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Aziatische Kunst is het tijdschrift van de Koninklijke Vereniging van Vrienden der Aziatische Kunst (KVVAK) en verschijnt 3 keer per jaar. De artikelen zijn van de hand van de conservatoren van het Rijksmuseum en gerenommeerde wetenschappers op het gebied van Aziatische kunst in binnen- en buitenland. Indien u het tijdschrift in print wenst te ontvangen, gelieve contact op te nemen met de KVVAK: info@vvak.nl Aziatische Kunst is the journal of the Royal Society of Friends of Asian Art (KVVAK) and is published in 3 issues per year. The articles are written by the curators of the Rijksmuseum and renowned international specialists in the field of Asian art. When you want to receive the journal in print, please contact the KVVAK: info@vvak.nl
As of 2021, Brill Research Perspectives in Art and Law is no longer published as a journal by Brill, but will continue as a book series.

The interdisciplinary English language journal Art and Law aims to gather outstanding contributions to the fascinating debate at the intersection of art and law. The focus of the journal involves all the aspects (philosophical, juridical, sociological, technological and cultural) characterizing the relationship between art and law. Each issue will be intended as a monographic volume devoted to a specific topic.

As from 2018 the journal is published in 4 issues a year.
Editor-in-Chief:
As of 2021, Brill Research Perspectives in Religion and the Arts is no longer published as a journal by Brill, but will continue as a book series.

Brill Research Perspectives in Religion and the Arts presents extended reference articles on topics within the comprehensive field of world religions and the arts, from the traditional fine arts to newer fields of visual culture and material culture. References will be hyperlinked to original source materials when possible, offering both scholars and students the opportunity to stay current with the literature or to begin their research. Written as a single-author monograph with accompanying critical bibliography, each 50 to 100 page article provides an overview of the specific topic, its history within the larger discipline of religion and the arts, recent innovations in scholarship, critical commentary, and the unique analysis of the author's perspectives.
Editor:
Explorations in Renaissance Culture, a multidisciplinary scholarly journal publishing two issues annually, explores all disciplines of study in the early-modern/Renaissance period: literature, history, art and iconography, music, cultural studies, etc. Articles are published in English and are fully refereed, using a double-blind review process. ERC is published in cooperation with the South-Central Renaissance Conference.
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Greek and Roman Musical Studies celebrates its 10th anniversary this year ! As a tribute to the scholars who, with passion and dedication, have contributed to the success of GRMS, in the course of this year Brill will provide free access to a selection of articles. Please find them on the dedicated webpage here.
Greek and Roman Musical Studies is the first and, at present, the only specialist periodical in the fields of ancient Greek and Roman music. It publishes papers offering cultural, historical, theoretical, archaeological, iconographical and other perspectives on music in Classical antiquity, and on its reception in later times (especially the Middle Ages and the Renaissance, but also more recent periods). The Editorial Board will also consider contributions on music elsewhere in the Mediterranean region, including Egypt, Syria, Palestine and Mesopotamia. Cross-disciplinary approaches will be particularly appreciated.
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Founding Editor:
The International Journal of Wood Culture (IJWC) publishes papers on all aspects of wood and other plant materials such as bamboo, rattan, and bark and their role in art, culture and society in past, present and future. IJWC publishes articles on the role of wood and other plant materials throughout civilization from the ancient period to present, in building and architecture, in music, arts and crafts, in religion and custom, in transportation and sport, or in providing sustainable alternatives to construction and manufacturing materials. Review articles and original research articles, multidisciplinary and discipline specific submissions are considered.
Open Access
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The Journal of Japonisme is a multi-disciplinary, global publication and dedicated to all aspects of the Japonisme movement from the first appearance of the name in France in the 1870s until the 21st century. The journal is open to new ideas and findings from wherever they might be found. Submitted manuscripts coming from the most wide ranging disciplines of the humanities: history, visual culture including the history of art and design, the decorative arts, painting and the graphic arts, architecture, fashion, film, literature, aesthetics, art criticism, and music, will be considered if they show how Japanese art and culture influenced and permeated Western society and culture from the opening of Japan to the West in the 1850s until the 21st century. Additionally, articles addressing Japanese art and artistic cross-cultural relations within the Asian region may also be submitted. Articles on various collectors of Japanese art in the West, either specific museums or individuals, will be strongly considered, as it was through these collections that Western artists gained a broad familiarity with works that they could study.

While Japonisme has long been seen as a significant influence on Western culture, there has never been an international journal that would specifically examine all aspects of this cultural phenomenon from a variety of disciplines and angles, ánd in a global perspective. This is one of the principal reasons why the emergence of this publication is so essential. The increasing awareness of Japonisme among scholars, and now the general public, make it essential that a publication is initiated so that various viewpoints can be shared. This is now a field of scholarly consideration that must be examined in depth through a journal solely dedicated to this type of exchange of ideas.

The journal will be published annually in English; there will be ca. 4 to 5 essays and book or exhibition reviews. All articles will be submitted in English; they will be peer reviewed by a distinguished committee of advisors and/or other reviewers signifying the importance of the work before it can be included in the Journal. Each article will be illustrated with no more than ten images. These will be reproduced (mainly) in black and white in the paper version and in color in the electronic edition. Each essay will be no longer than 8,000-10,000 words, including notes.
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Journal of Material Cultures in the Muslim World (MCMW) aims to be a new reference for field archaeologists, art historians, anthropologists, curators, and scholars and students of the (art) history, archaeology, architecture, anthropology & ethnography of the Muslim world. This readership represents a new broader definition of material culture that includes not only artefacts, architectural structures and monuments, but also crafts. The journal also aims to inform (other) disciplines and historiographies, by including (unreviewed) archaeological field surveys for example.
The journal focuses on un(der)explored Muslim regions outside of the Middle East and Nord Africa: sub-Saharan Africa, the Indian Ocean, Central Asia, India, South-East Asia and Europe.
The journal accepts submissions in English, French, German and Spanish and short reports in Arabic, Persian and Turkish with an English abstract.
Submissions should be sent to the Editor-in-Chief, Stéphane Pradines.
Frequency: 1 volume per year, 2 issues per volume.
Open Access
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An Annual on the Visual Cultures of the Islamic World
Editor-in-Chief:
Founded by Oleg Grabar in 1983, Muqarnas is the first academic journal devoted to art, architectural history, archaeology, as well as all aspects of Islamic visual and material cultures, historical and contemporary. Full-length articles are accompanied by shorter submissions grouped under a separate section titled “Notes and Sources,” for which we particularly welcome studies that introduce textual and visual primary sources. Muqarnas is sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.

Related publication: Muqarnas, Supplements.

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An online publication containing all volumes of the Netherlands Yearbook for History of Art/Nederlands Kunsthistorisch Jaarboek (NKJ). For this online edition all volumes (dating back to 1947) have been digitized and are now available to subscribers, for the period of their subscription. The online publication is updated annually with the most recent yearbook.

Founded in 1947 the NKJ is a peer-reviewed journal, which has established an international reputation for publishing outstanding articles that reflect the variety and diversity of approaches to the study of Netherlandish art and culture. The NKJ aims to foster traditional art historical scholarship and to open up the field to innovative cross disciplinary developments. Each volume has been dedicated to a particular theme.
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