott-Smith and Kenneth Weisbrode

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Diplomatica: A Journal of Diplomacy and Society addresses the broad range of work being done across the social sciences and the humanities that takes diplomacy as its focus of investigation. The journal explores and investigates diplomacy as an extension of social interests, forces, and environments. It is multidisciplinary, providing a space to unite perspectives from diplomatic history (humanities) and diplomatic studies (social sciences) in particular. It is interdisciplinary, expanding beyond its disciplinary foundation of history to enrich historical perspectives with innovative analyses from other disciplines. It seeks to broaden the study of diplomacy temporally, contributing to a re-appraisal of diplomacy across the modern and early modern eras and beyond, in this way bridging temporal divides and introducing debate between scholars of different periodizations. It is determinedly global in orientation, providing a space for inter-regional comparisons. The journal is published in cooperation with the New Diplomatic History (NDH) Network.

Diplomatica seeks to merge diplomatic history and diplomatic studies through three main approaches:
1. Habitat: Exploring the multiple identities, behaviors, rituals, and belief systems of diplomats and how they change according to time, place, and space;
2. Actors: Challenging the centrality of the nation-state as the principal actor framing an understanding of what diplomacy is by focusing equally on the role of non-state actors;
3. Disciplines: Introducing appropriate methodologies from the social sciences, such as prosopography, network analysis, gender studies, economics, geography, and communications, in order to broaden the analytical study of diplomatic habitats, actors, and interactions through time.

Broadly speaking, Diplomatica covers the study of diplomatic process more than the study of diplomatic product. It questions, investigates, and explores all aspects of the diplomatic world, from interactions between the professionally diplomatic and the non-diplomatic to the arrangement of summits and banquets, the architecture of ministries and residences, and the identities, roles, practices, and networks of envoys, policy entrepreneurs, salonnières, and all other private and quasi-private individuals who affect the course of diplomacy.

The journal welcomes submissions dealing with any period and locale from across the humanities and social sciences. Submissions should be standard article length (approximately 8,000 words including footnotes) and written for a general, scholarly audience.

For editorial queries and proposals, please contact the Diplomatica Editorial Office.

For book review queries, please contact the book review editor, Haakon Ikonomou.

The Mattingly Award
Brill, the editorial board of Diplomatica, and the New Diplomatic History Network are pleased to provide an annual award of €500 for excellence and originality in an essay on diplomatic society or culture, broadly defined. The Mattingly Award is named for the American historian, Garrett Mattingly (1900-62), an esteemed writer, scholar, and professor at Columbia University. Best known for his history of the Spanish Armada (1959), which won the Pulitzer Prize, and his biography of Catherine of Aragon (1941), Mattingly pioneered the study of diplomatic institutions, practices, norms, and personalities, notably in his classic history of early modern Europe, Renaissance Diplomacy (1955).

NOW AVAILABLE - Online submission: Articles for publication in Diplomatica can be submitted online through Editorial Manager, please click here.

Edited by Katie Barclay, Andrew Lynch and Giovanni Tarantino

EHCS is dedicated to understanding the emotions as culturally and temporally-situated phenomena, and to exploring the role of emotion in shaping human experience and action by individuals, groups, societies and cultures.

EHCS welcomes theoretically-informed work from a range of historical, cultural and social domains. The journal aims to illuminate (1) the ways emotion is conceptualized and understood in different temporal or cultural settings, from antiquity to the present, and across the globe; (2) the impact of emotion on human action and in processes of change; and (3) the influence of emotional legacies from the past on current social, cultural and political practices.

EHCS is interested in multidisciplinary approaches (both qualitative and quantitative), from history, art, literature, languages, music, politics, sociology, cognitive sciences, cultural studies, environmental humanities, religious studies, linguistics, philosophy, psychology, and related disciplines. The journal also invites papers that interrogate the methodological and critical problems of exploring emotions in historical, cultural and social contexts, and the relation between past and present in the study of feelings, passions, sentiments, emotions and affects. Finally, Emotions also accepts theoretically-informed and reflective scholarship that explores how scholars access, uncover, construct and engage with emotions in their own scholarly practice.

Following an initial review process by the editors, EHCS sends acceptable submissions to two expert independent readers outside the author’s home institution, employing a double-blind review procedure.

EHCS is published on behalf of the Society for the History of Emotions.