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Zeitschrift für Literatur und Künste der frühmodernen Welt / Journal for Arts and Literature in the Early Modern World / Revue pour les arts et les littératures de la Première Modernité
Artes versteht sich als fächerübergreifendes Forum zur Erforschung der Frühmoderne – von der europäischen Frührenaissance bis an die Schwelle zum 19. Jahrhundert. Als komparatistisch und interdisziplinär perspektiviertes Journal will die Zeitschrift vor allem den Austausch inter artes – z.B. mit Philologien, Philosophie, Musik-, Kunst- und Bildwissenschaften – anregen. Ziel ist es, die lange Transformationsphase vor der Moderne als ein Kontinuum zu beschreiben, das durch dynamische Prozesse von Pluralisierung und Diversität in Kunst und Lebenswelt die Grundlagen für unsere Gegenwart gelegt hat. Mit dem Titel der Zeitschrift erinnern wir zugleich an diese Vielfalt der Künste vor dem Zeitalter der Kunst wie auch an die zahlreichen artistisch-technischen Reflexionen, welche die ästhetische Produktion und Theoriebildung vor dem Aufstieg der Ästhetik im späten 18. Jahrhundert prägten.

Artes aims to be an interdisciplinary forum for the study of early modernity – from the early European Renaissance to the beginning of the 19th century. As a journal with a comparative and interdisciplinary perspective, our main intention is to stimulate exchange inter artes – e.g. between philologies, philosophy, music, art and visual studies. Our aim is to describe the long period of transformation before modernity as a continuum that laid the foundations for our present through dynamic processes of pluralization and diversity in art and our everyday world. With the title of the journal, we simultaneously recall diversity of the arts before the Age of Art as well as the numerous artistic-technical reflections that shaped aesthetic production and theory formation before the rise of aesthetic theory in the late 18th century.
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Journal of German Literature and Culture of the Early Modern Period (1400-1750) / Zeitschrift für deutsche Literatur und Kultur der Frühen Neuzeit
From its foundation in 1972, Daphnis was conceived as a platform for the publication of research into German literature and culture of the early modern period (14th-18th century). Since then it has developed to take on board interdisciplinary and intercultural perspectives. It is considered today an outstanding international scholarly forum for research into the early modern period. From a comparative point of view it examines the relationship between German literatures and cultural history and the culture of other European (and non-European) countries in the period, as well as such phenomena as cultural transfer. It addresses problems pertaining to the early new high German language and to Neo-Latin literature, as well as to new research fields such as intermediality, performance theories or gender studies. Within its four issues a year Daphnis offers the possibility of thematic volumes. With its double blind peer-review procedures, Daphnis is a platform which welcomes previously unpublished contributions (in German or English) under the headings: Research Articles, Miscellaneous Contributions, Bibliography and Book Reviews.

Peer Review Policy: All articles published in Daphnis undergo a double-blind peer review process. This includes articles published in special issues.

Die Zeitschrift Daphnis ist seit 1972 als Organ zur Erforschung der deutschen Literatur(en) und Kultur(en) der Frühen Neuzeit (14.-18.Jh) konzipiert worden. Seit ihrer Gründung hat sie sich im Sinne einer breiteren Interdisziplinarität und interkulturellen Perspektive entwickelt und ausdifferenziert. Heute gilt sie als ein international anerkanntes wissenschaftliches Forum für Frühneuzeitforschung. Sie berücksichtigt unter komparatistischem Aspekt die Beziehungen der deutschen Literatur und Kultur zu den europäischen (auch außereuropäischen) Kulturen dieses Zeitraums und Phänomene des Kulturtransfers. Hinzu kommen aktuelle Fragestellungen der frühneuhochdeutschen Sprache, der neulateinischen Literatur wie auch neuere Forschungsfelder der Intermedialität, Performanz, Gender Studies u.a. Im Rahmen der jährlich vorgesehenen vier Hefte sind inhaltlich geschlossene Themenhefte möglich und werden von Gastherausgebern verantwortet. Im Daphnis werden noch unveröffentlichte Beiträge (in deutscher und englischer Sprache) zu den Rubriken „Abhandlungen“, „Miszellen“, „Berichte“, „Bibliographien“ im Peer-Review-Verfahren aufgenommen. Darüber hinaus erscheinen Rezensionen zu aktuellen Publikationen der Epoche.
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Published twice annually, the Journal of Avant-Garde Studies is a peer-reviewed interdisciplinary forum for critical discussion of the experimental, the outrageous, and the unclassifiable in the arts and literature, from the heyday of modernism to today. The perspective is global, the theoretical approaches are diverse, and the eligible subjects range from the famous to the forgotten.
JAGS seeks to broaden and enrich our history of the vanguard.

