Browse results

Journal of German Literature and Culture of the Early Modern Period (1400-1750) / Zeitschrift für deutsche Literatur und Kultur der Frühen Neuzeit
From its foundation in 1972, Daphnis was conceived as a platform for the publication of research into German literature and culture of the early modern period (14th-18th century). Since then it has developed to take on board interdisciplinary and intercultural perspectives. It is considered today an outstanding international scholarly forum for research into the early modern period. From a comparative point of view it examines the relationship between German literatures and cultural history and the culture of other European (and non-European) countries in the period, as well as such phenomena as cultural transfer. It addresses problems pertaining to the early new high German language and to Neo-Latin literature, as well as to new research fields such as intermediality, performance theories or gender studies. Within its four issues a year Daphnis offers the possibility of thematic volumes. With its double blind peer-review procedures, Daphnis is a platform which welcomes previously unpublished contributions (in German or English) under the headings: Research Articles, Miscellaneous Contributions, Bibliography and Book Reviews.

Peer Review Policy: All articles published in Daphnis undergo a double-blind peer review process. This includes articles published in special issues.

Die Zeitschrift Daphnis ist seit 1972 als Organ zur Erforschung der deutschen Literatur(en) und Kultur(en) der Frühen Neuzeit (14.-18.Jh) konzipiert worden. Seit ihrer Gründung hat sie sich im Sinne einer breiteren Interdisziplinarität und interkulturellen Perspektive entwickelt und ausdifferenziert. Heute gilt sie als ein international anerkanntes wissenschaftliches Forum für Frühneuzeitforschung. Sie berücksichtigt unter komparatistischem Aspekt die Beziehungen der deutschen Literatur und Kultur zu den europäischen (auch außereuropäischen) Kulturen dieses Zeitraums und Phänomene des Kulturtransfers. Hinzu kommen aktuelle Fragestellungen der frühneuhochdeutschen Sprache, der neulateinischen Literatur wie auch neuere Forschungsfelder der Intermedialität, Performanz, Gender Studies u.a. Im Rahmen der jährlich vorgesehenen vier Hefte sind inhaltlich geschlossene Themenhefte möglich und werden von Gastherausgebern verantwortet. Im Daphnis werden noch unveröffentlichte Beiträge (in deutscher und englischer Sprache) zu den Rubriken „Abhandlungen“, „Miszellen“, „Berichte“, „Bibliographien“ im Peer-Review-Verfahren aufgenommen. Darüber hinaus erscheinen Rezensionen zu aktuellen Publikationen der Epoche.
  • Print Only
    €491.00$569.00
  • Print + Online
    €535.00$621.00
  • Online only
    €446.00$517.00
  • To place an order, please contact customerservices@brill.com
  • Online only
    €149.00$173.00
  • Print Only
    €149.00$173.00
  • To place an order, please contact customerservices@brill.com
Published twice annually, the Journal of Avant-Garde Studies is a peer-reviewed interdisciplinary forum for critical discussion of the experimental, the outrageous, and the unclassifiable in the arts and literature, from the heyday of modernism to today. The perspective is global, the theoretical approaches are diverse, and the eligible subjects range from the famous to the forgotten.
JAGS seeks to broaden and enrich our history of the vanguard.

Peer Review Policy: All articles published in Journal of Avant-Garde Studies undergo a double-blind peer review process. This includes articles published in special issues.
  • Print Only
    €297.00$345.00
  • €324.00$377.00
  • Online only
    €270.00$314.00
  • To place an order, please contact customerservices@brill.com
  • Online only
    €90.00$106.00
  • Print Only
    €90.00$106.00
  • To place an order, please contact customerservices@brill.com
Journal of the Material and Visual History of Science (Formerly: Annali dell'Istituto e Museo di storia della scienza di Firenze)
Editor-in-Chief:
2022 Impact Factor: 0,2
5 Year Impact Factor: 0,2

Nuncius is a peer-reviewed, international journal devoted to the historical role of material and visual culture in science. Nuncius publishes 3 issues per year.
Nuncius explores the material sources of scientific endeavor, such as scientific instruments and collections, the specific settings of experimental practice, and the interactions between sciences and arts. The materiality of science is a fundamental source for the understanding of its history, and the visual representation of its concepts and objects is equally crucial. Founded in 1976, Nuncius was originally published as Annali dell'Istituto e Museo di Storia della Scienza.
Nuncius publishes original articles, unpublished primary sources (Documenta inedita), and occasionally special focus sections to emerging historiographic fields and new methods of research. A rich book and review article section covers the main contributions to the field.
The main language of the journal is English, although submissions in other languages can also be considered. Nuncius is published under the auspices of the Museo Galileo in Florence (www.museogalileo.it).

