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The Journal of Arabic Literature (JAL) is the leading journal specializing in the study of Arabic literature, ranging from the pre-Islamic period to the present. Founded in 1970, JAL seeks critically and theoretically engaged work at the forefront of the field, written for a global audience comprised of the specialist, the comparatist, and the student alike. JAL publishes literary, critical and historical studies as well as book reviews on Arabic literature broadly understood– classical and modern, written and oral, poetry and prose, literary and colloquial, as well as work situated in comparative and interdisciplinary studies.
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Philological Encounters is dedicated to the historical and philosophical critique of philology.

The journal welcomes global and comparative perspectives that integrate textual scholarship and the study of language from across the world. Alongside four issues a year, monographs and/ or collected volumes will occasionally be published as supplements to the journal in the book series Philological Encounters Monographs.

The journal is open to contributions in all fields studying the history of textual practices, hermeneutics and philology, philological controversies, and the intellectual and global history of writing, archiving, tradition-making and publishing. Neither confined to any discipline nor bound by any geographical or temporal limits, Philological Encounters takes as its point of departure the growing concern with the global significance of philology and the potential of historically conscious and politically critical philology to challenge exclusivist notions of the self and the canon. Philological Encounters welcomes innovative and critical contributions in the form of articles as well as review articles, usually of two or three related books, and preferably from different disciplines.

Philological Encounters is a publication of the research program Zukunftsphilologie (Forum Transregionale Studien Berlin).

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A Critical Journal
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Associate Editors: , , and
Studies in World Cinema: A Critical Journal takes a pluralistic, polycentric and non-normative approach to the notion of ‘world cinema’ understood as a dynamic and all-inclusive concept. From a wide range of methodological perspectives and with a keen eye for the imbalances of power regarding access to and visibility in the global market, the aim is to inquire into both local and global cinematic practices as well as their interaction and contact zones, in both a historical and a current context.
Against this background, the journal invites contributions from scholars across the world on topics such as traveling cinematic tropes, creolization, transnational practices, global genres, remakes and rip-offs in new contexts, translation cultures, migrant and diasporic films and film cultures, collaborations and exchanges among filmmakers, co-productions and multinational filmmaking practices and networks, film festivals, films with ‘multinational themes’ such as globalization and climate change, the impact of new technologies on the international distribution of cinema, films which engender novel senses of the world in different cinematic practices, as well as theoretical discussions of the very idea of ‘world cinema’ and related concepts such as transnational cinema, but the list is far from exhaustive.
The journal also publishes themed special issues, for which contributions are invited from guest editors.

All articles undergo a double-blind peer review prior to publication.
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A Comparative Literature Review
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The Dostoevsky Journal: A Comparative Literature Review is an interdisciplinary journal on research into the life and works of F. M. Dostoevsky and on the resonance of the Russian writer in other texts of world literature and philosophy.
Contributions are particularly welcome from a research perspective in postmodernism, poststructuralism and phenomenology, or which explore, in a historical context, Dostoevsky's poetics and its impact on the Western cultural paradigm.
Submitted articles will be subject to double-blind peer review.
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The Year's Work in Modern Language Studies is an annual critical bibliography of scholarly work done in the modern languages (except English). The bibliography is collaboratively edited under the direction of the general editors. All contributions are in English and written by acknowledged experts in the field.

The following languages and literatures are covered:
- Medieval and Neo-Latin; French; Occitan; Spanish; Catalan; Portuguese; Galician; Latin-American; Italian; Romanian; Romansh; Greek
- Welsh; Breton; Cornish; Scottish Gaelic
- German; Dutch; Danish; Norwegian; Swedish; Yiddish
- Czech; Slovak; Polish; Russian; Ukrainian; Belarusian; Bulgarian
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