Peer Review Policy: All articles published in Journal of Avant-Garde Studies undergo a double-blind peer review process. This includes articles published in special issues.
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Editor-in-Chief:
Journal of Chinese Humanities, a Diamond Open Access journal, is an English-language extension of Literature, History and Philosophy (Wen Shi Zhe 《文史哲》), a famous Chinese journal published by Shandong University. The content is not restricted to one aspect of Chinese culture but rather spans important topics within the fields of Chinese history, philosophy, and literature. It covers both traditional and modern areas of re-search. Importantly, as opposed to most English language journals that treat on Chinese studies, this journal aims to represent the current research coming out of mainland China. Thus each issue will be composed primarily of articles from Chinese scholars working at Chinese institutions, while at the same time including a small number of articles from foreign authors so as to provide opposing perspectives. This way, top scholars in China can be read in the Western world, and our Western readers will benefit from a native perspective and first hand material and research coming out of China.

Every issue will be theme-based, focusing on an issue of common interest to the academic community both within and outside China. The majority of articles will relate directly to the central theme, but each issue will also accept a limited number of articles not directly related to the current theme.

Peer Review Process
Journal of Chinese Humanities uses a double-blind peer review system, which means that manuscript author(s) do not know who the reviewers are, and that reviewers do not know the names of the author(s).

Ethics Statement
The publication of a manuscript in a peer-reviewed work is expected to follow standards of ethical behavior for all parties involved in the act of publishing: authors, editors, and reviewers. Authors, editors, and reviewers should thoroughly acquaint themselves with Brill’s Ethics Statement.

Open Access Fee
All articles are published under a non-exclusive Open Access license in exchange for an Article Publication Charge. The author(s) keep full copyright and give Brill permission to publish by signing a special Brill Open Consent to Publish. The Brill Open Consent to Publish will be sent to you by the responsible desk-editor. For more information go to Brill Open.

All articles are published under a CC-BY Open Access license. For more information go to Brill Open or contact: brillopen@brill.com.
Open Access
A Journal in Interdisciplinary Research
Editor-in-Chief:
As of 2020, Transcultural Studies is no longer published by Brill. The editorial board of Transcultural Studies: A Journal in Interdisciplinary Research welcomes contributions into literatures and cultures in the context of new methodologies in cultural theory, aesthetics, philosophy or political thought. The principle of ‘transculture’ which the journal promotes, refers to scholarly inquiry which ideally transcends ‘national borders’ and purely regional concerns in order to speak in a generalized language of critique shared by a universal community of thinkers and academics.

All articles should contribute to the scholarly debate through original research and a theoretical grounding. Contributions from a comparative perspective will also be considered.
The editorial board will plan and advertise specific thematic issues and oversee the refereeing process. Guest editors are welcome to propose topics for an issue or part issue.

Transcultural Studies was originally conceived as a platform for transcultural – post-structural – thought in Russia and Eastern Europe. Post-structuralism was introduced to the Soviet Russian academic scene in the 1980s by the late Georgian philosopher, Merab Mamardashvili. Since the journal’s inception in 2006, the scope of the journal has gradually been enlarged.