For Author Guidelines click here.

For the invitation for submissions for the 2nd Nuncius Essay Award (2024) click here.
  • Print + Online
    €707.00$819.00
  • Print Only
    €648.00$752.00
  • Online only
    €589.00$684.00
  • To place an order, please contact customerservices@brill.com
  • Online only
    €162.00$197.00
  • Print Only
    €160.00$197.00
  • To place an order, please contact customerservices@brill.com
Editor-in-Chief:
Oud Holland is the oldest surviving art history journal in the world. Founded by Adriaan de Vries and Nicolaas de Roever in 1883, it has appeared virtually without interruption ever since. Supported by the RKD Netherlands Institute for Art History since 1972, it is entirely devoted to the visual arts of the Low Countries from 1400 until the early twentieth century and has featured thousands of scholarly articles, including numerous pioneering art-historical studies. From 1885 to his death in 1946, the renowned art historian Abraham Bredius set a standard of excellence for Oud Holland. Many other well-known art historians have served as editors of the periodical.

Oud Holland is published four times a year. Each volume is richly illustrated in full colour and has at least 200 pages. Since 2021, all articles are published in English.

Oud Holland is published by Brill in cooperation with the RKD Netherlands Institute for Art History.

Back volumes and single issues in print as of 2008 can be ordered by sending an email to customerservices@brill.com

For back volumes or issues from before 2008, please contact the RKD Netherlands Institute for Art History. Email: oudholland@rkd.nl
  • Print + Online
    €283.00$329.00
  • Print Only
    €260.00$302.00
  • Online only
    €236.00$274.00
  • To place an order, please contact customerservices@brill.com
  • Print + Online
    €110.00$138.00
  • Online only
    €104.00$135.00
  • Print Only
    €104.00$135.00
  • To place an order, please contact customerservices@brill.com
A Journal on Contestations in the Arts
Editor-in-Chief:
Paragone: Past and Present is dedicated to featuring scholarship on the history of contestations and confrontations between the arts from antiquity into the present. Contestation is interpreted in the broadest terms from all global contexts. The journal invites articles that take up such questions with regard to any period of western cultural development, but also welcomes discussions of the formation and interaction of media in non-western cultures. The journal also wishes to advance discussion of a further key phenomenon typical of sixteenth-century culture, the mixing of text and image within particular visual fields, as in the proliferation of emblems of various kinds, as well as in book design or architecture. Such practices resonate with the advertising techniques and formats developed in the modern era, or indeed in the webpage design of today, with obvious implications especially for the broadcast media. These technical advances are not neutral, however, and so we hope to elicit discussion of the extent to which change in the media landscape accommodates or fosters certain ideological positions.

Journal of the Association for Textual Scholarship in Art History (ATSAH).
  • Print Only
    €125.00$133.00
  • Print + Online
    €137.00$145.00
  • Online only
    €114.00$133.00
  • To place an order, please contact customerservices@brill.com
  • Online only
    €34.95$42.00
  • Print Only
    €34.95$42.00
  • To place an order, please contact customerservices@brill.com
Editor:
Launched by Boston College in late 1996, Religion and the Arts has rapidly developed into a major international journal in this important interdisciplinary field. Religion and the Arts promotes the development of discourses for exploring the religious dimensions of the verbal, visual and performing arts. The journal has attracted international acclaim for its approach and its excellent quality and range of interest.

Religion and the Arts publishes:
● interpretations that develop new approaches to the religious and spiritual aspects of works of art
● discussions on the role of religion in cultural studies
● critical overviews of the state of scholarship in particular areas
● reviews, interviews, comment, debate, and surveys of recent developments

For more information on Boston College and the journal Religion and the Arts, please click here.
  • Print Only
    €628.00$729.00
  • Print + Online
    €685.00$796.00
  • Online only
    €571.00$663.00
  • To place an order, please contact customerservices@brill.com
  • Print Only
    €191.00$222.00
  • Online only
    €191.00$222.00
  • To place an order, please contact customerservices@brill.com