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Various Authors & Editors

Early Russian Cinema, Part 3
Russian Cinematographic Press (1907-1918)

Cinema in late-imperial Russia
In a quantitative sense Russia's cinematographic press comprises a modest segment of the general stream of the Russian periodical press at the beginning of the 20th century. However, in the dynamic of its development, the tempo of its reproduction and distribution, it far outstripped publication of all other contemporary genres and directions, and in this fact alone vividly reflected the general popularity of cinema in Russian society. In view of the fact that the documents connected with the history of the early Russian cinema and the overwhelming majority of materials on film have not survived up to this time, these publications constitute a unique collection of testimonials about the general and particular characteristics of the Russian cinematographic press of the 1900s and 1910s.

The art of the new age
The pages of these cinematographic publications have preserved for history not only the first examples of cinema theory, but also a very wide range of reflections of the artistic consciousness of the art of the new age. They chronicled all the variety and individual details of the cinematographic life of the Russian capitals and provinces, recorded consecutively the growth of cinematography in the cultural life of the country. The publications dedicated to the screen carefully documented the dynamic of the development of film production and distribution, traced the actions of the authorities in controlling screenings and noted all other accompanying factors and circumstances affecting the establishment of the new art.

The collection
Examining these sources, the researcher can reconstruct the film repertoire and assemble almost a complete list of domestic and foreign films shown on screens in Russia; he will find in them a detailed description of pictures, reviews by critics, censored materials, etc. In addition, they contain extremely valuable information about other forms of contemporary entertainment culture - the theater of miniatures, cabaret and music hall.
Armenian Architecture
A documented photo-collection for the study of the Early and Late Medieval Christian Architectural Arts of Transcaucasia and the Middle East

The roots of the Western architectural art, including early Christian art, are often to be found at the Transcaucasiasian and Middle east crossroads where the Armenian homeland was frequently meeting ground for both ideologies and conquerers. The conversion of the Armenian nation to Christianity (in AD 301 or soon after that) added a new dimension to the exchanges, particularly because the conversion inspired an Armenian drive for ethnic identity through the archtectural arts and scholarship.

Series:

Edited by Charlotte Douglas

Series:

Edited by Charlotte Douglas

Various Authors & Editors

Malevich Archive

Collection of handwritten and typewritten texts, notebooks and clippings from K. Malevich. The texts in the archive date from 1913 to 1927 and include the complete manuscript for the proposed 1922 edition of the book Suprematism. Mir kak bespredmetnost'. The archive also contains parts of Malevich's main philosophical work The World as Non-Objectivity.
35 Handwritten and typewritten texts, notebooks and clippings.